So what does this mean for the R6?
Are we going to get another Development Announcement between now and July for the R6.
Or do you think the R6 will be for later in 2020.
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I’m wondering whether this means I can sell my Sony gear? Glad I’ve kept my long EF lenses which are worth virtually nothing. Wish we knew further details and ballpark pricing?
There have been many yankers here over the years.Honest question from a new to Canon student: do some people really just yank the hood to zoom that one?
Given Canon's history I'm inclined to say there isn't going to be a 5DV.
Okay, I've had a night to sleep on it. I'm geeked about what we all think is coming, but I just have to wonder if what they aren't telling us is a really big deal or not.
...
I'm not trying to rain on anyone's parade, but they didn't actually say the MP count was in the 40s or that this camera will record 8K onboard / out of the box. Any chance they won't deliver on those two specs?
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Ironying the jeans?For what it’s worth, while reading this thread on my phone I was served an ad for the new Nikon D6, and it changed to a JCPenney ad for jeans for really fat women.
I’m still processing the irony.
Nope, that info is unavailable but it'd be a big surprise if it weren't full AE/AF in any AF mode for 12 and 20 fps.
The Sony 200-600mm works very well on the A9 with a 2xTC at 1200mm and f/12.6. (Not that I would want to use it.)I think we might see the RF 300 and 500 primes; they didn't get v3's with the 400 and 600, and what are we putting a 1.4x and 2x converter on? Surely not the 100-500 which would make a f/14 1000mm.
AH, I think it's safest to presume there will be some nerf balls thrown in. It's healthy to lower the expectations now. Some other options:
- FPS is governed by a chosen resolution. 20 fps could be 12 bit 20mp, with 7 fps at 45mp 14 bit.
- AF could kick off past 7 fps
- 8k could be motion jpg and fill a card in 3 seconds
- Heat should be an issue with the teeny tiny body. External recording could be required. Which wouldn't be such a terrible thing, as anyone shooting 8k for anything other than curiosity would likely be doing this anyway. That would lend itself to your part-of-a-system theory.
- They could be using mixed non-serifed fonts and serifed fonts to drive us crazy ($100 to send it back and have them upgrade it to a well designed typography)
I think this is a fantastic test when the R5 comes out. If Canon intends this to tide over pros for the next 18 months, we'll see point-linked spot metering. If Canon intends to come out with an R1 anytime in the next couple years, it won't be there.
PS:
I have to say that I use this a ton on my A7R4s. It's nice on the A92, but to lack it on a camera designed for a different purpose is super frustrating in Canon land. Word to Canon: when you choose a feature to deny lower-end bodies, don't use a feature that is needed in the top-of-the-line specialty cameras, like the 5DSR.
AH, I think it's safest to presume there will be some nerf balls thrown in. It's healthy to lower the expectations now. Some other options:
- FPS is governed by a chosen resolution. 20 fps could be 12 bit 20mp, with 7 fps at 45mp 14 bit.
- AF could kick off past 7 fps
- 8k could be motion jpg and fill a card in 3 seconds
- Heat should be an issue with the teeny tiny body. External recording could be required. Which wouldn't be such a terrible thing, as anyone shooting 8k for anything other than curiosity would likely be doing this anyway. That would lend itself to your part-of-a-system theory.
- They could be using mixed non-serifed fonts and serifed fonts to drive us crazy ($100 to send it back and have them upgrade it to a well designed typography)
I find not having this option on mirrorless far more annoying than it was on a DSLR .. maybe it's just the fact that the focus point can be anywhere, and it's definitely just software for where you are adjusting the metering from versus a hardwired AE sensor.I know it's hackneyed to bellyache that 'feature X is on my cellphone but not my 5D', but such is true with this feature.
Go take a picture with your cellphone and tap around a high contrast scene. Exposure changes -- almost like it is metering where you are touching (which is the AF point).
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My guess is that the R5 will be out before the R6. Either that, or the announcement wording was a little sloppy. Canon's R5 announcement was its first announcement of a camera with IBIS.Yup. Noticed this too. Is the R6 vaporware, then?
Ok, I think you really need to loosen up the tinfoil hat...Okay, I've had a night to sleep on it. I'm geeked about what we all think is coming, but I just have to wonder if what they aren't telling us is a really big deal or not.
Big stuff we still don't formally know yet:
If this camera truly is in the 45 MP neighborhood (even though it's 44.7 MP or so for 3:2 8K to be true...) -- hear me out
If this camera will capture 8K video onboard and right out of the box
- Any chance at all that 'other tech' is making an otherwise lower-res-than-we-think sensor accomplish more? Is there any chance we've got a sensor in the 20-25 MP range and some realtime combination of DPAF, IBIS or the electronic video stabilization we've had on prior rigs is 'spoofing' a higher resolution like some cameras do with multi-shot? (Is that even possible for video?)
- Perhaps the camera costs $3-4k and the external 8K recorder costs the same?
From the announcement:"The new full-frame mirrorless camera currently under development will fully leverage the advantages of the EOS R System, helping to produce a camera that features high-speed continuous shooting and 8K video recording"Once more, with feeling:"The new full-frame mirrorless camera currently under development will fully leverage the advantages of the EOS R System, helping to produce a camera that features high-speed continuous shooting and 8K video recording"Sounds like they are forming Voltron. Is there any chance that the R5 is just part of an 8K recording setup?
I'm not trying to rain on anyone's parade, but they didn't actually say the MP count was in the 40s or that this camera will record 8K onboard / out of the box. Any chance they won't deliver on those two specs?
- Do we need a very special and expensive grip to record this video? (Nikon's top fps on the D850 requires a grip, right?)
- Perhaps the camera costs $3-4k but you have to have some hardware tweaking done by Canon to unlock (or make safe) onboard 8k -- possibly for a nontrivial sum?
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My guess is that the R5 will be out before the R6. Either that, or the announcement wording was a little sloppy. Canon's R5 announcement was its first announcement of a camera with IBIS.
Thank you CR guy (and CR team). Your info were accurate. Keep up the good work and don't forget the LEAKERS!
Let's Talk about the SHORT COMINGS OF THE CANON EOS R5 : ( as compared to 5D4,Panasonic S1H,A7R4,Z7 )
1. No dedicated buttons for Mode dial , button for switching between photo & video mode, ( in the 360 render of the R5 camera cannot locate either a dedicated ISO button or AF drive button ). It has less buttons overall as compared to 5D4. Thumbs down
2. Megapixels : R5 will possibly have 40 megapixels (which is very less in 2020, at least 45 Mpx is a must) ...Nikon released D850 in 2017 with 45 Mpx , now Z7 in 2019 with 46 mpx, A7r4 can do 61 mpx. Canon doesn't have the DR of the Sony's & Nikons. So R5 lags behind the competition in photo specs.
3. Possibly the R5 will not have 10 bit internal video like S1H , or record externally 10 bit like Nikon z7, z6. S1H leads in video specs hands down.So R5 lags in video specs as well.
4. Possibily No anamorphic lens support like S1H. R5 lags
5. S1H can do dual ISO for cleaner video at higher ISO. R5 lags here too.
6. S1H is NETFLIX approved & imho R5 won't have those specs for NETFLIX approval. R5 lags.
6. can't do ISO 32 & ISO 64 like the Nikon Z7 when you want shallower depth of field in bright light.
7. Canon has not talked about the battery life..in all probability it will take fewer shots per battery charge as compared to Canon 5D4.
8. so the ONLY saving grace that Canon marketing found for this camera was that to give it 8K !!! ))
if you take out the 8K from the equation what does R5 have that the competition doesn't already offer???
Further, imho that 8K will come with atleast a 2x crop & 8 bit 4.2.0 codec. So basically that will be a gimmick ...not for Pro's. Not sure whether the 4K will be with crop of Full frame either. Also possibly no live AF tracking in 4K or 8K modes. Canon has NOT revealed anything on the codecs. is it 8bit? or 10 bit? or has 12bit Raw like C200. Internal 10 bit in 4K is a must in 2020. what about RAW video codec ?? it doesn't seem to have. RAW lite a must for video in 2020.
Canon is solidly lagging behind the competition by at least 2 years in Mirrorless...it is releasing cameras with specs which the competition already released in 2017 onwards.
So do u think R5 is the ONE which will destroy the competition in 2020 ???