Precisely why I'm opting for a 1Dx/5Ds combo for sports in the future vs my 1Dx pair. Cropping is unforgiving.
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Nininini said:There is a right sensor for every circumstance, I am shooting in lighting conditions during the day, where I don't need more light, I don't even need f/5.6, it's not even the sharpest aperture of those lenses, f/8 is. The APS-C solution offers me a far ligther and smaller set-up, for a fraction of the price.
neuroanatomist said:But...keep in mind you're contributing to a thread on a possible 800mm lens – for most to whom such a lens is relevant, 250mm on APS-C won't even come close to being adequate.
neuroanatomist said:Nininini said:There is a right sensor for every circumstance, I am shooting in lighting conditions during the day, where I don't need more light, I don't even need f/5.6, it's not even the sharpest aperture of those lenses, f/8 is. The APS-C solution offers me a far ligther and smaller set-up, for a fraction of the price.
Makes sense – if I always shot in bright daylight with fairly close subjects that don't move very fast, APS-C with a 55-250mm might work well. But I find bright daylight generally flat and uninteresting, my subjects are generally distant (840mm, often 1200mm), and I need often shutter speeds over 1/1600 s.
But...keep in mind you're contributing to a thread on a possible 800mm lens – for most to whom such a lens is relevant, 250mm on APS-C won't even come close to being adequate.
Lee Jay said:I just got the cyber Monday deal on the Sigma 150-600C for $700. That's 240-960 equivalent on my 7D II.
I guess we won't be hearing much from you for a while as you will be busy taking pictures... Have fun and don't forget to post!Lee Jay said:I just got the cyber Monday deal on the Sigma 150-600C for $700. That's 240-960 equivalent on my 7D II.
Yeah, it's a third of a stop slower, and if you add in full-frame geometry, it's 1 2/3 stops slower, so it's a lens you don't want to shoot in really low light compared to an 800/5.6 on full-frame, but it's still a lot of resolving power for a really good price and I'll mostly be using it in good light (airshows and such). It out-resolves my 70-200/2.8II + 2x TC III, and it out-resolves itself with the addition of a 1.4x TC demonstrating that the 7DII's small-ish pixels aren't oversampling it.
So, while the 55-250STM (a lens I also own, mostly for video) is a fantastic deal and a lot of reach for very little money, it won't touch an 800/5.6. But the 150-600s that are not available will put a crop camera in the same ballpark, for a tenth the money. Oh...and they zoom out to boot!
Nininini said:takesome1 said:You must be talking about one of the Rebels because the 7D II isn't that much different in size and weight than the 5Ds R or the 5D III.
APS-C.... 55-250mm STM f/4-5.6 (88-400mm equivalent) -----> 375 grams
Full Frame.... 100-400mm f/4.5-5.6L II -----> 1500 grams
MASSIVE difference, the closest full frame lens is 4 times as heavy as the APS-C equivalent
(the equivalent aperture isn't the same, that's irrelevant to me under 99% of conditions)
AlanF said:Lee Jay said:I just got the cyber Monday deal on the Sigma 150-600C for $700. That's 240-960 equivalent on my 7D II.
It's a 150-600 equivalent on your 7DII relative to a 5Ds in terms of "reach". The crop vs FF argument has changed radically since the introduction of high megapixel FF sensors.
Lee Jay said:AlanF said:Lee Jay said:I just got the cyber Monday deal on the Sigma 150-600C for $700. That's 240-960 equivalent on my 7D II.
It's a 150-600 equivalent on your 7DII relative to a 5Ds in terms of "reach". The crop vs FF argument has changed radically since the introduction of high megapixel FF sensors.
That's true, but I don't have a 5Ds and I won't have one either. All the other Canon full-frame sensors thus far are right around 20MP, the same as my 7DII.
AlanF said:Lee Jay said:AlanF said:Lee Jay said:I just got the cyber Monday deal on the Sigma 150-600C for $700. That's 240-960 equivalent on my 7D II.
It's a 150-600 equivalent on your 7DII relative to a 5Ds in terms of "reach". The crop vs FF argument has changed radically since the introduction of high megapixel FF sensors.
That's true, but I don't have a 5Ds and I won't have one either. All the other Canon full-frame sensors thus far are right around 20MP, the same as my 7DII.
It's still not equivalent to 240-960mm even relative to a 20 MP FF sensor. The Tamron and Sigma 150-600s are relatively soft on crop vs FF, which lowers their resolution relative to FF, especially at 600mm - see http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=990&Camera=963&Sample=0&FLI=7&API=0&LensComp=990&CameraComp=453&SampleComp=0&FLIComp=7&APIComp=0 for example.
AlanF said:It's still not equivalent to 240-960mm even relative to a 20 MP FF sensor. The Tamron and Sigma 150-600s are relatively soft on crop vs FF, which lowers their resolution relative to FF, especially at 600mm - see http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=990&Camera=963&Sample=0&FLI=7&API=0&LensComp=990&CameraComp=453&SampleComp=0&FLIComp=7&APIComp=0 for example.
candc said:TAF said:johnf3f said:One thing they could do though is get rid of the IS. Heresy I know but it just gets in the way of the AF system and many current pro cameras don't really need it - I certainly don't. Less complication, a useless element eliminated from the focal path and a couple of switches less - sounds good to me. Most will not agree but I have the lens and frequently hand hold it and I don't want IS. Feel free to open fire!
Interesting concept - since many potential customers for such long lenses might be inclined to use a tripod (or at least a monopod), rendering the IS less useful, perhaps they could develop a separate IS module?
Imagine a line of LONG lenses (starting at 800 and going up into the thousands), without IS, and an IS module you could add when needed. If the IS module was universal (i.e.: useable with both long and short lenses), it would also sell to those folks with say a 28/35/50 that would perhaps benefit from IS at times.
If it wasn't obscenely expensive, I'd buy one for use with my (gasp) Zeiss 50mm f1.4, et al.
Ibis
candc said:They haven't yet but most likely will. Its the most feasible way to achieve "is" with non stabilized lenses.
neuroanatomist said:candc said:They haven't yet but most likely will. Its the most feasible way to achieve "is" with non stabilized lenses.
Canon has explained the benefits of lens-based IS over IBIS several times, pointing out several weaknesses of the latter.
Of course, if Nikon can reverse course and use fluorite elements after pointing out their potential flaws, why not Canon?
candc said:neuroanatomist said:candc said:They haven't yet but most likely will. Its the most feasible way to achieve "is" with non stabilized lenses.
Canon has explained the benefits of lens-based IS over IBIS several times, pointing out several weaknesses of the latter.
Of course, if Nikon can reverse course and use fluorite elements after pointing out their potential flaws, why not Canon?
I agree with that myself. The lenses with stabilization built into them seems to offer more benefit than ibis for the time being but I think developing ibis which is in the early stages is the best overall solution for getting some stabilization in lenses that don't have it built in.
Lee Jay said:AlanF said:It's still not equivalent to 240-960mm even relative to a 20 MP FF sensor. The Tamron and Sigma 150-600s are relatively soft on crop vs FF, which lowers their resolution relative to FF, especially at 600mm - see http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=990&Camera=963&Sample=0&FLI=7&API=0&LensComp=990&CameraComp=453&SampleComp=0&FLIComp=7&APIComp=0 for example.
People need to learn the difference between contrast (which can be altered in post) and resolution (which cannot). A lower MTF doesn't mean a lower resolution, it means a lower contrast at a particular resolution.
My Sigma 150-600C resolves right at its theoretical limit. It also sharpens up a lot just 1/3 of a stop down, as TDP's example above shots.
You know how far 450km / 280 miles is? Ever shot something from that far away?
http://forum.nasaspaceflight.com/index.php?topic=36861.msg1453979#msg1453979
AlanF said:You can see resolution of the lens by looking at the thin converging lines on the chart from TDP, which come in at the left of the central square.
450km is nothing - most of us have shot the moon at 384,400 km, and then the stars that are light years away.
no..... but one evening I shot the Andromeda galaxy with a macro lensLee Jay said:AlanF said:It's still not equivalent to 240-960mm even relative to a 20 MP FF sensor. The Tamron and Sigma 150-600s are relatively soft on crop vs FF, which lowers their resolution relative to FF, especially at 600mm - see http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=990&Camera=963&Sample=0&FLI=7&API=0&LensComp=990&CameraComp=453&SampleComp=0&FLIComp=7&APIComp=0 for example.
People need to learn the difference between contrast (which can be altered in post) and resolution (which cannot). A lower MTF doesn't mean a lower resolution, it means a lower contrast at a particular resolution.
My Sigma 150-600C resolves right at its theoretical limit. It also sharpens up a lot just 1/3 of a stop down, as TDP's example above shots.
You know how far 450km / 280 miles is? Ever shot something from that far away?
http://forum.nasaspaceflight.com/index.php?topic=36861.msg1453979#msg1453979