jeffa4444 said:To put it in perspective a basic Alexa Mini is $ 36K and is UTV.
At its core is a Super 35mm format ARRI ALEV III CMOS sensor with Bayer pattern color filter array. ARRI claims it is capable of 14+ stops of sensitivity when shooting at an exposure index of 160-3200 (EI is essentially the same as ISO).
The unit can be operated in a variety of ways, including via wireless control. It also has an integrated lens motor controller (which allows new active lens motors to connect to the PL mount) allowing for focus, iris and zoom to all be controlled from an ARRI hand unit, wirelessly. This makes the ALEXA Mini 4K an excellent choice for use with a drone.
Physically, the Mini measures 185x124x140mm (7.3x4.9x5.5"), and weighs just 2.3kg (5lbs). ARRI cameras are known for being incredibly modular, and the ALEXA Mini 4K is no exception. The titanium PL mount can be swapped for an EF mount, and the camera can be used handheld with the addition of the ARRI MVF-1 viewfinder and a hand rig.
The unit can record in a wide variety of formats including HD, 2K, 4K and UHD and can also spit out native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2k. Frame rates range from .75 -200fps. And a built-in set of motorized ND filters including a .6-stop, 1.2-stop, and 2.1-stop give even more exposure control. Other cool features: the sensor area can be switched from 4:3 to 16:9 and because the unit is symmetrical, it can be used in portrait-orientation, or upside down.
What are you filming? This is hardly a general-purpose camera. As I've mentioned earlier, wildlife documentary makers have already been using super-sensitive cameras for night-time behaviour without needing IR illumination, but now they can do it in colour.
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