YuengLinger said:privatebydesign said:I think anybody that believes there is going to be a factory hardware upgrade in such a high volume camera is in denial.
Wow! We finally agree on something. After some time to consider, I think this rumor does seem less plausible.
Although not directly comparable, I remember Nikon offering a hardware buffer upgrade in their pro-bodies at one point in the past. Owners with older bodies had to pay for the upgrade, but new bodies already had this done. In terms of software, in cinema land, this is par for the course. You pay for software and codec unlocks. In any case, if this doesn't turn out to be a bad joke in a few days when April rolls around and this turns out to be a paid upgrade, I will definitely be one of the first in line. I'd pay just for the XF-AVC codec alone. This upgrade alone dramatically improves the video acquisition process and makes it much more meaningful to use the 5DIV for a wider range of video projects. Everything else is icing on the cake.
For myself and I'm assuming many others, Canon glass is still a mainstay for a lot of production work because the EF mount has great compatibility and is supported with native mounts on many other platforms. If you invest in E-mount glass, you are limited to Sony cameras only. That's not very flexible when working across systems, so many of us complain whenever Canon fails to reach our segment of the market because we want the best of "both worlds." Native lens support on Canon bodies for stills, while having all of the great video features found on the competition.
I created my account here to originally voice my complaints about the lack of a proper video feature set in the 5DIV, so if this rumor actually materializes, I guess I'm going to have to shut up for a long time....
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