macfly said:Great, something for the enthusiasts, nothing for the pros.
macfly said:Great, something for the enthusiasts, nothing for the pros.
aaronofnero said:well, clearly this is evolutionary. let me wager and outrageously accurate and educated prediction.
a fanciful 5dmkIII with the following:
55MP full frame image with 28 stops of dynamic range and a noiseless ISO range from 25 to 102,400. b/w noise compression kicks in at 409,600 ISO (max). indescribable AF with 90 point recognition at all offered exposure options, of equal power and effectiveness during video. 10,000,000 exposure durability on shutter with 60 - 1/32000 second timing variables. specialty flash sync at 1/2000 of a second. 24fps burst mode at RAW. manual video control over full dynamic range and iso. incremental frame rates from 1 to 240 frames a second at 18bit 4k resolution, uncompressed 4:4:4 prores codec with built in HDR mode. rolling shutter. in-camera aperture, zoom and focus control (wireless with controller). dual CF card reader/writer supporting up to two 512GB 120mb/s cards. 3G-SDI output. thunderbolt output. complete removal of aliasing and moire issues. quarter-inch input for audio, with manual audio control and phenomenal compressor/limiter/white-noise reducer options engineered by Waves.
bunch of other neat stuff.
oh, and it comes as an option with a brand new 16-135mm f/1.2 L series lens with an entirely new motion-predictive system of IS.
they have also rumored the street name for this camera to be appropriately titled "the game changer" ...Nike is also on board for co-op marketing.
dgsphto said:7D + FF @21MP + DR + ISO + Better In Camera Image Processing + Less noise all across the board + Top Video = Nikon Killer?
aaronofnero said:well, clearly this is evolutionary. let me wager and outrageously accurate and educated prediction.
a fanciful 5dmkIII with the following:
55MP full frame image with 28 stops of dynamic range and a noiseless ISO range from 25 to 102,400. b/w noise compression kicks in at 409,600 ISO (max). indescribable AF with 90 point recognition at all offered exposure options, of equal power and effectiveness during video. 10,000,000 exposure durability on shutter with 60 - 1/32000 second timing variables. specialty flash sync at 1/2000 of a second. 24fps burst mode at RAW. manual video control over full dynamic range and iso. incremental frame rates from 1 to 240 frames a second at 18bit 4k resolution, uncompressed 4:4:4 prores codec with built in HDR mode. rolling shutter. in-camera aperture, zoom and focus control (wireless with controller). dual CF card reader/writer supporting up to two 512GB 120mb/s cards. 3G-SDI output. thunderbolt output. complete removal of aliasing and moire issues. quarter-inch input for audio, with manual audio control and phenomenal compressor/limiter/white-noise reducer options engineered by Waves.
bunch of other neat stuff.
oh, and it comes as an option with a brand new 16-135mm f/1.2 L series lens with an entirely new motion-predictive system of IS.
they have also rumored the street name for this camera to be appropriately titled "the game changer" ...Nike is also on board for co-op marketing.
Canon Rumors said:internally as a “Nikon-killerâ€
macfly said:Great, something for the enthusiasts, nothing for the pros.
LuCoOc said:aaronofnero said:well, clearly this is evolutionary. let me wager and outrageously accurate and educated prediction.
a fanciful 5dmkIII with the following:
55MP full frame image with 28 stops of dynamic range and a noiseless ISO range from 25 to 102,400. b/w noise compression kicks in at 409,600 ISO (max). indescribable AF with 90 point recognition at all offered exposure options, of equal power and effectiveness during video. 10,000,000 exposure durability on shutter with 60 - 1/32000 second timing variables. specialty flash sync at 1/2000 of a second. 24fps burst mode at RAW. manual video control over full dynamic range and iso. incremental frame rates from 1 to 240 frames a second at 18bit 4k resolution, uncompressed 4:4:4 prores codec with built in HDR mode. rolling shutter. in-camera aperture, zoom and focus control (wireless with controller). dual CF card reader/writer supporting up to two 512GB 120mb/s cards. 3G-SDI output. thunderbolt output. complete removal of aliasing and moire issues. quarter-inch input for audio, with manual audio control and phenomenal compressor/limiter/white-noise reducer options engineered by Waves.
bunch of other neat stuff.
oh, and it comes as an option with a brand new 16-135mm f/1.2 L series lens with an entirely new motion-predictive system of IS.
they have also rumored the street name for this camera to be appropriately titled "the game changer" ...Nike is also on board for co-op marketing.
wtf
wrong thread?
post it here --> http://www.canonrumors.com/forum/index.php/topic,1645.0.html
jeremymerriam said:speak for yourself. I am a pro and i still shoot with the 12.8 MP 5D. I am holding off until canon either makes a camera with better dynamic range or the price of medium format backs on the lower Megapixel go down. the megapixel war is useless for my needs
aaronofnero said:well, clearly this is evolutionary. let me wager and outrageously accurate and educated prediction.
a fanciful 5dmkIII with the following:
55MP full frame image with 28 stops of dynamic range and a noiseless ISO range from 25 to 102,400. b/w noise compression kicks in at 409,600 ISO (max). indescribable AF with 90 point recognition at all offered exposure options, of equal power and effectiveness during video. 10,000,000 exposure durability on shutter with 60 - 1/32000 second timing variables. specialty flash sync at 1/2000 of a second. 24fps burst mode at RAW. manual video control over full dynamic range and iso. incremental frame rates from 1 to 240 frames a second at 18bit 4k resolution, uncompressed 4:4:4 prores codec with built in HDR mode. rolling shutter. in-camera aperture, zoom and focus control (wireless with controller). dual CF card reader/writer supporting up to two 512GB 120mb/s cards. 3G-SDI output. thunderbolt output. complete removal of aliasing and moire issues. quarter-inch input for audio, with manual audio control and phenomenal compressor/limiter/white-noise reducer options engineered by Waves.
bunch of other neat stuff.
oh, and it comes as an option with a brand new 16-135mm f/1.2 L series lens with an entirely new motion-predictive system of IS.
they have also rumored the street name for this camera to be appropriately titled "the game changer" ...Nike is also on board for co-op marketing.
Most people upgrading from P &S do have some idea about, ISO, MP sensor size etc. Also most of people can tell the picture from a P &S from a APS_C, let alone FF.We should not assume that they are that naive. Also Canon can always educate people in their advertisement and literatures.V8Beast said:An entry-level, lower megapixel (whatever that means) camera sounds interesting, but how would you market such a machine? With many, if not most, people looking to step up from a point-and-shoot to an SLR, all they care about is megapixels. To them, image quality and megapixel count is one in the same. You have to be somewhat committed to techno geekery to even know or care about stuff like ISO and dynamic range. I can't see how you'd convince people like that to spend substantially more money than a Rebel on this rumored full-frame, "lower mp" body when they don't even know the difference between crop sensors and FF sensors.