dslrdummy said:Maybe the 7Dii has a built-in grip and has dropped the flash...
THIS! I'd love this for the 7Dii!
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dslrdummy said:Maybe the 7Dii has a built-in grip and has dropped the flash...
dilbert said:LetTheRightLensIn said:dilbert said:....
however I'm not sure about this rumor.
This rumor makes it sound like "Canon came and visited us with a new camera that we got to look at and try."
If that is the case, Canon will know exactly who it is (or have a very short list.) If they signed an NDA ... and even if they didn't, I suspect that Canon would look unfavourably on this kind of disclosure - UNLESS it was specifically asked about and agreed to.
Additionally, any professional (working in a studio where Canon visits you is going to mean you're seriously good) is going to know that the colour accuracy of a file when viewed on a laptop screen is highly dependent on the ability of the screen to represent colour itself and without being able to use the images on a calibrated screen, the colours seen on some random laptop mean nothing.
I'd be almost prepared to call this rumor a hoax.
Its more the fine color transitions and discrimination they are referring to and fine color detail, that is different than accuracy (which depends a lot on the color profile used to develop and matching white balance and so on and so forth).
And maybe they were told to leak talk about amazing colors regardless of what they could see on the laptop.
In that case it comes back to my point of they were specifically allowed to "leak" certain details. i.e. it's not a leak but rather marketing designed to look like a leak.
HBaekked said:expatinasia said:Maybe it is the 7D II and the body is just to throw everyone, I mean they could hide a 7D Mark II in a 1D X but you could never hide a 1D X in a 7D!![]()
You don't think a studio photographer would notice the crop factor?
GMCPhotographics said:Bare in mind that the 5DIII resolves nearly as much detail as the D800. It's only the top end optical resolution of a few of the worlds sharpest lenses which can allow the D800 to out resolve the 5DIII and even then, there isn't much between them.
Rick said:GMCPhotographics said:Bare in mind that the 5DIII resolves nearly as much detail as the D800. It's only the top end optical resolution of a few of the worlds sharpest lenses which can allow the D800 to out resolve the 5DIII and even then, there isn't much between them.
1.) I have both cameras, and the D800E clearly produces more of the fine detail that renders an image more realistic (if all of the resolution-saving techniques are used and the image isn't bludgeoned to death in PPing).
2.) This resolution differential can clearly be seen when using any lens in my bag and most Canon, Zeiss, Sigma et al lenses in current production.
3.) This resolution differential can clearly be seen in downsized images (as small 1800x1200 px for instance).
4.) Many folks "clearly" do not care about or even see the fine details in the natural world.
Now, whether or not "clearly" equals "nearly" is a probably matter of observational skills.
3.) This resolution differential can clearly be seen in downsized images (as small 1800x1200 px for instance).
Rick said:3.) This resolution differential can clearly be seen in downsized images (as small 1800x1200 px for instance).
4.) Many folks "clearly" do not care about or even see the fine details in the natural world.
Rick said:3.) This resolution differential can clearly be seen in downsized images (as small 1800x1200 px for instance).
Rick said:GMCPhotographics said:Bare in mind that the 5DIII resolves nearly as much detail as the D800. It's only the top end optical resolution of a few of the worlds sharpest lenses which can allow the D800 to out resolve the 5DIII and even then, there isn't much between them.
1.) I have both cameras, and the D800E clearly produces more of the fine detail that renders an image more realistic (if all of the resolution-saving techniques are used and the image isn't bludgeoned to death in PPing).
2.) This resolution differential can clearly be seen when using any lens in my bag and most Canon, Zeiss, Sigma et al lenses in current production.
3.) This resolution differential can clearly be seen in downsized images (as small 1800x1200 px for instance).
4.) Many folks "clearly" do not care about or even see the fine details in the natural world.
Now, whether or not "clearly" equals "nearly" is a probably matter of observational skills.
Brett Hull said:a lens that gives 15 P-MP on a 24 MP sensor may very well need a 200MP sensor to be fully resolved, for all intents and purposes, and it certainly doesn't "waste" 9 million sensor pixels.
Brett Hull said:The image files were very similar in size to the EOS 5D Mark III’s 22mp files, but exhibited “much” better colour accuracy and detail. This camera is supposedly for later this year or early next year.
This means better color filter and not so thin CFA as they have now , where reds going towards orange as one example and regarding the resolution a lighter AA-filter on none as Nikon.
People who have used a 1DSmk3 and the first 5D knows the difference in the color filter which was steaper and also means less light to the sensor and poorer high iso performance.
Interesting to see what Canon has done and if they can match better sensors like Sonys in color depth, dynamic range .
mitchel said:fwiw, I agree with Dilbert. Seems borderline inconceivable that someone reviewing a laptop image could reliably conclude that color rendition was "much better." Sounds "hoaxy" to me... Regardless, I'd be thrilled to see a sub 30 mp canon camera with much better color rendition, dynamic range and/or noise performance.
Ivar said:I don't have any more the 5D2 (with similar resolution as the 5D3) but to me the image quality with crappy Nikon zoom lens in front of the D800 looks rather great at 100% - http://www.canonrumors.com/forum/index.php?topic=4299.msg146875#msg146875
Here's another one, hand held (well a wall is used for partial support). So much about the useless camera which can be used only on a tripod deciding by this forum:![]()
And with a 3D feeling:
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Brett Hull said:neuroanatomist said:Brett Hull said:a lens that gives 15 P-MP on a 24 MP sensor may very well need a 200MP sensor to be fully resolved, for all intents and purposes, and it certainly doesn't "waste" 9 million sensor pixels.
No, those 9 MP don't 'go away'. They still take up space on your digital storage media, time to process, etc., even if they don't add anything to the information content of the image. It's called 'empty resolution' for a reason.
What you wright is total nonsense, for anyone who like real, natural, virtually-analog capture.
It is total nonsense for anyone who wants rugged data that doesn't depend on luck of alignment of pixels and subject transients, and survives geometrical processing like CA, distortion, and perspective correction, rotation, and arbitrary resampling in practically lossless manner.
Zv said:Brett Hull said:neuroanatomist said:Brett Hull said:a lens that gives 15 P-MP on a 24 MP sensor may very well need a 200MP sensor to be fully resolved, for all intents and purposes, and it certainly doesn't "waste" 9 million sensor pixels.
No, those 9 MP don't 'go away'. They still take up space on your digital storage media, time to process, etc., even if they don't add anything to the information content of the image. It's called 'empty resolution' for a reason.
What you wright is total nonsense, for anyone who like real, natural, virtually-analog capture.
It is total nonsense for anyone who wants rugged data that doesn't depend on luck of alignment of pixels and subject transients, and survives geometrical processing like CA, distortion, and perspective correction, rotation, and arbitrary resampling in practically lossless manner.
??? Huh?? You've lost me there. Are you just throwing random photographic words together?