Why don't we just sit still and wait until Canon actually shows us the next camera instead of guessing like this? Answer: Because it is so fun to guess and speculate. We enjoy ourselves here. My suggestion is to have a gentle smile on the lips writing your next post. I have a hard time with some of the heavy metal "I know better than all of you" styles appearing here from time to time.
Ones upon a time the earth was considered to be flat. Then some one at the risk of his life made it change to a sphere. Today you find lots of clips on YouTube suggesting it is flat after all. Or rather: an inverted sphere. And of course we would all like to kill them off and will not listen to their claimed proofs. This is the downside of being a human. We are always feeling we got it better than everyone else. That is how the thinking brain we have is designed to function. "We will never fly, there will never be color television". You know, most of us are not interested in becoming a new Jules Verne. We just want everyone with a different idea that opposes our believes to shut up! And then have them say "My fault. YOU are right."
We can help each other to gain from this if we use our knowledge about the strong part of our intellect and the embarrassing backsides. A flexible mind will move faster towards the unseen and not yet achieved. And lets be honest. We all would like to be there at the heart of the Canon development office giving them our best advices how to make next camera PERFECT. So let us unite and go to work

We can fix this!
Now
Thank you guys for fighting about the "quad pixel theory" for me. I was tempted to rush back into it but I felt some good persons with a sharper intellect could do it better. Now I can step back in and continue where I left. There is still smoke in the air. Somehow I fear it is not going to disappear. Thank you X-vision for doing the dirty work for me
canonrumors.com quote:
"We’re told to definitely expect new sensor technology to be introduced in the Canon EOS 7D Mark II. This tech will be used in all forthcoming Canon DSLRs. What is it? We’re not 100% sure yet, though we’re told it’s definitely not a foveon type technology that we’ve previously seen in patents.
This may be one of Canon’s best kept secrets as it’s apparently going to be more than an “evolutionary” technology."
Link:
http://www.canonrumors.com/2014/06/new-sensor-tech-in-eos-7d-mark-ii-cr2/
This sounds like speculation, but still I think most people here believe it could be true, right? So now I will SPECULATE and do some guessing together with you. If Canon actually is moving on to new sensor tech. What is it? And are they making a U-turn or are they just pushing the tech forward in more than one step at the time?
If the quote from canonrumors is to be taken seriously the new sensor tech will be used on both pro and at least semipro DSLR in the future. FF and crop sensors will share this technology.
Some might say it will most likely just be180nm process and that´s it. But that will not be named "Canon’s best kept secrets" by anyone. So I think it is reasonable to assume they are trying to develop something that can rival the current SONY sensor tech.
I have already posted the link to the paper describing the CMOS Image Sensors With Multi-Bucket Pixels for Computational Photography in IEEE
JOURNAL OF SOLID-STATE CIRCUITS, VOL. 47, NO. 4, APRIL 2012 written by Gordon Wan, Xiangli Li, Marc Levoy, Mark Horowitz and Gennadiy Agranov - Vice President of Imaging Technology at Aptina Imaging. They describe the quad bucket sensor aimed at Computational Photography.
https://graphics.stanford.edu/papers/gordon-multibucket-jssc12.pdf
Thanks to the last posts from X-vision we can compare this with the Canon patented dual pixel concept.
In the simplified abstract Canon says:
"Each pixel on the EOS 70D camera's sensor consists of two independent photodiodes that function both as imaging points and as individual phase-difference AF sensors. When the shutter button is pressed, parallax images on each photodiode of the pixel are detected, the amount of lens drive is calculated to correct the amount of shift in the AF points, and AF is achieved nearly instantaneously. During image capture, the same two photodiodes record the image and output as a single pixel. By placing approximately 40.3 million photodiodes on the camera's sensor, two per pixel, this caliber of AF is possible on approximately 80% of the image plane, vertically and horizontally. When the image or video clip is being captured, the CMOS sensor behaves as it always has with EOS SLR cameras, unimpeded by the dual photodiodes and recording each individual pixel with virtually no loss of detail or sharpness."
In the detail patent we start to see that we might all be fooled by the "smoke screen" of the mixed terminology. It may be the reason why we are having these unnecessary confused discussions. We are presented several different words describing the subpixel function.
A) Independent photodiode (Canon)
B) Subpixel (Canon)
C) Bucket (Aptina)
I have mentioned before on the forum that the people at Aptina are discussing the Computational use of a quad bucket pixel design. Or call it a quad pixel under one micro lens. Canon calls its tech "dual pixel" but I think people more and more start to realize that is just "a name". It is a dual subpixel design. We have to start describing the design more clearly from now on! I might go for dual (or quad in the future) pixel. But someone might want to call it "dual bucket pixel" or "dual subpixel" instead. In any case lets agree that each subpixel has its own individual signal line that now or in the future can be used separately for computational DSP. That is my claim any way. Other might just want to stick to the idea that it can only be used for autofocus. And if/when the A/D conversion is done directly on the chip or even on every single pixel the next logical step is to allow for a design with four A/D channels per pixel if we talk about a quad diode design. (quad buckets or subpixels under one micro lens).
This is what the Aptina folks have been looking into for several reasons.
The "buckets" discussed here have separate outputs and can be read as four individual signals in order to use them for computational processing. You can set four different ISO - one for each "bucket" output. You can read them separately with a very short, but still, time delay. You can compare the four signals and let a DSP use them for computing how to reduce the noise signal while preserving the statistically most likely source signal value. Isn´t this what astro photographers try to achieve by combining four pixel values down to one (down sampling the image size OR just smudging the image by showing the median value of four pixels with smooth transition to next block of four...) on the image in post processing?
Sandwiching several images is another popular way to reduce the high frequency noise generated during exposure. But it takes several images at higher ISO and that makes it useless for shooting moving objects. And we still have no clue what is signal and what is noise. We must use a lot of images to exclude the noise from the signal. During the time you are taking multiple images the signal itself might have been differing A LOT. So
we are averaging the signal and the noise at the same time. Think about long exposure of the sea. It is useless if we want to describe objects that move over time. And here we are of course talking about how to reduce noise from a sensor that deliver video as well as photos.
How do we reduce noise at hi ISO in 4K video at frame rates between 50 and 200p (to come early next year or in five years perhaps). One solution will be to average multiple versions of the exact same moment. That is what quad bucket computation is able to help us do. And not only averaging. We can apply statistic analyze to perfect the noise cancelation. How that is done should probably be handed over to the guys at TOPAZ or Adobe to tell about. Or the other guy, you all know who I am referring to. (He might have mentioned that when he reaches 4000 posts he will actually go for a 5 minute walk in the park.)
The optimal noise reduction needs multiple samples to compare. Is it a really smart thing to make that inside the microlens. "ONE" signal (light) goes in through the micro lens. It is interpreted by four individual receivers and the DSP uses intelligent software to try to separate noise from the sensor from the signal. The result is written as one pixel (R, G or B) in the RAW file. Or, why not keep it individual to be able to post process it further with more computer power and future, not yet invented, algorithms. Hmm.. maybe not this year.
The advantage of computing multiple signals collected at one single moment is the key thing here. The downside is, yes I agree, that the individual buckets are smaller and will collect less photons. And this will reduce the benefits of the "quad pixel" design in terms of noise performance. But maybe less than we might expect. Aptina has invested time and supposedly money exploring the concept. They seem to think they are getting somewhere.
So could this be what Canon also look into. The "dual pixel" patents keep coming and that points at the propability that Canon move on in this direction.
Canon´s "latest dual pixel" patent point at the use of two photo diodes with different size. Making it more efficient and potentially resulting in a sensor with much higher dynamic range. There is a possible way to move on from there. To take it one more step further. You might guess what I am thinking about, right? You clever people!
Patent description here:
http://www.canonwatch.com/canon-patent-next-dual-pixel-cmos-auto-focus-70d-end-story/
Now I think I hear roaring animals in the background. OK. Let the lions in. And the big elephants too.
Hi guys. No objections i suppose. Everyone agree right. Right?

