Perhaps well into cupcake territory at that point.Sharlin said:Snzkgb said:Please please make it to be 60-70mm pancake![]()
I'm fairly sure "60-70mm" and "pancake" are mutually exclusive.
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Perhaps well into cupcake territory at that point.Sharlin said:Snzkgb said:Please please make it to be 60-70mm pancake![]()
I'm fairly sure "60-70mm" and "pancake" are mutually exclusive.
riker said:I really don't see why everyone is skipping tele lenses. There you would have the most weight/size saving.
Have you given up on Canon so badly?
Anything around 70-100mm and f/2.8 would be magical. 90/2.8 macro? Is it too wet of a dream?
Sharlin said:I'm fairly sure "60-70mm" and "pancake" are mutually exclusive.
AvTvM said:Only few people would be stupid enough to buy big, expensive lenses that can be used on CROP bodies only.
Sharlin said:Snzkgb said:Please please make it to be 60-70mm pancake![]()
I'm fairly sure "60-70mm" and "pancake" are mutually exclusive.
Obviously a long pancake is possible....Snzkgb said:Sharlin said:Snzkgb said:Please please make it to be 60-70mm pancake![]()
I'm fairly sure "60-70mm" and "pancake" are mutually exclusive.
This is Pentax SMC-DA 70mm f/2.4
As you can see, it is a pancake.
So why Cannon couldn't make something like this?
rjbray01 said:Its such a shame that in order to get excellent wide angle shots you have to buy a full frame camera.
There doesn't seem to be anything in the Canon range for APS-C cameras to compete with the EF-14mm or EF 16-35mm in the full frame world.
Don Haines said:Obviously a long pancake is possible....
The problem with long pancakes is that you have to bend the light more sharply, and the sharper you bend the light, the more problems you have with image quality, particularly chromatic aberration.... This is the reason why Canon makes all it's big whites so physically long....
[email protected] said:I have a fantasy of the 7D3 paired in an kit with a 500mm f/5.6 ef-s L IS
Kwwund said:32mm, f1.X, IS. I'm about to by an EF-35 f2 IS; this one would be even more ideal
Don Haines said:The problem with long pancakes is that you have to bend the light more sharply, and the sharper you bend the light, the more problems you have with image quality, particularly chromatic aberration.... This is the reason why Canon makes all it's big whites so physically long....
anden said:EF-S 10mm f/1.4
EF-S 15mm f/1.2
EF-S 22mm f/1.2
EF-S 35mm f/1.2
EF-S 50mm f/1.2
EF-S 80mm f/1.2
.........
How long before Sigma announces an Art DC ~10-20mm f/1.8 zoom?
If there were a 500/5.6 for APS-C only then I'd be willing to make a few compromises on say weather-sealing, minimum focus distance, max-magnification, flare-resistance and TC-performance in order to keep down cost.[email protected] said:I don't think we should poo-poo the idea of a long lens ef-s, as a very major benefit would be the potential for much smaller size/weight.
It also makes sense business-wise for Canon, enabling it to price-stratify the market with a non-L long lens that might take the wind out of the 150-600 third party lens sales, but only apply to the crop sensors.
I'm not actually so optimistic as to think this is likely, but I do think it's sensical. In fact, having a crop version of a long lens makes a lot more sense than having a crop version of a short lens, as the relative benefits are greater.
I have a fantasy of the 7D3 paired in an kit with a 500mm f/5.6 ef-s L IS for $3500-$3800. Oh, and that would be optimized to work with the version III 1.4x teleconverter and exploit the new body's f/8 focusing capabilities. Sigma and Tamron would be back to the drawing board for the long side of the market. Maybe I'm getting ahead of myself. This is exactly how people become disappointed with Canon.
Woody said:Don Haines said:The problem with long pancakes is that you have to bend the light more sharply, and the sharper you bend the light, the more problems you have with image quality, particularly chromatic aberration.... This is the reason why Canon makes all it's big whites so physically long....
You may want to take a look at the performance of the Pentax 70 mm f/2.4 pancake lens:
http://www.photozone.de/pentax/127-pentax-smc-da-70mm-f24-limited-review--test-report?start=1
- "As mentioned in the other pancake lens reviews this kind of lenses tend to produce a very even resolution across the frame and the Pentax DA 70mm f/2.4 Limited is no exception in this row. The center resolution is already excellent at f/2.4 whereas the borders and the outer corners follow on a very good level. At f/4 the quality is exceptionally high across the whole image frame and the peak is reached at around f/5.6."
- "Lateral chromatic aberrations (color shadows at harsh contrast transitions) are almost a non-issue for the Pentax specifically at large apertures. The problem increases a bit starting at f/5.6 to an average width of ~0.5px at the image borders but this is nothing to worry about in field conditions. As you may/will see in the sample image section the lens can also produce a slight degree of purple fringing (a color blooming effect) in extreme contrast situations."
Crosswind said:Luds34 said:I know I'm a bit late to the party on this thread, but after reading through I'm in agreement with many others that this will probably be a "normal" prime, something in the 30mm to 35mm range. As much as we all have our own personal, exotic wishlist, I'm guessing that this normal prime would be a good 3rd lens for casual users who already have the kit lens and have added the 55-250 telephoto zoom. That one key lens for low light, like the nifty fifty but crop only, lighter, and wider FL to adjust for the crop factor.
There is already a good and cheap 35mm normal prime from Canon. It is also light and small and can even be used for fullframe. That is the reason why I think they will go for a different focal lenght, something really new but nothing too exotic. Like samyangs 10mm 2.8 prime for APS-C, except with AF.
Does this make sense?