LetTheRightLensIn said:jrista said:elflord said:jrista said:Perhaps we are on different pages. Once an image is digitized, its digitized. It has a fixed bit depth. In the case of modern DSLR's, the 14-bit output of a RAW is fixed,
The part that you seem to not quite get here is that if you have a noise level of "8" and your scale goes from 1-16384, you don't really have 16384 distinct levels in your output signal. Nor do you have 16384 - 8 levels. You have 16384 / 8 levels (2048).
however since it is in the "lower order bits", or in the darkest tonal levels of an image, the gain is minima
. Were not talking about a huge difference overall, we are talking about a very small difference overall.
I don't think you understood my previous post. Losing the lower order bits is equivalent to throwing away the bottom two bits. If you throw away the bottom two bits, you don't subtract the lowest 4 points from your range of values, you essentially divide everything by 4.
But anyway, this focus on number of levels is a big red herring, because as we all understand well, dynamic range in the highlights is interchangeable with dynamic range in the shadows. A stop of dynamic range is a stop of dynamic range (and a stop of dynamic range in the shadows can be a stop in the highlights if you want it to be)
I still have a problem with your terminology and context. You keep using the word signal. I agree that what you've said above is true when we are working with an analog signal. I am not sure its true if we are working with a digital image. I believe those two things are distinct contexts, but you seem to keep conflating the two, and as long as that is the case, I don't see the point in continuing the discussion.
I don't understand why you keep going on about analog and saying he is conflating two different contexts.
This discussion started pages ago regarding whether downscaling an image in post could result in a gain of more than double the number of tones (levels of luminance) than you originally started with. The context of that discussion was explicitly related to a digital image on a computer, not an analog signal on a sensor in a camera. The nature of an analog signal is quite different than the discrete, integer nature of a digital image post-ADC.
Most of Elflord's recent posts discuss DR in the context of camera hardware...sensor signals and metering and how you can change exposure to shift the tone of an analog signal around within the dynamic range of the sensor. I don't disagree with that at all...its an analog signal, with near infinite precision and the ability to be fluidly redistributed. I disagree that a digital image of discretely recorded luminance levels for each channel of an RGB image can be treated the same way, and I wanted to get back to the discussion about scaling a digital image. But whatever. This thread is so far off track now it doesn't matter.
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