Sabaki said:[...]
We're missing the point to photography if we constantly chase the next best piece of kit, imagining it renders previous generations of kit obsolete.
[...]
But I now strongly believe that the best photographers worry very little about the technical ability of their kit, they worry more about the fundamentals that make photography an art.
3 months ago I wanted to buy the 5DsR but was not shure if a5Ds is better or not. I really LIKE to
shoot with TWO BODIES using primarily primes to avoid the hassle of changing lenses. Two 5Ds(R)
at 7000 EUR was to much after thinking about it some weeks.
I "downgraded" MPix- and feature-wise from newer APS-C cameras to 2 bodies of the 5D classic ...
WHAT AN UPGRADE in terms of
- experiencing a TOOL for photography
- experiencing the benefits of having a simple menu and only the basic shooting modes (M, Av, ...)
- experiencing a large viewfinder without any disturbing information
- experiencing of (at least for me) incredible IQ on the pixel and sub-pixel (antialiasing) level.
Having less options helped me to use these cameras after 30 minutes checking the menu
settings and taking some photographs - the first time the results are very very close to what
I had in mind during making the photo! And I am confident that 100 x 150cm² prints
of a artistically good photo can be made from the files of these cameras!
Now I can wait very relaxed for a new incarnation of the 5D (or similiar), which is really better
for photography than these old chaps.
By the way: It is puzzling for me that the old 12 bit ADC of the 5D gives excellent color transitions
while the much newer 14 bit ADC of the EOS M or 600D isn't still comparable. Perhaps the old
12-bit ADC is much preciser and less (bits) is more (IQ) ... and less DIGIC-postprocessing
is closer to reality?!
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