Nice shot, the comments already made notwithstanding.

I have the same problem with horizons sometimes, and that's with a camera that superimposes gridlines in the viewfinder! Too busy focusing on the subject, I suppose. You can always straighten them out in post, although, like many things, it's best to get it right at the time of capture.

Same goes for the converging vertical lines, but unless you do a lot of this kind of photography, a tilt/shift lens may not be practical. You can compensate for it some in post, using vertical perspective controls. Again, not optimum, but can help a lot if used judiciously.

Canon buys come camera sensors from Sony, but cell phone censors are Sony's big sensor product, and that's what is made in the Kyushu plant, IPhone camera sensors. PlayStation electronics are made in a different Kyushu plant.

Canon does not have sensor plants located there.

The extremely precise alignment of fab machinery means it may take weeks or even months to get restarted again, depending on the amount of damage. The plant runs 24/7, so shutting it down may delay IPhone production if it stays shut.

Monchoon said:

Not really a betting man, but I think Sabaki maybe meant an update based on QC.

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Oh... Got it. Oily splotches don't look nicer at ISO 1.6 million, eh?

- A

If you dig into DXO metrics they are very useful for comparison but if you compare their overall scores or read the reviews you are absolutely wasting your time. Nikon gets what they pay for with the overall scores and review headlines

5D Mk III 'Going Grey' Edition. Another reminder that a Mk IV is due soon.

d.

https://www.lensrentals.com/blog/2015/09/sigma-24-35mm-f2-dg-hsm-art-mtf-curves-and-sample-variation/

I love mine!

I find it amazing that the foundations laid for the EOS lens mount before it was commercially available in 1987 are still viable today in 2016, 29 years later.

Any lens made since introduction will work on a current Canon camera, and any modern lens will function on an EOS 1V film camera (possible exclusions for the functionality of IS systems).

I'm not really familiar with Nikon, but they probably would have been better off in the long run with the clean sheet of paper approach, which must have taken a long time to finally get greenlighted at Canon way back when.

My only complaint would be the sunsetting of components to repair "pro grade" lenses that are still commanding high prices today.

zim said:

slclick said:

haloGRAPH said:

tpatana said:

If your shooting style is boudoir, you'll get annoying pixellation on the pictures.

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;D Oh no... and this on a camera that has the ability to render pubic hair in formally unachievable detail...

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Oh, pubic hair is so 2015.

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I'm hoping for a come back now that canon sensors have good dr and shadow lifting.

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That's not what they're saying over on the 6D2 thread but they're all acting as if they aren't old enough to have pubic hair.

Mt Spokane Photography said:

It matters not if its a great lens, if you don't use it, sell it! If you change your mind a year or two down the road, you can probably buy another at a lower price.

I do not keep lenses just because they are great. I sold my 35mmL and several other primes when I purchased the new Canon zooms. They were not being used, so they went to someone who would use them.

I could buy them today for a lot less.

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This is also my strategy. If I haven't used a lens as much as I hoped or it's made redundant by a more recent purchase / overlapping then it gets sold promptly. It annoys me just having something in the house that isn't being used, feels like a waste of money. In this regard the 50 STM is my best price:usage ratio lens!

A 24-70 should see a lot of action, those are some of the most common focal lengths. My most used lens is the 24-105L and I'm not particularly fond of it just that it's really useful. The only reason I haven't gone with a more superior 24-70 lens is that I get more use from that extra focal length range at the long end when traveling.

24 and 35 are great for landscapes and panos. 50 to 70 is perfect for walkabout, portraits, events, festivals, flowers, fireworks... The list is endless.

OP it sounds like you just need to get back in the game and be inspired to shoot more with the 6D.

fentiger said:

lens now sold, to me ;D ;D 8),

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Congrats on your new acquisition.

WOW! Great reading stuff! Thank you for sharing, LostBoyNZ.

I knew that coatings help a lot but I never expected them to have such a dramatic influence.

Sabaki said:

Just a quick question, how many better is IQ on the 5Diii vs the 5D classic?

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I have both and until iso 400 i can't see difference unless i do pixel peeping.

Its not a good choice to adapt to a EOS Camera. EF lenses have a 44mm flange distance and Exakta has 44.7. A glass lens in a adaptor would let you use it, but cheap adaptors with glass don't give high IQ. Expensive ones (If they Exist) which have a mini Teleconverter with multiple glass elements will work but give a longer focal length.

Unless its a really rare and fine lens, its not worth the trouble. There are many good Olympus, Pentax, and Nikon lenses that are low cost and easy to adapt. I prefer M42 because there were a ton of them.


http://www.graphics.cornell.edu/~westin/misc/mounts-by-register.html

Tugela said:

"Underwhelming" because this is what we had been led to believe: http://www.canonrumors.com/canon-xc10-to-get-major-firmware-update-for-nab-cr1/

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If you are 'led to believe' anything by a CR1 rumor, the cause of your disappointment stares back at you when you look in a mirror.

+1

neuroanatomist said:

scyrene said:

It's always struck me as odd that they would use the same name for two totally different products available simultaneously. (Your explanation clarifies the logic behind the name of the closeup lens but still, names are a matter of marketing, and giving every product a different one is surely preferable. But it's a minor confusion).

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It's also confusing when they use the same name for similar products at different times...

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My son still uses that same Elph!

The philosophy behind this camera is still mystery to me. Time will tell.
I like how he washed it in the "river" though - literally like shoes.

chmteacher said:

CanonFanBoy said:

Now I'm kinda wishing I still had my 70D. BUT, maybe the 5D Mark IV will have dpaf and touch screen.

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A $5,500 lens for my 70D seems a little bit overkill... I'd be interested in seeing the results however!

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Haha! You are right. I didn't see the price. All I saw was "affordable". I guess it is compared to the CN-E lenses.

Wish I had one. Or I could settle for the Canon version too.

My favorite tool on Premiere is the Lumetri color tool, I gave up Davinci Resolve for the Lumetri. I am anxious to see how more they can improve it.
On the other hand, it is time for them to show something more practical on the proxi workflows given the cry for 4K and possibly 8K from users. It is about time.

AlanF said:

The Moire seems to be introduced by using DxO as the RAW converter. Here is the crop from using DPP4 to convert, which is noisier (no sharpening or noise reduction applied) but lacks the Moire in the long tail feathers and on the left of the DxO. The regular repeating patterns of the feathers in this shot are perfect for setting up Moire, independent of having a low pass filter. Otherwise, I haven't seen Moire patterns.

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There is less moiré in the DPP4-converted image than in the DxO-converted image, but it's definitely still there. So I suspect that DxO is just accentuating it (e.g. with 'lens softness correction' / sharpening).

dilbert said:

Well I wouldn't use ISO 4 million plus change but obviously someone thinks it is worthwhile.
Will the resulting image be useful for anything other than 640x480 grabs on the Internet is the question.

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This is not for "art" imaging only. It's for capturing images you can't record otherwise. There are needs beyond the "artistic" market - science, surveillance, etc. where what matters is the data inside the image, not how good the images look....

Anyway, if you read the whole article, the History Channel production is using it to simulate night goggle vision... so it does have an "artistic" use too.

canonic said:

When i see the shape of this camera and the title "multi-purpose camera" ... i cant stop laughing ;D 8)

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It's exactly the small, simple shape that lets you rig it as you need for a specific task.

Another shot today with GM 85mm @ f1.4

https://dylannguyen.smugmug.com/Events/2016-4-09-Sony-FE-85-f14/i-Wzt3hcC/A

Thank you very much for your replies nda, TeT and gmb!

To make it short: lens seems to be within normal specs.

To make it long:
I couldn't compare them to the lenses mentioned by you.
I took my time to get to a store and compared it to another copy.
AF sound was quite similar, focusing ring felt the same.

Thank you for your help. Case dismissed.