5d3 Timelapse. Should i lock up the mirror?
- EOS DSLR
- 1 Replies
You still need to let the mirror come down in order to take a second exposure. Mirror lockup is just for one image.
Upvote
0
astevenscr said:3kramd5 said:marinien said:tomscott said:Although the 17-55mm F2.8 IS is the full frame equivalent of 27-88mm F4 IS
The 17-40mm is 27-64mm F4 on crop
Just to avoid some confusion:
The 17-55mm f/2.8 IS is the full frame equivalent of 27-88mm f/4.5 IS.
The 17-40mm f/4 is equivalent to 27-64mm f/6.4 on crop.![]()
You don't lose a stop and a half by cropping. You must mean 'as it pertains to DOF'. Just to avoid confusion.
Furthermore, I think this example can't be quite right for even DOF. Note that the o.p. says:
The 17-55 is the full frame equivalent of 27-88 f/4.5 IS; AND
the 17-40 f/4 is equivalent to 27-64mm f/6.4 on crop
but how can the equivalent f/stop for DOF purposes increase both when you move to full frame and when you move to crop? Or am I missing something?
Dylan777 said:KKCFamilyman said:Dylan777 said:A few months ago, you almost sell your your 5D III + lenses to settle for 6D + 24-70 f4 IS. ADN NOW..........you want 1D X? ??? ::-\
![]()
;D
No i was in a light gear phase. I cured that with a sony nex 6. Then I was in a 1d x phase but thanks to the advice of you fellow canon rumor chaps i will go for a new lens. I am thinking the sigma 35mm.
For light gear phase, I went with Sony RX1 - small enough to carry around and takes amazing photos.
If Sony or Fuji come out FF build in P&S body like RX1 with exchangable lenses ...I'll sell all my Canon gear
Here are some photos from RX1:
http://albums.phanfare.com/isolated/nkq0gb6m/1/5981795
axtstern said:... a body that makes my 120-300 2.8 become a 240-600 2.8 would be a dream.
Rienzphotoz said:What is "Roger's chess set"?Don Haines said:I'd be playing chess.....with Roger's chess setRienzphotoz said:I'd get two ... one for daily use and the other for backup purposes ;DRGF said:If only money grew on trees and I had one of those trees
TrumpetPower! said:This is a very good point. It's why lenses are calibrated in T-stops rather than F-stops over in the cinema world.
Cheers,
b&