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Patent: Canon RF 100mm f/2.8L IS USM Macro 1:1.4x

Canon News has uncovered a patent for a Canon RF 100mm f/2.8L IS USM Macro 1:1.4x. A macro for the RF system is already long overdue and I expect that we’ll see one announced some time this year.
The cool thing about this patent is that it has a 1:1.4x macro capability, unlike the current version which is 1:1.
Below are the two embodiments of the in Japan Patent Application 2021-047297. The second one is a bit confusing, as the aperture increases as the magnification increases, does this mean it’s an f/1.4 optical design? Time will tell.






Canon RF 100mm f/2.8L IS USM Macro 1:1.4x...

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Deal: Refurbished Canon RF 24-70 f/2.8L IS USM $2069 (Reg $2299)

The Canon USA Store has stock of the refurbished Canon RF 24-70mm f/2.8L IS USM for $2069 (Reg $2299). All refurbished gear comes with a full 1-year Canon USA warranty.
Key Features


Zoom Focal Length: Focal Length: 24-70mm
Lens Type: Wide Angle to Telephoto Zoom Lens
Image Stabilization: Image Stabilization: Yes (IS)
Special Features: Weather Resistant
Filter Size: Focal Length: 82mm


Canon RF 24-70 f/2.8L IS USM $2069

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Deal of the Day: Seagate 2 Pack IronWolf 8TB 3.5″ Hard Drive $369 (Reg $419)

Adorama has a Seagate 2 Pack IronWolf 8TB 3.5″ Hard Drive, SATA 6GB/s, 7200RPM as their Deal of the Day for $369 (Reg $419)
Key Features

2 Pack 7200 RPM spindle speed
Full-track multiple-sector transfer capability without local processor intervention
High instantaneous (burst) data-transfer rates (up to 600MB per second)
Native Command Queuing with command ordering to increase performance in demanding applications
PowerChoice for selectable power savings
Perpendicular recording technology provides the drives with increased areal density
SeaTools diagnostic software performs a drive self-test that eliminates unnecessary drive returns
State-of-the-art cache and on-the-fly error-correction algorithms

Seagate 2 Pack IronWolf 8TB 3.5″ Hard Drive $369 (Reg $419)

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SIGMA announces the “SIGMA fp L,” the world’s smallest and lightest* single-lens mirrorless camera

Ronkonkoma, NY – March 25, 2021 – Today, SIGMA Corporation introduces the SIGMA fp L, the world’s smallest and lightest 61-megapixel full-frame mirrorless camera.  Built with the same dimensions and rigorous attention to detail as the currently-available SIGMA fp, this new camera offers a high-resolution image sensor, an improved hybrid autofocus system, continuous power capability, and several additional in-camera features that make it an exceptional tool for demanding photographers and video creators.
“The SIGMA fp is one of the most innovative cameras available today, and the new fp L brings even more to the table,” says SIGMA America President Mark Amir-Hamzeh.  “It offers incredibly high resolution in an extremely small body, compatibility with an extensive library of lenses, limitless customizability, and the rock-solid build quality that professionals have come to expect from SIGMA.”...

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Problems Using Canon R5 With Pocket Wizard and Monolights

I am trying to figure out flash sync setup for R5 and pocketwizard triggered monolights. All of the info I find is regarding setup for external Canon speedlights. Anyone firing monolights from an R5?

I am getting a dark edge down the right which tells my I am not synced properly, but can't figure out what settings to use to correct the problem.

210316X006lr.jpg

First take on my new RF 100-500mm

Just took it for a test ride for a couple of hundred shots with some proper photographic charts. Fast, precise AF. Sharp all the way. Best at the longer end FL, as others have noted, but overall delivers very well on the optics. Handling is not as good as the 100-400 IS L II even if its lighter. Almost macro capable. No regrets here after using the lens today as I continue to add RF-lenses to my collection. Hope to be able to test it "in the wild" the next couple of weeks.

Canon joins forces with the Japanese government and others for advanced chipmaking production

Canon has partnered with Tokyo Electron and Screen Semiconductor Solutions to develop advanced chipmaking production technology with support from the Japanese government according to a report by Nikkei Asia.
The $386mil USD funding from the Japanese government is through the National Institute of Advanced Industrial Science and Technology, along with the Ministry of Economy, Trade and Industry (METI).
Japans semiconductor production industry has lost ground in recent years to Taiwanese chipmakers and companies like Intel.
The goal is to develop and implement a 2-nanometer or smaller process for chips by the mid-2020s.

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Canon to release a 100mp EOS R system camera next year [CR2]

The rumors about a high-megapixel EOS R5 have been around since the release of the camera. Most of us have reported a Canon camera with an 80mp image sensor, but by the sounds of it, Canon will take the resolution much higher.
A solid source has told me that Canon hasn’t yet internally decided on which image sensor will come in the new high-megapixel RF mount camera. This camera will replace the equally loved and hated EOS 5DS and EOS 5DS R.
Apparently, the goal now is to be north of 100mp, to provide even more separation between the EOS R5’s 45mp and the new high-megapixel sensor. The same source also mentions that it’s not simply going to be an EOS R5 body with a higher resolution sensor, but a camera geared towards landscape and studio photographers. What that means ergonomically, I’m not sure.
More to come…

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Industry News: Sony announces new 50mm, 40mm and 24mm lenses

SAN DIEGO, CA – March 23, 2021 – Sony Electronics Inc. has announced the addition of three new G Lenses™ to its impressive E-mount line-up – the FE 50mm F2.5 G (model SEL50F25G), FE 40mm F2.5 G (model SEL40F25G) and FE 24mm F2.8 G (model SEL24F28G). All three lenses deliver high image quality and beautiful bokeh in a lightweight and compact design, perfect for photographers and videographers needing high image quality combined with easy mobility.
When paired with a Sony full-frame or APS-C camera, all three lenses offer high resolution, intuitive operability, and fast, precise and quiet AF (autofocus) capabilities. The lenses were designed for a wide range of photo and video uses including portraiture, landscape, street photography and more.

“At Sony we are constantly innovating to develop the best tools that allow photographers and video creators to realize their artistic vision,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony...

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How does the R5 and speedlite in Manual interact?

I'm asking how the R5 and an ETTL Speedlite such as the 600EXT work with the Speedlite in Manual mode?

The question is basically this: When the off-camera Speedlite is in Manual does the R5 basically ignore the Speedlite when calculating the camera's automatic exposure settings? From my limited testing, it appears that the R5 doesn't change the exposure if the flash is in Manual. What I want is for the camera to set the picture's lighting for the scene as normal without the flash. Then using a wireless trigger, I want to add an off-camera fill-flash for the shadows?

I realize that I could put the camera in manual and accomplish this but didn't spend $4k to get a dumb camera. Plus a lot of my model sessions involve shoot and scoot where I'm trying to minimize as many adjustments as possible. The amount of fill flash required is not that much to soften the contrast between the sunlit and shadow side of the face.

I've tried all of the flash settings in ETTL mode but generally, the flash wants to take over the lighting even in ambiance mode and often causes the background to be underexposed. My thought is if the camera can't control the flash but simply triggers it, then I can manually adjust the power on the flash to get the proper shadow exposure.

If I could get the camera to do nothing but trigger the flash and completely ignore it for exposure settings would solve all my problems? Well, maybe not all my problems but you know what I mean?
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RF 100-500 Availability

Just curious to hear if anybody has ordered the RF 100-500 recently (2021)? It seems this is on back-order everywhere, and the few posts I can find suggest that B&H, Adorama, Amazon, are sold out/backordered with Canon's store also on a soft backorder.

Placed my order from B&H the other day and just wondering how many week (or months?) I might expect to be waiting.

Need Help Using EOS-R for Birding - Auto Focus and Metering

Hello,

I am a new user and this is my first post. I am looking for advice on settings and techniques for people using the EOS-R for birding. I have been having several problems with focusing including 1) obtaining focus and 2) keeping it. Depending on lighting conditions, my keeper rate can be 20% when the bird is moving (by keeper I mean percent of photos where the bird is in focus, ignoring composition). I am using the 100-400 Mark II either by itself or with a 1.4x III teleconverter.

Some of my problems are no doubt technique, but others are likely due to using the wrong settings.

In terms of exposure, I am shooting in manual mode with the lens wide open (F6.3 or F8 with 1.4x), shutter between 1/2000 and 1/4000, auto ISO, and spot metering. Many times my birds are severely underexposed when shooting against a bright sky, so I often set an exposure compensation of +1 or higher. Should I use a different metering method for BIF? Should I switch to fully manual and fix the ISO?

On an aside, what is the highest ISO I should use? I see a fair amount of noise starting at 3200. Maybe I should use Auto ISO, but set the upper limit at 1600 or 3200?

A few things happen with focusing. Sometimes the camera never obtains focus when pressing the * button. I was forced to use manual focus to get close then the * button would work. FYI, I have the * button set for metering and AF Start, and the lens is set to limit the focus range to 3 meters+. This problem got much better once I turned continuous focus search on.

Now I have two main challenges with AF. First is photographing large birds like Osprey in flight. The camera will achieve focus, then go out of focus, then have a hard time achieving focus again. Maybe I am using the * button incorrectly? Once I focus on the bird should I continue pressing *, or let go? I have Continuous AF off. Which AF method should I be using? 1 point, expand, expand around, or zone? The other challenge is focusing on a hovering humming bird. I almost wonder if I should go to manual focus in that scenario?

I would really appreciate it if some EOS-R birders would share all of their camera settings with me.

AF Operation: Servo is what I use, read a post suggesting using one shot
AF method: Typically use one point or expand, should I be using Zone?
Continuous AF - disabled or enabled?
Tracking Sensitivity: currently set -1
Accel/decel tracking: currently set +1
AF point autoswitching: usually set to 0, going to try using zone auto focus and set this to +2
Lens drive when AF impossible: currently turned on
Limit AF methods: which AF methods should I use?

Any other custom settings I should know about for birding?

I apologize for so many questions. THANK YOU for reading such a long post and for any insights!!
Chip

My R6 failed during an interview this afternoon.

Was in the middle of interviewing a candidate today when my R6 image (using as a webcam) started to shake like there was an earth quake. The Camera made some nasty noises and displayed Err 20.

The IBIS system is shot for sure and feels like someone is rattling rocks inside the Camera when you flip it on. Tried a reset for shits and giggles but still borked. Switched over to the R5 for the rest of the interview so nice it was handy.

Sent in a request to CPS to get a loaner and will ship the Camera off to them on Monday. I am on the west coast and CPS Canada is out east so they were gone for the day.

shizzle happens just happy it broke now while it is under warranty and not when I was on a trip.

For those interested the Camera has not been doing a lot of heavy lift with only about 1500 shots taken since Nov 2020 and maybe 5 hours of video. Was likely doomed when it was built because that is pretty low usage and I have not seen any similar reports.

Again shizzle happens and nothing is perfect, if it is going to pack it in do it early and all the way. :ROFLMAO:
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Is the EF purge beginning? The EF 200mm f/2L IS USM is now listed as discontinued

It was inevitable, but it looks like Canon is starting the discontinuation of EF lenses. I was told by Alex at FStoppers that the Canon EF 200mm f/2L IS USM is now unlisted or listed as discontinued at various retailers.
While it is still listed at Canon USA, the lens is no longer listed at Adorama and shown as “discontinued” at B&H Photo.
I will be watching these things closely over the next few months. I suspect a lot of the older and older higher priced lenses such as the EF 800mm f/5.6L IS USM are on their last legs.
Update: Canon USA has confirmed that the Canon EF 200mm f/2L IS USM will have service support from Canon until at least December 31, 2027. If parts remain after that date, service will likely continue until that inventory is depleted.

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Is there something wrong with this RF lens?

HI all,

I have an my RF 24-105 f4 for about 6 months. I have noticed smeary corners in photos from time to time, but just put it down to camera shake (although I shoot mostly on a tripod). I decided to print out a big focus chart and test my lenses.

To me it looks like the top and especially top right have ghosting issues. It's worse at 50mm than at wide open. Even on f8 it's ghosting a lot compared to the left bottom corner. This image is f8 at 50mm, where it appears worse (also bad at around 35mm). It's a little cleaner at 24 and 105mm.

Here's a link to the full size image: https://ibb.co/QQP4HmT

_A7A4027.jpg

Patent: Touch panel on camera lenses

Canon News has uncovered a patent that shows a touch panel on the barrel of a lens. The touch panel in this patent would take over for the focus control ring on the lens for autofocus.
It is possible that such a technology could also be expanded to allowing you to choose focus points with your thumb on the lens barrel. This is an interesting ergonomic development.
From patent 2021-043294
A technique described in Patent Document 1 is known as a technique in which a user-operable touch panel is provided on an interchangeable lens (lens device) that can be attached to a camera body. The interchangeable lens described in Patent Document 1 is provided with one or two rectangular touch panels extending in the circumferential direction, and focusing or the like is performed by the user operating the touch panels.

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Patent: Fast prime lenses for curved image sensors

Canon has published a patent showing a series of fast prime lenses for camera bodies equipped with a curved sensor. The only way to get the advantages of a curved sensor is to have lenses dedicated to it.
Curved sensors would reduce the complexity and likely size and weight of high-performance lenses. The caveat is that supporting a curved sensor will require each lens to have its own radius to be compatible with the curved image sensor.
The following optical designs appear in patent: 2019-166711

35mm f/1.0
35mm f/1.2
35mm f/1.4
50mm f/1.0
50mm f/1.2
65mm f/1.2
85mm f/1.0
85mm f/1.2
100mm f/1.2

Can we expect a curved sensor system from Canon? Who knows at this point, but both Sony and Canon are working on it. Are there enough camera buyers to support another mount?

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R5 detailed lens testing of RF 100-500 f4.5-7.1 vs. RF 800 f11, with & without RF 1.4x TC, for super-telephoto use.

*** PART 1 ***

A fellow R5 user, AlanF, and I enjoy taking photos of birds, sometimes at far distances. We've been wondering how the IQ (image quality) of the RF 100-500 f4.5-7.1L (with or without the RF 1.4x TC) compares to the RF 800 f11 on the R5 for super telephoto shots. I think it was AlanF that suggested that I consider doing a comparative test on them, since I had all of those items, and could do my own test of the IQ of these lenses on the R5, comparing (initially) 500mm, 700mm (500mm & 1.4x TC), and 800mm.

AlanF had suggested that a quantitative test was needed so that the resolution of the lenses could be measured as well as providing images for contrast and overall IQ. He suggested a test chart from Bob Atkins, which I looked at but thought it didn't have the fine resolution that I was hoping to find. So I continued looking online and found another chart, from Erlend Rønnekleiv, that had more detail. I thought I could improve on it, and so I used AffinityPhoto to re-arrange the pieces of it together into a more compact form with more detail in the same space. Erlend gave me permission to use & post this rearranged version, which is:
erlendReworkedChart.jpg

I taped this chart, printed on 8.5" x 11" paper, onto some wood and positioned the camera & tripod 6 meters away. I used a laser measure to ensure the chart was centered in the camera view and was exactly perpendicular to the camera. The 800mm f11 was just past minimum focal distance and viewed the whole test sheet plus just a little extra. Then I took photos at the same distance with it and the RF 100-500 f4.5-7.1L (with and without the RF 1.4x TC). For each I took 5 photos, 1 AF'd in the center and 1 AF'd as far as I could get to the 4 corners. In looking at all 4 corners of the images in their respective photos, they seemed to me to be the same as it was when AF'd in the center, so I only need to show the center AF'd photo from each.

I used DXO PhotoLab4 standard profile, set white balance, and used deep prime only to output tif files, which went to Affinity Photo, where I cropped the center of each (and the original test chart) at 1:1. Note: I did not adjust all white levels to the same brightness (which I'll do next time). So don't worry about them having different brightnesses.
Here they are, for:
original test chart, 500mm, 700mm(500 & 1.4x), and 800mm
testChart_center.jpgA02_0011_center.jpgA02_0006_center.jpgA02_0001_center.jpg

The #lines resolved per sensor height is:
N * 6 * 5464(R5 sensor pixel height) / A
where N is the #(number) on the chart where you get the limit of resolution (N >> 40 (the max on the chart), so I used 40 below)
and A is the #pixels in the photo between the indicated test pattern line start & end, which is:
for 500mm: 1,355
for 700mm: 1,904
for 800mm: 2,340

So, the #lines resolved per sensor height is far greater than these numbers:
for 800: 560
for 700: 689
for 500: 968

So, at this relatively near focal distance, the chart still does not have enough small resolution to properly measure the resolution of the lenses.
Taking photos from further away would solve this, but this was just the initial test I did to see how everything worked.

I'd like to mention that there were many posts between us regarding these results, and further ideas regarding them. AlanF had many great insights into the results and had suggestions on how better to write up the results which I could post for the general CR community. It took a while for me to go through the next steps, since I had other pressing things at home to do and, well, sometimes I pause one task to do other ones. This post and those that follow are a revised summary of what we both came up with, and I hope that it's much more informative and enjoyable for all of you to see.

It occurred to me that I could probably create a higher resolution chart (lines closer together) from scratch using AffinityPhoto.
So that is what I planned to do, which will become Part 2 (next).
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R5 files purple/magenta wrong...

Hi everyone!

I’ve got a Mac mini M1 and a LG Ultrafine 5K to edit my R5 files shot with either RF50L or RF85L. I use a few different WB tool like grey card, when I’m out shooting. I bought a new Spyder X Pro calibration device and I’ve used a ColorChecker passport for as long as I can remember. I thought maybe my CC was too old, so got a new one, the v2, and it’s the exact same result...

Even with correct wb and custom profiles on a calibrated screen all my shots are basically purple. My kids looks like they’re out of air and I can’t figure out what causes this.

I changed my computer when I bought the R5 and my old calibration device doesn’t work on M1. Never had a issue like this with my 10 year old iMac with 10 year old color checker and the cheapest calibration device.

Are any of you experiencing this too?

How can I check if the camera just turns all files blue even if wb and everything all the way through is calibrated? I’m going mad...

thanks!

New feature firmware coming to the EOS R5, EOS R6 and EOS-1D X Mark III in the next couple of weeks [CR3]

I have been told that the new features firmware for the Canon EOS R5, Canon EOS R6 and Canon EOS-1D X Mark III is “done” and will be released in the next couple of weeks.
The EOS R5, EOS R6 and EOS-1D X Mark III will all get C-Log 3 and new compression for 4K video.
The EOS R5 and EOS-1D X Mark III will get a Cinema RAW Light option.
The addition of 1080p @120fps will definitely be coming to the EOS R5 as well.
As always with any firmware, a bug could be found that may delay things, but by the sounds of it, the firmware is going out to testers and reviewers relatively soon if it hasn’t gone out already.

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Industry News: Sony announces the Sony FE 50mm f/1.2 GM

SAN DIEGO, CA – March 16, 2021 – Today, Sony Electronics Inc. unveils the newest addition to its G Master full-frame lens series – the FE 50mm F1.2 GM (model SEL50F12GM) – delivering excellent resolution and dramatic bokeh known to Sony’s G Master line, industry-leading AF (autofocus) capabilities and professional control and reliability in a compact and lightweight design. The lens’s maximum F1.2 aperture combines an impressive shallow depth of field for maximum creative expression with incredible light gathering capabilities, allowing for faster shutter speeds and lower ISO in low light settings, making it ideal for portraits, wedding photography, video and more.

“We’re excited to introduce our 60th E-mount lens – the FE 50mm F1.2 GM – which delivers a new level of expression and usability for still images and video as an F1.2 lens,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony...

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Canon introduces webcam starter kits for the EOS RP and select EOS M and Rebel cameras

Canon has introduced webcam starter kits for the Canon EOS RP and select EOS M and Rebel cameras. You will still need the Webcam Utility Software from Canon, which is free.
The kits include an interface cable, a DC couple and an AC adapter to make the cameras a bit easier to use as a webcam.
Canon EOS Webcam Accessories Starter Kit for EOS RP $159 (Includes)

Canon AC-E6N AC Adapter
Canon DC Coupler DR-E18
Canon IFC-100U Interface Cable (39.4″)

Canon EOS Webcam Accessories Starter Kit for EOS M50, M50 Mark II & M200 Mirrorless Cameras $89 (Includes)

Canon AC Adapter CA-PS700
Canon DC Coupler DR-E12
Canon IFC-600PCU Interface Cable (3.3′)

Canon EOS Webcam Accessories Starter Kit for EOS Rebel T3, T5, T6 & T7 DSLR Cameras $89...

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