• The Canon Rumors Forum has officially been shut down as of July 10, 2026.

    All data will be deleted on September 16, 2026.

    the ad free experience will return by July 17, 2026.

EOS R AF with 1.2.0 firmware

Hi!

It’s been bugging me a bit for a while and almost turned into real frustration every now and then so I gotta ask;

Is it just me who finds the EOS R AF to have taken a turn for the worse with the 1.2.0 firmware?

Where it before was impossible to miss I now find it to miss more even with no movement. I also tried everything with my kids on a trampoline and it just hunted when they did flips. Worked okay just up and down, but I could’ve used One Shot for that and it wouldn’t miss.

Is it more prone to miss now? I think so at least...

Please chime in if you have any observations to share.

Industry News: Hasselblad announces the X1D II 50C medium format camera, and the XCD 35-75 zoom lens

Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body.
Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format photography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality.

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE
In the pursuit to continue the journey of taking medium...

Continue reading...

Adobe Reports Record Q2 Revenue

Achieves 25 Percent Year-Over-Year Growth with Strong Creative, Adobe Document Cloud and Adobe Experience Cloud Revenue
SAN JOSE, Calif.–Adobe today reported financial results for its second quarter fiscal year 2019 ended May 31, 2019.
Q2 FY2019 Financial Highlights

Adobe achieved record quarterly revenue of $2.74 billion in its second quarter of fiscal year 2019, which represents 25 percent year-over-year growth. Diluted earnings per share was $1.29 on a GAAP-basis, and $1.83 on a non-GAAP basis.
Digital Media segment revenue was $1.89 billion, which represents 22 percent year-over-year growth. Creative revenue grew to $1.59 billion and Document Cloud achieved revenue of $296 million. Digital Media Annualized Recurring Revenue (“ARR”) grew to $7.47 billion exiting the quarter, a quarter-over-quarter increase of $406 million. Creative ARR grew to $6.55 billion, and Document Cloud ARR grew to $921 million.
Digital Experience segment revenue was $784 million, representing 34...

Continue reading...

Nikon confirms an mirrorless D5 in the future - I´m on fire


I hope Canon will answer this. in the near future... Maybe they will surprise us

Canon explains RF lens technology and why bigger is better (sometimes)

Canon once again talks about the benefits of the bigger diameter RF mount over the older, and smaller lens mounts in the video above.
So why’ll we wait for more RF lenses, we can at least learn a bit about them.
From Canon Imagine Plaza:
Canon proudly introduces a new imaging system, the EOS R System, with RF lenses at its core. But what makes these lenses so outstanding? This video introduces the innovative features of RF lenses that open up new possibilities in photographic expression.

Continue reading...


Datacolor Launches SpyderX Tool Kits for Digital Photographers

Press Release
Lawrenceville, New Jersey, USA, June 18, 2019 – Datacolor®, a global leader in color management solutions, announced the launch of two new product bundles for photographers to manage their color workflow: SpyderX Capture Pro and SpyderX Studio. Both include the recently launched SpyderX color calibrator for monitors – the most accurate, fastest (4X faster) and easiest-to-use Spyder, ever.

SpyderX Capture Pro provides all the essentials needed to precisely manage color from image capture through editing, and includes:

Spyder LensCal – Calibrate cameras, lenses and DSLR components.
Spyder Cube – Set white balance and RAW conversion.
Spyder Checkr – Next-level camera color calibration.
SpyderX Elite – Professional monitor calibration.

SpyderX Studio is the essential all-in-one photographic workflow solution for precision control from capture, to editing to print, and includes:

Spyder Cube – Set white balance and RAW conversion.
SpyderX...

Continue reading...


The Canon PowerShot G5 X Mark II appears to be just around the corner, one could assume the PowerShot G7 X Mark III will soon follow

The PowerShot G7 X Mark III has been the latest unicorn in the rumor world, we’ve seen subtle and major leaks over the last year or so, but still no announcement.
Nokishita is now reporting that the PowerShot G5 X Mark II has appeared on order sheets for dealers, which means we’re likely going to see an announcement before the end of August, maybe even as early as July. Rumors about the PowerShot G5 X Mark II started appearing earlier this year.
The last we were told, was that both cameras would be announced near the end of August alongside the EOS 90D, but that was never confirmed by us or others.
It’s possible that the PowerShot G5 X Mark II and PowerShot G7 X Mark III get announced at different times some time this year.

Continue reading...

Lens galleries on life support?

I wonder if it's the economy, the lack of interest, some fear of posting, or some other factor, but CR's lens galleries are pretty much withering on the vine. Looks like less than a half-dozen Rf mount lens photos, and they are all taken with the kit lens, the 24-105mm.

Posting in all the lens galleries seems way down from a few years ago...But I guess Rf in particular is just slow to catch on.

Note that I posted here because I see the topic as more about gear use and acquisition, and also because it seems hardly anybody is paying attention to the galleries!

RF 50mm f/1.2L on DxOMark: How to decipher?


If anyone can explain what this means in the context of other reviews, I'd appreciate the insights! For example, opiticallimits (nee photozone) is practically breathless:


DxOMark...Is the reviewer just being coldly clinical to convey objectivity? Because it seems she sees it as nothing special, just incrementally better than the ef 50mm f/1.2L.

If all you want to do is bash DxOMark generally, without any explanations regarding this specific review, please save your time and ours. If you own this lens and have true insights, or you think you understand why the results line up the way they do because of testing methodology (or lack of), please chime in!

Thanks!

  • Poll Poll
What super-telephoto zooms do you use?

What Super Telephoto Zooms do you use?

  • Canon 100-400mm (original)

    Votes: 2 6.7%
  • Canon 100-400mm II

    Votes: 23 76.7%
  • Sigma 100-400mm

    Votes: 0 0.0%
  • Tamron 100-400mm

    Votes: 0 0.0%
  • Sigma 150-600mm C

    Votes: 6 20.0%
  • Sigma 150-600mm S

    Votes: 0 0.0%
  • Sigma 60-600mm

    Votes: 2 6.7%
  • Tamron 150-600mm (original)

    Votes: 2 6.7%
  • Tamron 150-600mm G2

    Votes: 1 3.3%
  • Canon 200-400mm

    Votes: 1 3.3%

There is speculation about which are most commonly used super-telephoto zoom lenses so let's see what are the most popular for Canon users in CR.

Patent: Further breakdown of Canon’s upcoming IBIS technology

A patent showing a breakdown of Canon’s IBIS development has appeared at the USPTO.
From Northlight:
Here’s one of the diagrams, which I’ve annotated to show the magnets (blue) and control coils (red)
sensor-IS.png

We expect to see Canon’s IBIS technology to arrive in the next major EOS R series camera.

Continue reading...


with the price of RF L glass might as well jump to Fuji gfx?

So I bought the Eos R at launch, aiming to future proof expensive lens purchases (I have several mostly lower end Ef lenses). Was even prepared to pay the big bucks for the new RF L primes slowly as they come out. Then in a review for the RF 50mm someone mentioned the price of the eos r plus RF 50mm not being far off the Fujifilm gfx 50r (medium format) plus the 50mm equivalent lens. For an 85mm equivalent prime it’s 2200 vs 2700 for the new RF lens. It got me thinking- if I’m willing to pay more than medium format prices for lenses, should I be saving my money to eventually go into crop medium format instead? I realise medium format is not for everyone, but judging from the way the gfx system is headed it made me stop and think.

What do people think about Fuji gfx compared to Canon RF?
  • Like
Reactions: 1 user

What about that EF 200-600mm f/4.5-5.6 IS from Canon?

It took but a few minutes to get my first inquiry about Canon’s plans for an EF 200-600mm lens once the announcement of the Sony FE 200-600 F5.6-6.3 G OSS for their mirrorless line.
We know Canon has been working on such a lens in the past, based off of some rumors and patents we’ve seen over the years. However, nothing has come to fruition as of yet.
As we sit here, I have doubts that we’re ever going to see such a lens for the EF mount. The RF mount? That is probably more likely. However, I doubt the EF design would translate well over to the RF in a way that Canon would be happy with, so it could be a case of starting from square one with the design of an RF 200-600mm f/4.5-5.6 IS.
The image above is for the Canon EF 100-400mm f/4.5-5.6L IS II USM

Continue reading...

The missing link: 2000$ 200-600mm lens for Sony bodies


  • versatile tele-zoom range from 200mm telephoto to 600mm super-telephoto
  • Compatible with Sony’s E-mount 1.4x and 2.0x teleconverters, extending the reach to a maximum of 840mm at F9 or 1200mm at F13 with outstanding image quality and AF performance
  • Built-in optical stabilization with three different mode settings, enabling images that are sharp and in-focus at extended super-telephoto focal lengths


Lens Specifications
NameSony FE 200-600mm f/5.6-6.3 G OSS SEL200600G
Image Circle35mm (Full-frame E-Mount)
TypeTelephoto Zoom
Focal Length200 - 600mm
APS Equivalent300 - 900mm
Max Aperturef/5.6 - 6.3
Min Aperturef/32 - 36
Diaphragm Blades11 (rounded)
Lens Construction24 elements in 17 groups, including 5 ED (Extra-low Dispersion) glass elements and 1 aspherical element; Nano AR coating; Fluorine coating on the front element
Diagonal Angle of View(Based on image circle)12.5 to 4.2 degrees
Focus DetailsAF via DDSSM (Direct Drive Super Sonicwave Motor); AF/MF switch; Focus limiter switch; 3 Customizable focus hold buttons
Front Element RotationNo
Zoom SystemRotary (internal zoom)
Closest Focus2.4m / 7.87 ft.
Magnification Ratio0.66x / 1:1.52
Filter Size95mm
Dimensions(Length x Diameter)318.0mm x 111.5mm / 12.52 in. x 4.39 in.
Weight2115g / 74.6 oz (without tripod mount)
NotesOptical SteadyShot Image Stabilization; Dust and moisture resistant; Included Accessories: hood, front cap, rear cap, soft case, lens strap.
Typical Online PriceUS$2,000 (Avail. August 2019)

I´m still in hope that Canon will build such a lens too... for RF mount

Sony announces its first 600mm 4 lens... for 13.000$

found here


Lens Specifications
NameSony FE 600mm f/4 GM OSS SEL600F40GM
Image Circle35mm (Full-frame E-Mount)
TypeTelephoto Prime
Focal Length600mm
APS Equivalent900mm
Max Aperturef/4
Min Aperturef/22
Diaphragm Blades11 (circular)
Lens Construction24 elements in 18 groups, including 1 XA (Extreme Aspherical), 2 ED (Extra-low Dispersion), 3 Fluorite elements and 1 filter; Nano AR coating; Fluorine coating on front element
Diagonal Angle of View(Based on image circle)4.2 degrees
Focus DetailsInternal focus via dual XD (eXtreme Dynamic) linear motors; AF/MF, Full-time DMF, Focus Limit, Function Preset, OSS On/Off, OSS Mode and Beep switches; Set and 4 Focus Hold buttons
Front Element RotationNo
Zoom Systemn/a
Closest Focus4.5m / 14.8 ft.
Magnification Ratio0.14x / 1:7.1
Filter Size40.5mm drop-in type
Dimensions(Length x Diameter)449mm x 163.6mm / 17.68 in. x 6.44 in.
Weight3040g / 6.70 lb
NotesOptical SteadyShot Image Stabilization; Dust and moisture resistant; Included Accessories: lens strap, lens hood, lens caps, hard case, case strap.
Typical Online PriceUS$13,000 (Avail. August 2019)

No crop on 4K coming in next APS-C DSLR [CR1]

The Canon EOS 90D is expected to be announced somewhere around the end of August or early September. All signs point to it being an amalgamation of the EOS 80D and EOS 7D Mark II lines of cameras.
We have been told that the next APS-C DSLR will shoot 4K from a 32.5mp sensor, and will do so without any sort of “meaningful” crop. So we may be getting the new generation of Canon sensors with line skipping or pixel binning for video work.
Other than that, there’s nothing really new to report about the EOS 90D. You can check out the rumoured spec list for the EOS 90D here.
update I added pixel binning as a possibility for Canon in getting rid of the heavy crop they currently have on their ILC still cameras for 4K video.

Continue reading...

Help for a noob ^_^''

Hi guys,
I'm new / noob in the world of video, but I'm interested to learn more.
I bought an EOS R and I am happy but I have some questions:
  1. is better to use 4K All-I without C-Log or to use 4K All-I with C-Log? I will use internal 8bit C-Log. I will edit the video with Davinci Resolve 15.
  2. If I use C-Log is better the color Matrix "Cinema EOS Original" or "Neutral"?
  3. Where I can find good LUT To use with 8bit C-Log?

Thank you for the support.

Kind regards


Giuseppe

Filter

Forum statistics

Threads
37,480
Messages
975,426
Members
24,816
Latest member
GLBDD

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB