Waterfalls

Thread for shots of waterfalls, please post yours!

I was at a scientific conference in Whistler, BC, Canada at the beginning of March, and took the opportunity to visit several waterfalls in the area, which were mostly frozen. It was a great opportunity to test out my newly-purchased EOS R and 24-105mm f/4L IS, which was the only camera/lens I brought on the trip. IMO, a 6-stop ND is ideal for waterfalls, but unfortunately I have only 3- and 10-stop NDs in 77mm (an oversight which I'll remedy at some point), so I sometimes had to bump up the ISO with the 10-stop to keep exposures in a reasonable range (<10 s).

I also came to appreciate the utility of the articulating screen. For my usual subjects (birds, architecture) it doesn't offer much benefit, but I did come across a specific use case where it was essential. All of the waterfalls I visited required snowshoes to reach, and although some had either viewing platforms or packed ice, at a couple of them I was standing on over 2 meters of powder. The best IS system won't allow exposures with a 10-stop ND, which means a tripod is necessary and a tripod requires a stable, firm surface...and deep powdery snow is neither. My improvised solution was to set the tripod up on my snowshoes (with me in them), but there was no way to get the camera to eye level or for me to contort down look through a VF or see a fixed rear LCD. The tilty-flippy was the only way to compose the shots.

The most scenic waterfall was Rainbow Falls, a 2km hike with about 100 m of elevation gain. I was able to go right up to the pool at the base of the falls, sometimes I was standing on ice over part of the pool (thankfully, thick ice).

(Seems I can't link an image to an external URL, so click the image titles for larger views.)

"Rainbow Falls"
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EOS R, RF 24-105mm f/4L IS USM @ 29mm, 4 s, f/9, ISO 640, 10-stop ND filter

"Rainbow Falls Closeup"
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EOS R, RF 24-105mm f/4L IS USM @ 105mm, 4 s, f/6.3, ISO 640, 10-stop ND filter
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Results of my new Canon 600mm f/4 III with the 1.4x III converter to make it 840mm

I spent two full days shooting some 4,000 images with my Canon 1DX Mark II and my new Canon 600mm f/4 lens with the new 1.4x teleconverter attached most of the time. Both are the latest Canon models. Before doing any photography, I first tested the lens by itself for focus accuracy and then with the 1.4x attached. I set a -1 AF microadjustment when using the 600mm alone, and with the 1.4x, I found +5 AF microadjustment produced sharper focus. To be honest, a -1 AF microadjustment isn't much and I would not notice a problem had I not tested the lens. But, the +5 with the 1.4x attached is significant to me, and the results showed it worked just fine with the adjustments I made. Keep in mind the camera "remembers" the AF microadjustment set with the lens alone, and also with the 1.4x attached. For each of these images, I used manual exposure with continuous autofocus set on the back-button. I am using a Wimberley gimbal head with IS on as the camera/lens is not perfectly still on the gimbal head as you track the subject. Of course, since I am usually panning with the subject, I use mode 2 that only stabilizes in the plane opposite the direction of panning. I use a single AF point and try to keep it right on the face of the subject. When I failed to do that, then my focus was off, but mostly I nailed the focus on about 80% of the images. In this situation, the light is steady most of the time, so I prefer manual exposure as it is simply easier to do. Autoexposure introduces so many problems that I don't have to deal with with manual exposure. Had the light been changing a lot from moment to moment, then I would use an autoexposure mode called Auto ISO.
I have used Canon 500mm lenses for decades, and the 800mm for about ten years. The 500mm did not provide the reach I get with the 600mm, and the 800mm gives me more magnification, but can't focus all that close - about 20 feet. And of course, with the 1.4x on the 600mm, that gives me an effective 840mm f/5.6 lens, so a little more reach than the 800mm and it focuses much closer - something important for small birds. I also have not used a 1.4x, 2x, or any other kind of teleconverter for more than 20 years as the results with my first experiences were dismal all those years ago. Why? The glass just didn't do as well is one reason for the lack of sharp images. Perhaps my shooting technique had a flaw in it. And that was all before AF microadjustments became available in the camera. And even if the camera could do it, I would not have known the need to AF microadjust the autofocus like I do now. Anyway, teleconters were not in my bag for about 3 decades, but now I will always have the 1.4x with me when using the 600mm lens. I am a tough judge on equipment, but I give this 600mm/1.4x version III combo FIVE BIG STARS!!!!! It is a winner.www.gerlachnaturephoto.com
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On-Board Radio Transmitter?

The ST-E3 RT radio transmitter was released 7 years ago and no camera body has been released since with a built-in transmitter. I find this baffling. People have suggested that regional differences make it hard to get approval for the radio frequency bands used but I'm not sure I believe that because I haven't seen specialized versions of the transmitter or the flashes for different countries. I also find it inconsistent that bodies have had WiFi radios in them for quite a while without a problem.

It's hard not to be cynical and assume that it's merely good business to expect people to buy an expensive accessory if they want to get serious about off-camera flash.

What are the odds that the next bodies released end this trend and include an on-board radio transmitter for controlling flashes?

Feature update announcements coming to the Canon EOS R and Canon Cinema EOS C200 ahead of NAB

UPDATE: We’re adding to the information about Canon’s NAB announcements coming next week.

The long-rumoured SUMIRE prime PL mount lens series will be announced. They’ll match the EF versions as far as focal lengths, but the optical formulas will be different.
Two BCTV lenses are coming, both will be 4K. Specs aren’t known at this time, but one will likely be telephoto and the other with IS for ENG purposes (B4 mount).
Four 4K camcorders, XA40/45 and XA50/55. All of them as priced below the XF405/400 and will be able to shoot 4k30p. The XA50/55 have a 1″ sensor and DualPixelAF with a 15x zoom lens, while the XA40/45 have a smaller sensor with a 20x zoom lens.
They may also unveil the development of a new cinema camera and 4K reference display. The display could be 30″ and DolbyVision certified.


Canon is going to be announcing new gear ahead of NAB on April 3 (depending on where you are on the planet) and it’s going to be a busy show for the company.
Below is a new summary...

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Sigma Announces Pricing & Availability for Sigma Mount Converter MC-21

Press Release:
Available in April 2019, the new accessory ensures compatibility of the Sigma lenses in EF and SA mounts with the L-Mount camera systems
Ronkonkoma, NY – March 29, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced pricing and availability for the new Sigma Mount Converter MC-21, offering photographers a wider range of lens options for L-Mount cameras from Sigma, Leica and Panasonic. The Sigma MC-21 will start shipping in April 2019 and will be priced at $169.00 USD for Sigma SA-L mount and $249.00 USD for Canon EF-L mount.

Features
The Sigma Mount Converter MC-21 allows for Sigma’s SA mount and Canon EF mount lenses to be used on L-Mount camera bodies. By attaching MC-21 to a Sigma SA mount or Sigma Canon EF mount lens, it becomes compatible with the L-Mount camera system without compromising usability and image quality. The...

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Patent: Canon in-body image stabilization

A detailed patent showing IBIS from Canon has appeared at the USPTO. This is a broad patent, but one of the embodiments describes IBIS.
Canon News breaks down US Patent Application 20190094566:
“This patent application attempts to remove backlash from the ultrasonic motors in either an in body stabilization system or an in lens stabilized system without increasing their size.  The IBIS patent that they reference in this patent application is an Olympus patent application 2008-220031.
it’s a difficult patent to read; however in figure 5A; this shows the image stabilization unit as being inside the camera, and the text surrounding the description of this camera in 5A is as follows:”
FIG. 5A is a cross-sectional view of the camera system (optical apparatus) including the image pickup apparatus 10 including the image stabilizing...

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Patent: 8-15mm fisheye zoom for mirrorless

An optical formula patent application for an 8-15mm fisheye zoom lens has appeared at the USPTO.
The patent covers both the APS-C (EF-M) and full-frame (RF) mirrorless mounts as the backfocus for each embodiment is well shorter than the EF’s 44mm.
APS-C embodiment:
Focal length: 5.30mm  – 9.51mm
F-number: 3.50   3.50
Angle of view: 181.00° 182.00°
Image height: 7.50mm  13.50mm
Total lens length: 77.28mm  – 69.52mm
BF: 11.09mm  16.77mm
Full-frame embodiment:
Focal length: 8.01mm  15.30mm
F-number: 3.78   4.60
Angle of view: 177.30° – 183.10°
Image height: 11.15mm  21.64mm
Total lens length: 105.23mm – 103.57mm
BF: 12.00mm  28.46mm

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General purpose f/2.8 zoom for 80D?

Hi all,

Looking for recommendations for a f/2.8 zoom for my 80D. I currently have the 10-18 STM so I'm covered for wide angle stuff, and have the 18-135 STM for use in good light. Also have the 24/40/50 STM and 100/2 USM primes. I have the 24 STM up for sale right now as I just don't tend to use it much.

So far I've been considering the Tamron 17-50 non-VC, the 17-55 IS USM, the Tamron 24-70 G2, or the 24-70L II.
Obviously the 24-70 options are significantly more expensive, but I don't tend to use 24mm or narrower all that often (hence selling the 24 STM) and I would definitely use the 50/55-70 range if it was there. The 'ready for full frame' aspect is a bonus too if/when I upgrade to FF a few years down the road.

I'm looking to get something with good IQ wide open - if I have enough light to be stopped down much I'm probably just using the 18-135.
I've searched and read reviews and there doesn't seem to be a real consensus... the 24-70 II would be the clear winner if it had IS I think but it's also by far the most expensive.

Anyone have experience with one or more of the options?

Zeiss to launch new line of lenses dubbed Ventum, but they won’t be for your mirrorless camera

Zeiss is about to announce a new line of lenses called “Ventum”, but they don’t appear to be for your digital camera.
According to Nokishita, the new line of lenses are fixed focus and look to target the surveillance market and possibly drones? I’m not sure if there would be any other application for such lenses.
One interesting thing to point out is that there is an aperture ring, I’m not sure how that would work for drones and surveillance cameras.
No word on what the mount is on the Ventum lenses.

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Canon announces the Canon IVY CLIQ+ (Zoemini S) and Canon IVY CLIQ (Zoemini C) instant camera printers

Update: In North America, these cameras will be called the IVY CLIQ+ and IVY CLIQ, you can see the Canon USA press release here.
Preorder at Adorama:

Canon IVY CLIQ+ $159
Canon IVY CLIQ $99

Press Release:
United Kingdom, Republic of Ireland, Thursday 28th March 2019 – Canon Europe announces the release of two instant camera printers, the Canon Zoemini S and Canon Zoemini C. Building on the success of the original Canon Zoemini which launched in 2018, the new product range of all-in-one instant camera printers are the perfect pocket-sized companions for encouraging creativity with easy to print, peel-and-stick photos on the go.

The Canon Zoemini...


[url=https://www.canonrumors.com/canon-announces-the-canon-zoemini-s-and-canon-zoemini-c-instant-camera-printers/]Continue reading...

Industry News: ARRI announces the ALEXA Mini LF

Press Release:

Large-format ALEXA LF sensor in an ALEXA Mini body
New, cost-efficient Codex Compact Drive for fast and open workflows
New MVF-2 high-contrast HD viewfinder
Internal motorized FSND filters, extra connectors, and user buttons
Best overall image quality with much higher usable sensitivity

March 28, 2019, Munich – ARRI today unveils its new ALEXA Mini LF camera. Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder.

ARRI’s large-format camera system launched in 2018 and is based around a 4.5K version of the ALEXA sensor, which is twice the size and offers twice the...

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Rokinon officially announces the RF 14mm f/2.8 and RF 85mm f/1.4

Press Release:
(New York, New York) March 26, 2019 – ROKINON is proud to announce its new 14mm f/2.8 and 85mm f/1.4 full frame lenses built for the Canon EOS R mirrorless system.
This ultra wide-angle and fast telephoto are the first 14mm and 85mm prime lenses with precision manual focus control to be available in Canon RF mount.
Both lenses sport a new exterior design with a contemporary look that matches and handles well with Canon’s new full-frame mirrorless cameras.

Each lens offers a metal chassis, weather sealing, a metal aperture control with a slip-resistant matte finish, and Ultra Multi-Coating.
The new ROKINON 14mm f/2.8 Canon RF mount ultra wide-angle lens provides a dramatic rectilinear 115.7° view that can focus as close as 11inches and is perfect for astrophotography, landscapes, extreme sports, interiors, and real estate imagery.
Its advanced...

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85mm f/1.8 refurb tryouts?

I took advantage of the sale on refurbs, and my 85mm f/1.8 arrived today. I had time to take a few shots this afternoon indoors and in bright sun at different f-stops and using autofocus at different distances and focusing manually, including overriding autofocus with the focus wheel.

Everything seems to be functioning normally, and the test pictures look as expected. Nothing rattles, and the focus wheel seems solid without play. I'll do some pixel peeping on the trial shots tonight to see whether I learn anything from those.

Is there anything in particular I should try so I can make sure that this is a sufficiently decent incarnation of the lens for me to keep it? I realize that the lens falls off toward the corners in sharpness, which I see as more a feature than a bug for shooting portraits. If I want some thing really evenly sharp, I'll use my 100mm macro.

I don't shoot a lot of portraits, but I recall that back in my film days I really liked the 85mm lens and used it for lots of things. With the 100mm macro and with the 24–105mm zoom, I had the focal length territory covered OK. I just though for the small amount of money, I'd get some use out this lens, and if I'm wrong, I'm not out a lot. It is of course faster than the other two lenses and has a different look, I'd imagine.

Any suggestions will be appreciated.

Canon celebrates 16th consecutive year of Number 1 share of global interchangeable-lens digital camera market

United Kingdom, Republic of Ireland, 27 March 2019 – Canon Inc. today announces that the company’s interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share of the global market for 16 consecutive years from 2003 to 2018.
Canon develops the key imaging system components featured in its EOS series of interchangeable-lens cameras – CMOS image sensors, image processors and interchangeable lenses – under the core concept of ‘Speed, Comfort and High Image Quality’. Incorporating a wide-ranging product lineup – from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy high image quality shooting with easy operation – Canon continues to support the diverse needs of customers.

In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS 300D. This groundbreaking camera, which was competitively priced and featured a compact, lightweight design...

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Canon EOS R firmware version 1.2.0 announced

Canon is getting ready to release the next firmware update for the Canon EOS R, there are some feature updates as well as bug fixes.
From Canon Asia:
The new firmware for EOS R (version 1.2.0) will be available on Canon website from the middle of April 2019.
Firmware version 1.2.0 incorporates the following enhancements and fixes.
Enhancements:

Eye-detection AF

Supports Servo AF when shooting still images.
Now available when shooting movies regardless of “Movie Servo AF” setting.


Small AF Frame Size

Supports Servo AF when shooting still images.
Now available when shooting movies regardless of “Movie Servo AF” setting.



Fixes:

Under certain conditions, the electronic level displayed in the electronic viewfinder did not display properly.
Under certain conditions information displayed in the electronic viewfinder was not properly rotated.
Under certain conditions updating the firmware for the...

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Pre-announcement: EOS R Firmware Version 1.2.0

From Canon Singapore:

The new firmware for EOS R (version 1.2.0) will be available on Canon website from middle of April, 2019.

Firmware version 1.2.0 incorporates the following enhancements and fixes.
Enhancements:
1. Eye-detection AF
  • Supports Servo AF when shooting still images.
  • Now available when shooting movies regardless of “Movie Servo AF” setting.
2. Small AF Frame Size
  • Supports Servo AF when shooting still images.
  • Now available when shooting movies regardless of “Movie Servo AF” setting.

Fixes:
  1. Under certain conditions the electronic level displayed in the electronic viewfinder did not display properly.
  2. Under certain conditions information displayed in the electronic viewfinder was not properly rotated.
  3. Under certain conditions updating the firmware for the wireless file transmitter WFT-E7 was not possible.

Umbrella frustration

Hi guys! I have been very partial to my 72" Westcott umbrellas because I get such wide coverage and real soft light. The problem has been breezes. I have destroyed 3 or 4 of these $100 umbrellas and I am wondering if maybe a big softbox would be more durable and less likely to topple. I do weigh down the stands real well, but umbrellas really catch the wind (read slightest breeze). Anyone having better luck with big soft boxes? I just don't have the resource of an assistant to hold things down very often. Just wondering if the soft boxes are more durable. I have a couple of small octagonal soft boxes, but fragility seems to increase with modifiers as they get bigger. Then again, maybe I am using the wrong kind of stand for outdoors? I use Manfrotto BAC-1004 master stands. Maybe there is something more stable for outdoors? C-stand, maybe?

The rest of 2019 for Canon will be about updating dated product lines [CR2]

Late 2018 and early 2019 have been pretty busy for Canon, mostly with the launch of the EOS R, EOS RP and 10 new RF mount lenses. It doesn’t look like the 2nd half will be quite as exciting.
We’re told that the 2nd half of 2019 will be more about updating older product lines and launch some new lines such as the ZV-123 instant print camera.
This is what we’re told to expect.

Three new G series PowerShot cameras. The PowerShot G7 X Mark III has been a bit of a unicorn around these parts, but it’s obvious that it’s coming. We can also expect a PowerShot G5 X Mark II and a PowerShot G9 X Mark III.
As far as DSLRs, we’re told to only expect amateur level cameras such as Rebels and the EOS 80D replacement.
The Cinema EOS lineup will see an update, along with new camcorders and a new camera...

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