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Supertelephoto Lens Updates Are Getting Closer [CR1]

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Updates to Canon’s line of “big white lenses” is getting closer we’re told. Some of these new lenses will be present at the World Cup in Russia, which begins on June 14.</p>
<p>We generally assume the “big whites” as the following lenses.</p>
<ul>
<li>EF 200mm f/2L IS</li>
<li>EF 300mm f/2.8L IS II</li>
<li>EF 400mm f/2.8L IS II</li>
<li>EF 500mm f/4L IS II</li>
<li>EF 600mm f/4L IS II</li>
<li>EF 800mm f/5.6L IS</li>
</ul>
<p>We weren’t told which lenses would be in testing, but we highly doubt all of these lenses would be tested at World Cup games. It makes sense that 300mm to 600mm lenses could potentially be used.</p>
<p>If you’re watching the matches, keep a close eye on the sidelines.</p>
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70-200 2.8 with 2x tele vs 100-400mk2 with 1.4 tele

Looking at getting rid of the sigma 150-600 and replacing with one of these two combos as with a trip to the Galapagos coming up weight savings are a priority. Losing some reach with the 70-200 option but getting a more versatile rig than the 100-400 and being that it will be mounted on a 7d2 I am guessing it will suffice as distance to wildlife in the Galapagos should not be an issue most of the time. Any oppinions on the best option from those who know?

Kickstarter: The KOBRA Flash Modifier System

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A few months ago we posted this project for the KOBRA Flash Modifier System, and unfortunately it did not reach its funding goal, this time it has. This is a great time to take advantage of the sale price for the Kickstarter campaign, you can save up to 30% until the campaign ends on June 9, 2018. <a href="https://6c61e7.kckb.st">Check out the KOBRA flash modifier now</a>!</p>
<p><strong>PRESS RELEASE:</strong></p>
<p><em><strong>KOBRA Flash Modifier Provides Photographers Exceptional Design and Function on Kickstarter</strong></em></p>
<p><em>KOBRA takes a bite at the flash modifier market with a relaunch on Kickstarter offering an attractive design and price</em></p>
<p><strong>Irvine, CA – Red Tusk, LLC.</strong> announced the relaunch of their <a href="https://6c61e7.kckb.st"><strong><em>KOBRA Flash Modifier </em></strong></a>on Kickstarter with exclusive features and competitive pricing.</p>
<p>The <strong><em>KOBRA </em></strong>was designed to give photographers an effective modified flash solution that is lightweight, flexible and with a sleek design. Professional photographer, Paul McKelvey, conceived the idea for <strong><em>KOBRA </em></strong>through his disappointment in the current market. McKelvey said, “I have used all the ‘on camera flash’ modifiers that are available and have been unsatisfied with the results. I decided to stop complaining and make my own.”</p>
<p>The new Kickstarter campaign includes the improved <strong><em>KOBRA Band</em></strong>, a high-grade, flexible silicone that is not affected by high or low temperatures. The new design features vent holes to allow air to circulate over the flash head and prevent the potential for overheating.</p>
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<p>Red Tusk, LLC. took the lessons learned from their first campaign to heart. Manufacturing in the U.S. resulted in an unrealistic funding goal. During their research and design, they found an experienced manufacturing facility specializing in quality silicon molding that would meet all their needs at a lower cost.</p>
<p>As a result, backers will find improved pricing over the previous campaign. Pre-orders for the <strong><em>KOBRA Flash Modifier </em></strong>starts at $38, a 25% discount off the retail price.</p>
<p><strong>Red Tusk, LLC. </strong>is confident the <strong><em>KOBRA </em></strong>will be a vital part of a photographers’ kit. “The beauty of the <strong><em>KOBRA </em></strong>is that it gives the user the ability to control the light, explains McKelvey. “You can focus on capturing moments</p>
<p>rather than looking for ceilings or walls to bounce off. The <strong><em>KOBRA </em></strong>will give you a high-quality outcome, no matter what lighting conditions you are in.”</p>
<p>Visit the <strong><a href="https://6c61e7.kckb.st"><em>KOBRA Flash Modifier </em>Kickstarter</a></strong> page to pre-order, and learn more about the product. The campaign runs until June 9, 2018.</p>
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Sigma 105mm f/1.4 DG HSM Art Pricing and Preorder Coming May 25

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Pricing and preorder for the Sigma 105mm f/1.4 DG HSM Art series lens is coming May 25, 2018<a href="https://twitter.com/nokishita_c/status/998787173900894209"> according to Nokishita</a>.</p>
<p class="fs16 OpenSans-600-normal product-highlights-header"><strong>Product Highlights</strong></p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">EF-Mount Lens/Full-Frame Format</li>
<li class="top-section-list-item">Aperture Range: f/1.4 to f/16</li>
<li class="top-section-list-item">Three FLD Elements, Two SLD Elements</li>
<li class="top-section-list-item">One Aspherical Element</li>
<li class="top-section-list-item">Super Multi-Layer Coating</li>
<li class="top-section-list-item">Hyper Sonic AF Motor, Manual Override</li>
<li class="top-section-list-item">Weather-Sealed, Protective Front Coating</li>
<li class="top-section-list-item">Rounded 9-Blade Diaphragm</li>
<li class="top-section-list-item">Removable Rotating Arca-Type Tripod Foot</li>
<li class="top-section-list-item">Compatible with Sigma USB Dock</li>
</ul>
<p><strong><a href="https://bhpho.to/2x8s4LE">Sigma 105mm f/1.4 DG HSM Art at B&H Photo</a></strong></p>
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Canon EOS 80D Will Be The Next DSLR Replaced [CR1]

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We’re being told that 2018 will be a slow DSLR year for Canon, but that we’ll likely a see a replacement to the EOS 80D next, and it’s possible that its coming in late 2018.</p>
<p>While a EOS 7D Mark II replacement will be more exciting to the Canon community, there is absolutely no signs of an EOS 7D Mark III announcement coming any time soon.</p>
<p>While no specifications are available at this time, we’re told that internally Canon plans to put DPAF equipped 4K in all non-Rebels going forward. This shouldn’t come as any sort of surprise, but it is worth noting.</p>
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Sony switchers face development limbo!

Now we now why Canon marches to its own tune. it remember's Sony's dismal record of commitment to its own technology and customers.

https://www.bloomberg.com/news/articles/2018-05-20/new-sony-ceo-to-detail-shift-away-from-gadgets-in-mid-term-plan?utm_source=twitter&utm_campaign=socialflow-organic&utm_medium=social&cmpid=socialflow-twitter-business&utm_content=business


"Sony Corp. is done working for peanuts in the hardware business.

Kenichiro Yoshida, who took over as chief executive officer in April, is set to unveil a three-year plan on Tuesday that embraces Sony’s growing reliance on income from gaming subscriptions and entertainment. The transition is already happening: even though the company sold fewer hardware products such as televisions, digital cameras, smartphones and PlayStation consoles in the year through March, it was able to post record operating profit.


It’s a tectonic shift for a company built on manufacturing prowess. Sony popularized transistor radios, gave the world portable music with the Walkman and its TVs were considered top-of-the-line for decades. With the rise of Chinese manufacturing, making and selling gadgets has become a business with razor-thin profit margins. Investors have applauded the transformation that’s been under way since Kazuo Hirai took over as CEO in 2012, with the shares climbing more than five-fold amid a turnaround."

"Sony is proving that it can evolve with the landscape ... with a shift from a hardware-to content-driven profit model,” SMBC Nikko Securities Inc. analyst Ryosuke Katsura wrote after the company’s latest earnings report last month. “The real key is whether it provides investors with a clear road map.”

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Focus Peaking Epiphany! And tilt shift.

Hi guys. About two weeks ago I went against my better judgement and spent the money from my recent Canon Speedlite sell off and bought my wife an Olympus OM-D E-M5 Mark II. I'd wanted one of the new Canon TSE lenses, but worried I would have a hard time tackling the technical side of things with TSE lenses. The up side for me would be that I could mount my M42 screw mount lenses to the small mirrorless and take advantage of IBIS and Focus Peaking.

I finally got the focus peaking feature figured out for using with my old legacy glass and took the grandson outside for some pics. That's when it hit me as I saw that band of yellow in-focus territory running across the lawn. "This would be perfect for TSE work!"

Let me explain. You all know better than I about how you can make those TSE lenses shift or tilt around the focus plane. With the focus peaking you can actually see where that focus is going or how it is going to be positioned in your photo. For guys with bad eyesight, it's a miracle! Since the TSE lenses are all manual focus it seems the two were made for each other.

So, for this reason alone, if Canon comes out with a FF body that takes EF glass (without hurting optical quality), and has focus peaking, then I would probably be all in and make that the next body I buy.

Canon Will Sell You Their 120mp APS-H Image Sensor

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<p>Are you building your own camera and need more megapixels? You can <a href="https://www.phase1vision.com/sensors/canon-sensors/area-scan-sensors/120-megapixel-cmos">buy Canon’s 120mp APS-H sensor</a>. The sensor is available in color and monochrome. Hat tip to <a href="https://www.phase1vision.com/sensors/canon-sensors/area-scan-sensors/120-megapixel-cmos">Northlight Images</a>.</p>
<p class="title2"><strong>Ultra-High Resolution CMOS Sensor</strong></p>
<p>The 120MXS is an ultra-high resolution CMOS sensor with 13280 x 9184 effective pixels (approx. 60x the resolution of Full HD). It has a size equivalent to APS-H (29.22mm x 20.20mm), and a square pixel arrangement of 2.2µm x 2.2µm with 122 million effective pixels. Ultra-high-resolution is made possible by parallel signal processing, which reads signals at high speed from multiple pixels. All pixel progressive reading of 9.4 fps is made possible by 28 digital signal output channels. It is available in RGB or with twice the sensitivity, in monochrome.</p>
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<p><strong>TECHNICAL INFORMATION:</strong></p>
<ul>
<li>Sensor size: APS-H (29.22mm x 20.20mm)</li>
<li>Filter types:

120MXSC: RGB

120MXSM: Monochrome</li>
<li>Number of effective pixels: 13280h x 9184v, approx. 122MP</li>
<li>Pixel size: 2.2µm x 2.2µm</li>
<li>Progressive Scan</li>
<li>Rolling Shutter</li>
<li>188pin ceramic PGA</li>
<li>Sensitivity:

120MXSC (Green): 10,000e/lux/sec

120MXSM: 20,000e/lux/sec</li>
<li>Saturation: 10,000e @ gain0.5x</li>
<li>Output Channels: Data 28 lanes, Clock 14 lanes</li>
<li>Dark Random Noise: 2.3e rms @ gain x8, Room Temp.</li>
<li>Dark Current: 8.1e/sec @ gain x8, 60°C</li>
<li>Number of output channels: Data 28 lanes, Clock 14 lanes</li>
<li>Main clock frequency: 45MHz (Recommended)</li>
<li>Output format: 720Mbps in LVDS output 9.4fps @ 10 bit</li>
<li>Built in column amplifier (Pre-amplifier gain mode: x0.5, x1, x2, x4, x8)</li>
<li>Serial communication</li>
<li>All pixel progressive scan reading function, Region of Interest (ROI) reading function (Vertically)</li>
<li>Vertically intermittent reading function (1/1, 1/2, 1/3, 1/5, 1/7, 1/15)</li>
<li>Power consumption: 2.5W (under recommended operating conditions)</li>
<li>Power supply voltage: 1.7 V, 3.5 V</li>
<li>Package size: 55.0mm x 47.8mm x 4.49mm</li>
</ul>
<p><strong><a href="https://www.phase1vision.com/sensors/canon-sensors/area-scan-sensors/120-megapixel-cmos">Check out the Canon 120mp APS-H at P1</a></strong></p>
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Patent: Canon Wide Angle Zoom for Full Frame Mirrorless Camera

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<p>A patent for an optical formula showing  a wide angle zoom lens for a full frame mirrorless body has appeared.</p>
<p>It looks like this patent is for a 16-30mm f/2.8 and has a short backfocus of 11.34mm, which tells us it’s not for a DSLR.</p>
<p><strong>Canon 16-30mm f/2.8 Specifications:</strong> (Japan Patent Application 2018-077320)</p>
<ul>
<li>Zoom ratio: 1.67</li>
<li>Focal length: 16.48-27.44mm</li>
<li>F number: 2.88</li>
<li>Half angle: 52.70 – 38.25</li>
<li>Image height: 21.64mm</li>
<li>Back focus: 12.33 – 10.00mm</li>
</ul>
<p> </p>
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questions in regards to stabilizers for traveling

I will be doing some traveling with my 5d Mark IV. I'm looking for members opinions in regards to ways to stabalize my shots

1. What is a good quality tripod to purchase that won't break the bank, but is sturdy that I can purchase and pack in my suitcase for traveling. Had a cheap $20 tripod but of course it was a piece of garbage that was not sturdy enough

2. what does everyone suggest as something to put my camera on that would give me sturdier shots when it comes to shooting handheld video? Seems as though many use gorilla pods, is this considered the best piece of gear for the job? I'm pretty much only going to have my 5d Mark IV and a Rode VideoMic Pro attached to it.

Any suggestions are greatly appreciated

5D Mk4, 6D Mk2, 7D Mk2, 80D and 5D Mk 3 compared for Wildlife photography

Just posted a side by side comparison of what it is like to use the 5D Mk4, the 6D Mk2, the 7D Mk2, the 80D and the 5D Mk 3 for wildlife photography: https://www.grantatkinson.com/blog/6d-mark-ii-5d-mark-iv-7d-mark-ii-or-80d-which-mid-range-canon-dslr-for-wildlife-photography
The aim of the post is not to declare an overall winner but rather to share what my wife and i perceive to be the different cameras strengths and weaknesses, for our kind of wildlife photography. With that group of cameras, the 5D Mk4, 7D Mk2 and 5D Mk3 are all similar in their control layout, in their viewfinder autofocus, their dedicated AF multi-controllers, and their grip size. The 6D Mark 2 and 80D are smaller in the hand, and have reduced size and controls, but make a strong case for themselves with their swivel-tilt screens and their image quality.

We get asked questions often by Canon users about these five cameras, so are hoping that the post provides some useful information.
Cheers
Grant

Sending in 5D Mark IV & lenses for C-log upgrade

For those of you who have sent in your 5D Mark IV for the C-log upgrade, how did you go about packaging it, and which mail carrier did you send it through? Also, I'm thinking about sending in my lenses with my camera as well as my 85mm 1.2 L II has some bad focus issues and needs calibration so I figure I'd send in my other 2 lenses as well so that they can all be calibrated to my camera and everything done at the same time. Does anyone have any idea of the cost for the calibration of lenses to the camera? I am a CPS member silver but have enough points to upgrade to the highest CPS status if need be. if this is something that will cost me more than $100, I may as well upgrade to gold as I believe it's free for 3 lenses to be calibrated, correct? so it would in that essence pay for itself.

How big is the possibility of an 400mm 2.8 III in 2018?

I´d like to buy an 400mm III 2.8, if it will appear on the horizon in 2018.
But how big is the chance?
Back in 2009, I was looking for the MK I version of it, but it was much to heavy.

Sony will announce the 400 2.8 this year, with (rumored) an superfast AF and lightweight.
Would that be an pressure for Canon to compeed, as their 400 2.8 lens is 8 or 9 years old?

Hint about what to expect from Canon's step into full frame mirrorless?

I read the following within this month's CPS Newsletter (UK version at any rate) from an interview with one of its ambassadors, Jasper Doest:

Is there anything that you feel Canon could add to its repertoire, to make a positive difference to your photography?:
"I'm still hoping for a full-frame mirrorless system. Canon's DSLRs are doing an amazing job for me. However, when working with people I notice a Canon EOS-1D X Mark II or even a Canon EOS 5D Mark IV with a Canon EF 24-70mm f/2.8L II USM lens can be intrusive. People don't respond as much to smaller camera systems, which makes it much easier to become a fly on the wall when working on documentary shots."

Article is at : https://www.canon-europe.com/pro/stories/jasper-doest-documentary-wildlife/?utm_source=mc&utm_medium=email&utm_campaign=0103-201805N_11052018&utm_content=hq_pro-en_a_1_image1_M1A&utm_id=0103-201805n

I could be too cynical or, alternately, naive, but I always assume Canon writes up articles and posts them to give some aid to its marketing direction. So, given the comment, do we think the full frame mirrorless is bound to be smaller? Not looking to re-open debate on what you want, rather: does this point us in the actual direction?

Stoical

Industry News: FujiFilm Announces the Instax Square SQ6

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<p><strong>Valhalla, N.Y., May 14, 2018</strong> – <a href="http://www.fujifilmusa.com/products/instax/index.html" target="article-0067965594"><strong>FUJIFILM North America Corporation</strong></a> today announced the first SQUARE format analog INSTAX camera, in the FUJIFILM Instax instant camera line, the new <strong>INSTAX® SQUARE SQ6</strong>, a sleek and sophisticated square format instant film camera for instant square prints. The square format film provides a wider photo range with 1:1 aspect ratio. This allows for more room to set the scene, enabling capture of the subject<strong>,</strong> its background and extending the range of artistic expression.</p>
<p>“We are very excited to bring our first square format analog INSTAX camera to market,” says Manny Almeida, President, Imaging Division, FUJIFILM North America Corporation. “The SQ6 is an affordable and attractive option from the INSTAX line of instant cameras to capture real-life moments with a creative twist.”</p>
<p>To celebrate the release of the new INSTAX SQUARE SQ6, Fujifilm together with iHeart Radio, will hold an exclusive, private launch event, “A Night in NY,” on May 15<sup>th</sup> at West Edge in New York City. The event will feature experiential spaces to create custom, photo shareable content to immerse guests in curated experiences with INSTAX cameras, including the new SQ6. Hosted by Z100’s Danielle Monaro, “A Night in NY” will also feature an intimate performance by singer-songwriter MAX, #1 hit song “Lights Down Low.”</p>
<p>Along with the SQ6, instax SQUARE black instant film will also be released. With its new black frame, users can enjoy added creativity, perfect for a wide array of DIY projects.</p>
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<p><strong>Available in Three Beautiful Colors</strong></p>
<p>The SQ6 is available in three stylish colors, Pearl White, Blush Gold and Graphite Gray.</p>
<p><strong>Variety of Features for Enhanced Creativity</strong></p>
<p>The new SQ6 is equipped with various features that allow users to be more creative. With auto exposure control, the high performance flash automatically calculates the surrounding brightness and adjusts shutter speed to capture both the subject and background with clarity, even when shooting in low light conditions, such as indoors or at a party. Three color filters that fit over the flash in orange, purple and green are included to add a pop of color to the images. Additionally, the camera can be set to a selfie mode which automatically adjusts focus and brightness. For added usability when taking selfies, a small mirror is located next to the lens to ensure accurate capture. Group photos are made easy with the built in timer and the added tripod socket located at the bottom of the camera<strong>.</strong></p>
<p><strong>Three Unique Modes to Capture Any Moment</strong></p>
<p>To ensure capture of any moment, the SQ6 offers three unique modes. The double exposure mode is capable of superimposing two images onto a single film when the shutter button is pressed twice. The macro mode allows users to capture beautiful close-up images of subjects as close as 30cm and the landscape mode can be used to capture impressive scenic photos.</p>
<p><strong>INSTAX SQUARE SQ6 </strong><strong>Key Features:</strong></p>
<ul>
<li>Available in three colors, Pearl White, Blush Gold and Graphite Gray.</li>
<li>Compatible with FUJIFILM INSTAX SQUARE film (purchased separately).</li>
<li>Picture size – 62mm x 62mm/2.4in. x 2.4in.</li>
<li>Retractable lens, 2 components, 2 elements, f = 65.75 mm, 1:12.6.</li>
<li>Inverted Galilean finder, 0.4 x, with target spot.</li>
<li>Three motor driven focus modes: Macro Mode (0.3m – 0.5m/1ft. -1.6ft.), Normal Mode (0.5m – 2m/1.6ft. – 6.6ft.), Landscape Mode (2m/6.6ft. and beyond).</li>
<li>Programmed electronic shutter release, 1.6 sec – 1/400 sec.</li>
<li>Automatic, Interlocking range (ISO 800): LV 5 – LV 15.5, Exposure compensation: ± 2/3 EV.</li>
<li>Electronically controlled self-timer with approximately 10 second delay</li>
<li>LED display with Shooting mode (auto, selfie, macro, landscape, double exposure), brightness adjustment, flash suppressing and self-timer mode.</li>
<li>Two CR2/DL CR2 lithium batteries.
<ul>
<li>Capacity: Approximately 30 INSTAX SQUARE 10-pack film packs with new CR2/DL CR2 lithium batteries.</li>
</ul>
</li>
<li>Tripod socket (tripod sold separately).</li>
</ul>
<p><strong>Availability and Pricing</strong></p>
<p>The Instax SQUARE SQ6 will be available on May 25, 2018 in the U.S. and Canada for USD $129.95 and CAD $159.99.</p>
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New Canon 70-200mm Lenses Coming in Early June [CR3]

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<p>We’re told that Canon will finally unveil their new 70-200mm lenses with an early June announcement. Yes, that’s plural.</p>
<p>We can 100% confirm that one of the new lenses will be an EF 70-200mm f/4L IS II.</p>
<p>We can also 95% confirm that the second lens will be a EF 70-200mm f/2.8L IS III. All of the tips we’ve seen point to this lens coming, but we haven’t actually seen the “f/2.8L IS III” in writing.</p>
<p>We do not know pricing or when these new 70-200mm lenses will begin shipping.</p>
<p>Please keep in mind that lens announcement dates can change, even at the last minute.</p>
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Industry News: Canon on Reframing the Business to Avoid Further Smartphone Disruption

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Canon has always been considered a marketing powerhouse and they have remained the number 1 camera manufacturer based on marketshare, and their marketshare is increasing in segments such as mirrorless cameras and lenses.</p>
<p><strong>From Marketing Week:</strong></p>
<blockquote><p>…… Bonniface admits the market has been “challenging” but says the general perception is that sales have now “bottomed out”, with markets such as the Netherlands returning to growth last year. CIPA figures back this up, with global shipments up slightly to 25 million last year.</p>
<p>In a declining market, Canon has managed to remain the top digital camera company by market share in key markets including the US, Europe and Japan, according to the company. And it has branched out into new areas of imaging such as cars, machine automation, security and medical. But Bonniface says Canon has only been able to do this because of the “power” of the Canon brand.</p>
<p>…… That brand strength can be seen in consumer perceptions. According to YouGov BrandIndex, Canon comes fourth in a list of 36 ‘computing and home office’ brands with an index score of 23.4 (index being a balance of a range of metrics including value, quality and satisfaction). It is also in the top five for impression, quality, value and recommendation.</p>
<p>And the Reputation Institute has Canon at fourth in its global ranking of brand reputation, with a score of 77.4 putting it behind just Rolex, Lego and Google. <a href="https://www.marketingweek.com/2018/05/11/canon-reframing-disruption/">Read the full article</a></p></blockquote>
<p>Canon will continue its brand re-lauch into the summer as it continues to position itself as one of the great brands of the world.</p>
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Yongnuo Announces the YONGNUO YN50mm F1.8 II, With Super Bokeh Effect

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<strong>Supports USB-free Firmware Upgrade </strong></p>
<p>Firmware of the lens can be upgraded through camera instead of using USB port, which not only meets the requirements of firmware upgrade and appearance design, but also avoids the incompatibility problems caused by different computer operating systems.(Note: this function needs to be supported by camera)</p>
<p><strong>F1.8 Bright Aperture</strong></p>
<p>Maximum aperture F1.8,bokeh effect is easily achieved ,which brings you more fun during photographing.</p>
<p><strong>New Mechanical Structure, New Coating Technology</strong></p>
<p>YN50mm F1.8 II has all the product advantages of the last generation. By improving the mechanical structure and coating technology, its focus accuracy, auto-focus speed and light transmittance are increased. Furthermore, it can control backlight ghost and glare.</p>
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<p><strong>Durable Metal Mount</strong></p>
<p>YN50mm F1.8 II adopts chrome-plated and high-accuracy metal mount. It’s wearable, corrosion-resistant, and highly consistent with the body of the camera.</p>
<p><strong>0.35m Closest Focusing Distance</strong></p>
<p>Compared with the first generation, the closet focusing distance of YN50mm F1.8 II is shortened to 0.35m.You can get closer to the object for photography and enlarge the object.</p>
<p><strong>Focus Modes: Auto Focus (AF) and Manual Focus (MF)</strong></p>
<p>YN50mm F1.8 II supports auto focus and manual focus. The focus mode can be selected according to practical requirement.</p>
<p><strong>Focus Distance Indicator is convenient for you to estimate the distance and the depth of field.</strong></p>
<p>YN50mm F1.8 II has 7pcs of aperture blades, which helps to take picture of circular defocused spots or helps to stop down and take picture of 14-star effect.</p>
<p>You can purchase the <a href="http://rover.ebay.com/rover/1/711-53200-19255-0/1?ff3=4&pub=5574981434&toolid=10001&campid=5338309621&customid=&mpre=https%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_from%3DR40%26_trksid%3Dp2380057.m570.l1313.TR0.TRC0.H0.X%2BYongnuo%2BYN50MM%2BF1.8%2BII.TRS0%26_nkw%3D%2BYongnuo%2BYN50MM%2BF1.8%2BII%26_sacat%3D0">YONGNUO YN50mm F1.8 II via ebay for $74.99</a>.</p>

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Question for landscapers

Hi,

I have a question for landscapers.

Consider that I own only 16-35mm and as hobby shooter (no income from photography) the budget is limited.
In the most recent experience, shooting The Dark Hedges, I found out owning only 16-35mm was not enough, I couldn't get a good composition at all with wide open lens on that spot.
Which would you choose as your next lens: 24-70 or 70-200?

Many thanks.

url picture

Another EF 70-200mm f/2.8L IS III Mention [CR2]

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The announcement for the EF 70-200mm f/4L IS II which was <a href="http://www.canonrumors.com/canon-ef-70-200mm-f-4l-is-ii-coming-very-soon/">scheduled for this past April</a>, appears to have been delayed. We’re still being told that it is coming “soon”. However, as mentioned preciously, we don’t think this is the last 70-200mm lens coming from Canon in 2018.</p>
<p>We’re being told again that a new EF 70-200mm f/2.8L IS III could be announced in the 2nd half of 2018. We figured Photokina 2018 in September would be a good place to announce it, however it’s always possible that the lens gets announced after the show, like we have seen with previous lenses such as the EF 100-400mm f/4.5-5.6L IS II which came a couple of months after Photokina 2014.</p>
<p>A lot of sources are quite coy at the moment, but we’re getting the feeling that the 2nd half of 2018 is going to be an exciting time for Canon announcements.</p>
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Review: Rokinon AF 14mm f/2.8 by TDP

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The-Digital-Picture has completed their review of the recently released Rokinon AF 14mm f/2.8 lens. The first autofocus lens from Rokinon for the Canon EF mount.</p>
<p><strong>From The-Digital-Picture:</strong></p>
<blockquote><p>Rokinon/Samyang’s first auto focus lens for Canon (Sony was already covered), the AF 14mm f/2.8 Lens, jumps right to the top of my all-time Rokinon/Samyang lens favorites list and onto my short list of 14mm favorites.</p>
<p>The size and weight of this lens are such that it is easy to include in the bag even when 14mm is not the primary need. The design is nice. The image quality the Rokinon AF 14 delivers is a big driver for selection and the very reasonable price tag seals the deal. <a href="https://www.the-digital-picture.com/Reviews/Rokinon-AF-14mm-f-2.8-Lens.aspx">Read the full review</a></p></blockquote>
<p>You can purhcase the <a href="https://bhpho.to/2KmCQiW">Rokinon 14mm f/2.8 at B&H Photo</a>.</p>
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Sigma Announces Pricing & Availability for Its 70mm F2.8 DG MACRO Art Lens

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<strong>Ronkonkoma, NY – <span class="aBn" tabindex="0" data-term="goog_841490186"><span class="aQJ">May 11, 2018</span></span> – </strong><a href="http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-n/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?hl=en&q=http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-n/&source=gmail&ust=1526142266508000&usg=AFQjCNGIdKThRLt20RVFNAeupT7CCi8vlw">Sigma Corporation of America</a>, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced that its <a href="http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-p/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?hl=en&q=http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-p/&source=gmail&ust=1526142266508000&usg=AFQjCNG_0RQlO_ipkjWe8m-kt1aIQpkyZQ">70mm F2.8 DG MACRO Art</a>, the first prime macro lens to be adorned with the Art badge, will be available in Canon mount in the end of May for $569.00 USD through authorized US retailers. The Sigma mount model is expected to ship in June. The release of the Sony E-Mount version will be announced later.</p>
<p><strong>The First Macro Lens in the Sigma Global Vision Art Line</strong>

Elevating the legendary Sigma 70mm F2.8 EX DG to the Art line, the brand new Sigma 70mm F2.8 DG MACRO Art prioritizes optical performance that defines the Sigma Art line, delivering stunning resolution and incredible clarity, while at the same time offering extremely smooth autofocus performance for a weightier, high-performance lens.</p>
<p>To achieve optimal results at every shooting distance, the lens features an extending, floating, two-group focus mechanism, which minimizes aberration at all focal lengths. In addition, the lens’ optical elements design increases resolution at close shooting distances, allowing for a razor-sharp in-focus area contrasted with a bokeh area free of color streaking.</p>
<p>Other feature highlights include focus-by-wire system featuring newly developed coreless DC motor for comfortable and precise focusing typically required for macro photography; compatibility of the Canon mount lens with the Canon Lens Aberration Correction function; and compatibility with Sigma Electronic Flash Macro EM-140 DG and Sigma Teleconverters.</p>
<p>Full technical specifications can be found on the Sigma website at: <a href="http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-x/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?hl=en&q=http://sigma.cmail20.com/t/r-l-jyddqtd-kutlpzq-x/&source=gmail&ust=1526142266508000&usg=AFQjCNHiGOuME63a4XBRsy9kZwn9ctMb7w">https://www.sigmaphoto.<wbr />com/70mm-f2-8-dg-macro-a</a>.</p>
<p><strong><a href="https://bhpho.to/2wnpalv">Sigma 70mm F2.8 DG MACRO Art at B&H Photo</a></strong></p>
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