Patent: Canon 50mm f/3.5 IS Macro for Full Frame Mirrorless

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A patent for a 50mm f/3.5 IS Macro lens for a full frame mirrorless camera has appeared.</p>
<p>Patent Publication No. 2015-215494 (Google Translated)</p>
<ul>
<li>Published 2015.12.3</li>
<li>Filing date 2014.5.12</li>
<li>Focal length 48.58</li>
<li>F-number 3.50</li>
<li>Half angle (in degrees) 24.01</li>
<li>Image height 21.64</li>
<li>Overall length of the lens 85.71</li>
<li>BF 27.79</li>
</ul>
<p>The machine translation shows EF mount, but I’m not sure if that’s an accurate translation. If anyone can translated this better than Google can, <a href="http://www.canonrumors.com/contact-form/">please drop us a line</a>.</p>

Canon EF 50mm f/1.4 & Others Listed as Production Ended by Canon UK

discontinued-728x403.jpg

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<p>A reader sent in a link to Canon UK that shows the Canon EF 50mm f/1.4 and Canon EF 50mm f/2.5 compact macro as “production ended”.  Quite often we see typos on various Canon web sites, but it’s often only one lens. In this case, three lenses that were thought to be current are there. Three typos? I guess it’s possible, but unlikely. The EF 135mm f/2.8 soft focus lens is also makes the list and I do not remember it being officially discontinued.</p>
<p>Of these, the EF 50mm f/1.4 is the obvious candidate for replacement. I’m not sure how many people used the compact macro and I’ve never met anyone that owns a soft focus 135mm.</p>
<p>Check out <a href="http://www.canon.co.uk/support/consumer_products/content/?itemid=tcm:14-1254703" target="_blank">the list for yourself</a>.</p>
<p><em>thanks Nik</em></p>

Any new word on possible new Canon 50mm f/1.2 lens coming out?

I remembered hearing some rumors on here about a year ago or so...about a possible redesign and release of a new Canon 50mm 1.2 lens....

Any more word on this? I was one badly, and have been saving my nickles and dimes, but also waiting to see if a new one comes out which I thought was rumored to be about first of the year time frame...

Anyone? Anyone?
Bueller?


Thanks,

cayenne

Review - Canon PowerShot G5 X by PhotographyBLOG

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I’m heading to Asia for just over 6 weeks during the winter months and I’m looking for a point and shoot backup to the Leica M-P kit that I’ll be bringing. The brand new Canon PowerShot G5 X looks to be a serious competitor to make its way into my bag. I love the EVF and the price and I will likely make my purchase decision soon.</p>
<p>PhotographyBLOG recently completed their review of the camera, and came away pretty impressed, saying:</p>
<blockquote><p>In summary, the PowerShot G5 X is the best prosumer pocket camera that Canon have released of late, with lots of strengths and only a few weaknesses, making it a serious player in the serious compact market… <a href="http://www.photographyblog.com/reviews/canon_powershot_g5_x_review/" target="_blank">Read the full review</a></p></blockquote>
<p>Canon Professional Network has also posted an interview with the team that designed the Canon PowerShot G5 X. <a href="http://cpn.canon-europe.com/content/education/technical/developing_the_canon_powershot_g5_x.do" target="_blank">You can read it here</a>.</p>
<p>Canon PowerShot G5 X $749: <a href="http://www.bhphotovideo.com/c/product/1188052-REG/canon_0510c001_powershot_g5x_digital_camera.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x677142" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ICAG5X.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1hC75Dq" target="_blank">Amazon</a></p>

Need NIKON Teleconverter help please...

Hi everyone,

Anyone with Nikon teleconverter experience please give me some advice so I can be the expert for a buddy. His wife and daughter share using a Nikon D5100 with two kit lenses, 18-55 and 55-200. The daughter wants to shoot the moon (no pun intended) better than she can with just the 55-200 lens by itself on a tripod and asked Dad (my buddy) what he thought she could do. Their family is NOT a photographer family. This camera kit is a major kit in their eyes. So there's no way a big fast Nikon lens is even on the radar. I suggested a 1.4 TC but before I send him the specific TC he should get, I figured I would get some opinions from ACTUAL NIKON SHOOTERS first.

So the question is: which TC would you suggest for this little entry level Nikon kit with basic Af-S lenses? I assume with this type of user and existing camera gear a Kenko is the best way to go but I don't really know Nikon that well. (Assuming that even matters in this case.) Thanks guys!

CES Announcements Expected from Canon

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CES 2016 is just over a month away, the show runs from January 6, 2016 until January 9, 2016 in Las Vegas, Nevada. Canon usually announces some consumer products for the show during the first part of January.</p>
<p>At the last CES, Canon announced a slew of lower end PowerShot cameras, as well as the Connect Station and a new EOS 6D kit with the EF 24-105 f/3.5-5.6 IS STM. In 2014, Canon announced PowerShot cameras as well as consumer camcorders. Can we expect the same sort of thing for CES 2016?</p>
<p>History says we’ll get a few announcements from Canon, but as I’m writing this, the possibility of an EOS M product being announced for the show seems highly unlikely. The entry level EOS M10 was just announced about 6 weeks ago and that would fit the CES show a lot better than a “pro” mirrorless camera, or even a replacement to the EOS M3.</p>
<p>Is a DSLR possible? If there was going to be a DSLR announcement, I’d say it would be for the EOS 70D replacement. There have been a few hints over the last 3-4 weeks that the 70D was on its way out. Though an announcement, even for a lower end DSLR, would be very unusual for Canon.</p>
<p>A lot of people are asking about the Rebel SL1 replacement, to which we have no answer for.</p>
<p>We are hearing there will be a second set of announcements the 4th week of January, but we’ve been unable to confirm that with any sort of certainty.</p>

Phase One Acquires Mamiya Digital Imaging (MDI) Assets & Establishes Phase One Japan

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<strong>COPENHAGEN, December 2, 2015</strong> — Phase One, A/S, the leading provider of open-platform, high-end camera systems and solutions, today announced that it has acquired the assets of Mamiya Digital Imaging Company, Ltd (MDI) and has appointed Makoto Honda as the new president of Phase One Japan. Terms of the transaction were not disclosed.</p>
<p>Mamiya has held a long and established reputation in the camera sector. As a 45 percent shareholder in MDI since 2009, Phase One has developed detailed insight into the camera & lens design and production process and engineered important improvements through its close collaboration with the MDI team in Japan. With this transaction, Phase One now also takes total ownership for all aspects of design and development of medium format camera systems, central shutters & lenses.</p>
<p>“Phase One is now the only medium format camera company that has full internal control of all critical components in a world class imaging system,” says Niels V. Knudsen Phase One’s Image Professor. “This is the best news in many years for quality-focused photographers and imaging companies as Phase One works to consistently raise the bar in medium format photography.”</p>
<p><!--more--></p>
<p>“The very successful introduction of the Phase One XF Camera System in June 2015 illustrates the power of our collaboration,” says Henrik Håkonsson Phase One President & CEO. He added, “The Phase One XF Camera System is the new much improved standard for medium format photography, with the incorporation of significantly enhanced technology.”</p>
<p>Phase One’s mission is to keep pushing the limits for ultimate camera systems and imaging quality, meeting the demand of the world’s leading photographers and industrial imaging companies.</p>
<p>Makoto Honda President of Phase One Japan said: “Phase One Japan is committed to developing new and custom designed masterpiece leaf shutter optics in close partnership with top photographers, imaging companies and long term design partner Schneider Kreuznach.”</p>
<p><strong>About Phase One

</strong>Phase One is the leading provider of open-platform, high-end camera systems and solutions. Phase One camera systems and lenses are designed to deliver superior quality image capture and investment value. Phase One’s Capture One Pro and Media Pro software help streamline capture and post-production processes for both medium format and 35mm cameras. Phase One products are known for their quality, flexibility and speed enabling pro photographers and industrial imaging companies shooting in a wide range of formats to achieve their creative visions without compromise.</p>
<p>Phase One is based in Copenhagen with offices in New York, London, Tokyo, Cologne, Hong Kong, Shanghai, and Tel Aviv. Phase One and Capture One are registered trademarks of Phase One A/S. Mamiya is a trademark licensed by Phase One A/S. All other brand or product names are trademarks or registered trademarks of their respective holders.</p>
<p><strong>About Mamiya Digital Imaging

</strong>Mamiya Digital Imaging is the digital successor to the reputable Mamiya brand, an innovative company fresh with enthusiasm and dedicated to continuing a legacy of excellence. Mamiya has consistently been a forerunner in medium format camera design, and Mamiya lenses, manufactured following a tradition of precision and quality, are celebrated worldwide. Mamiya Digital Imaging is headquartered in Tokyo with a factory in Saku, Japan and totals a team of 80 dedicated engineers and technicians, and distributors in more than 100 countries.</p>

Gentoo Penguin (Falkland Islands)

I just got back from an incredible trip to South Georgia and the Falklands. I'll have lots to share here and on Facebook in the weeks ahead. This one jumped out (pardon the pun) at me to post first :-)

All the best everyone!

Glenn

Camera Model: Canon EOS 7D Mark II
Shutter speed: 1/1250 sec
Aperture: 6.3
Exposure compensation: +2/3
ISO: 400
Lens: EF600mm f/4L IS II USM

Gentoo%20Penguin%20-%2001.jpg

Rumor: Nikon to buy Samsung's mirrorless portfolio

PP generally waits for formal news instead of rumor mongering, but this one's pretty juicy:

http://petapixel.com/2015/12/02/nikon-acquired-samsungs-camera-tech-report-says/

Sure, if true, it might just be acquisition of technology and IP that will show up behind the scenes in future Nikon products. But, just for a moment, let's assume Nikon pounces here and decides to rebrand the NX line into a future APS-C mirrorless platform:

  • Critical to mirrorless growth, Nikon will have just acquired 25 Samsung native NX lenses. No adapters and oversized lenses required. This is not a starved-for-glass portfolio like N1 (somewhat) or EOS-M (horrifically so).

  • It would represent the first of Canon / Nikon to 'flinch' in the mirrorless market and change their position on sensor size / mount. (Would this mean Nikon might abandon the CX mount in the future, or would they carry the weight of maintaining two SLR and two mirrorless mounts?)

  • Nikon would now have a 28 MP APS-C backside illuminated sensor to have fun with. It has tested very well.

  • Nikon would now have a 15 fps (with autofocus) performance in mirrorless -- this would technically be a step down from their CX mount 20 fps with AF, but in APS-C, this is formidable upgrade in my mind.

  • Nikon would now have 4K video in mirrorless (if they choose to continue to offer it -- Nikon may have Canon's aversion to giving 4K away when they could overcharge for it at a much higher trimline).


  • This one is admittedly a flaming leap, but Samsung may have been developing a FF mirrorless platform. I strongly doubt Nikon would use such a concept design as is, but perhaps they have IP on really clever features / tools / implementation that might assist Nikon's eventual FF mirrorless product development.

So, if true -- keep in mind that it's just one rumor -- Nikon could have just bought a massive leg up in mirrorless.

- A

Canon U.S.A. Celebrates The 25TH Anniversary Of The EOS Rebel SLR Camera Line

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<em>Profiling Modern Day Rebels Including Daredevil Nik Wallenda and Music Producer Swizz Beatz, “Rebel With A Cause” Campaign Filmed Entirely with Canon EOS Rebel T6i DSLR Cameras</em></p>
<p><strong>MELVILLE, N.Y. </strong>— Celebrating 25 years since the introduction of Canon’s first EOS Rebel SLR camera, Canon U.S.A., Inc., a leader in digital imaging solutions, is pleased to honor this milestone by introducing its new “Rebel With A Cause” campaign. In 1990, the iconic “Image is Everything” campaign introduced the Canon EOS Rebel, an SLR camera born with a cause — to put the power of pro photography into the hands of the public and level the playing field forever. 25 years later, Canon launches “Rebel With A Cause,” embarking on a journey to follow modern day rebels who challenge convention in their own unique way, capturing their causes through the eye of a Canon EOS Rebel DSLR. “Rebel With A Cause” will invite people into their worlds, celebrating the imagery that makes their causes shine and motivating others to join their movements.</p>
<p><!--more--></p>
<p><iframe width="728" height="409" src="https://www.youtube.com/embed/Uvp0VEjnTe8" frameborder="0" allowfullscreen></iframe></p>
<p>The campaign kicks off today featuring American daredevil Nik Wallenda followed by GRAMMY<sup>®</sup> Award winning record producer Swizz Beatz.</p>
<p>For the first video from the campaign, Nik Wallenda, best known as a member of The Flying Wallenda Family, and the first and only person to walk a tightrope across Niagara Falls and the Grand Canyon, encourages an unexpected group of people, senior citizens, to check items off of their personal bucket lists. After visiting a senior center in Sarasota, FL, the man who’s conquered every feat he’s ever dreamed of, sent one senior citizen into the sky and one to the racetrack to inspire them to finally conquer theirs. The campaign, shot entirely on Canon EOS Rebel T6i DSLR cameras, can now be viewed here: <a href="http://canon.us/bkQln" target="_blank">http://canon.us/bkQln</a> .</p>
<p>“I’m honored to be selected as a Rebel with a Cause as part of Canon’s campaign, as I’ve spent my entire life pushing boundaries and encouraging others to do the same,” said Nik Wallenda. “Partnering with Canon to tell my story and continuing to pursue my mission to never give up, has been an incredibly rewarding experience, and I hope this inspires others to live their lives to the fullest.”</p>
<p>“Canon has always made it a priority to make what was once thought to be impossible possible, and it’s one of the reasons we created the EOS Rebel cameras,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The heart of this campaign is about showcasing modern day rebels entirely through the eyes of a Canon EOS Rebel camera, encouraging people to take their creativity to the next level and to tell their own unique stories.”</p>
<p>“Rebel With A Cause” will continue with hip-hop artist and multi-platinum record producer Swizz Beatz, who has recently become a major force in the art world. However, instead of focusing on his own art, he’s focused on finding the next great, unknown artist – and into 2016 with a range of high profile individuals each embracing their own cause. Every rebel has their own unique story, and the campaign will encourage everyone to find the rebels within themselves.</p>
<p><strong>The Evolution of the Canon EOS Rebel Camera</strong>

Canon announced the first ever EOS Rebel SLR camera 25 years ago in August 1990, changing the game in the SLR camera category. At the time it was Canon’s smallest and lightest 35mm autofocus single-lens reflex (SLR) camera in the EOS line of autofocus SLRs. The EOS Rebel line has been continuously known to pack advanced features and imaging technologies into affordable high-quality consumer-level camera bodies. Through its first 14 years, Canon introduced 13 EOS Rebel film SLR models and in 2003, the Canon EOS Rebel DSLR was born, marking the beginning of the modern-day EOS Rebel DSLR camera. From 2003 to 2015, there have been 15 models in the EOS Rebel DSLR camera line including the latest models introduced this year featuring built-in Wi-Fi<sup>®</sup> and NFC capability — the EOS Rebel T6i and T6s DSLR cameras. The EOS Rebel camera line has been used by creative consumers to express themselves through still images for decades as well as Full HD video since the introduction of the EOS Rebel T1i in 2009. Also known for their compact size and superb feature set these cameras have enticed many consumers to make this their first entry into Canon’s EOS interchangeable lens camera family. All Canon EOS Rebel cameras are compatible with Canon’s entire line of EF and EF-S lenses. The sales success and longevity of the EOS Rebel camera line is why the cameras are a household name across generations making it one of the most popular lines in SLR cameras.</p>
<p>For more information about the entire Canon EOS Rebel DSLR camera lineup, please visit <a href="http://www.usa.canon.com/eos" target="_self">www.usa.canon.com/eos</a>.</p>

Priolite for my 645z...

Long time Canon user... and Fuji... and I've had my 645z for about 4 months. Love it but I am slogging through a sync of 1/125 which is doable but not ideal. Really have had my eye on the lighting set from Priolite which is capable of shooting to 1/4000. Not too bad a price but I've never used their gear and I don't know anyone who has used them.

Anyone here familiar with them or had any experience with the Priolite kits? Any info, real world usage would be greatly appreciated. I can read the site for my own and I'm not needing reassurance... I'm more interested in actual usage and overall quality. Especially the robustness of the actual units (they look a little cheap).

A little info... professional photographer; wedding, portrait and commercial work. Lots of onsite work in less than ideal situations (typical for client requests). I operate a studio also, so maybe about 20% in studio. No sports/action work for the Pentax, that's what the Canon's are for.

Lenses currently are the Pentax-D FA 645 55mm f/2.8 and Pentax 90mm f/2.8 D FA 645 Macro ED AW SR.

Thanks...

2 lenses to bring on a gorilla safari in the Congo

Hey all, I am going on a gorilla trek to the congo and will be bringing my 5d III. I need to pack light so I can only bring 2 lenses but dont know which ones to choose.

I have:

16-35 2.8 L II
24-70 2.8 L
70-200 2.8 IS L
100-400 4.5-5.6 IS L II

I would like to bring one wide and one tele but just don't know which would be best. I am leaning towards 24-70 and 100-400. thanks!

10-18 for Astrophotography?

I have the 10-18/(70D), but am thinking that there might be a "better" choice for the occasional astrophotography (especially during "meteor" season).
Was thinking of keeping the 10-18 and adding a 14mm Samyang or Rokinon, but having a single UWA might be preferred. My main lens is the 35 2.0 IS so I do like having 67mm on both lenses. Another option is to keep the 10-18 for non-astro UWA and use the 35 for the night skies.
With all of the above what might be the ultimate solution (if that's possible to nail down) all things considered (including not-GAS)?
Thanks.

G9X: Overpriced? ...and How Responsive Is It?

Am I the only CRumors reader who has experience with the full range of Canon's camera line...(including the S90 and S95 and Elph 300 etc. on the tiny side; the EOS M models [mirrorless/APS-C] for 'big sensor in small package'; the APS-C DSLRs starting with the Rebels; and the 5D/6D full field big boys)...

...am I the only one who thinks the G9X is overpriced by $100-150.00?

I want one or two, but not at the current prices...

(and I still want to know...how responsive is the G9X, actually?)

5d3 vs. 7D2 as general use body

I am suffering buyer's remorse, and the cameras haven't even arrived yet. Just as background, I have shot Canon for years, 35mm and then digital beginning with the D30 (not 30D, D30 with 6 megapixels). I sold most of my old bodies last year, and worked with just the 1D X. I like high detail sharp pictures. I have tried the Sony a7R (which I hated), and the a7II, which I'm not crazy about either. I'm sticking with Canon despite complaints that the company is falling behind its competition (also, my lens collection is extensive).

OK, so to take advantage of rebates, I ordered a 5DS-r yesterday, for myself as a companion to the 1DX. I hope to use it for portraits, weddings, and landscapes. My wife, who wants to get more serious with her photography, needs something better than a point and shoot, and why shouldn't she share my lenses? So, I ordered a 7D2 for her to use. She likes photographing flowers, and hopes to enter garden photography competitions. I figured that she might like the 1.6 crop as it would get her closer to her subjects, is not looking to blow up to 30x20, and the 7D2 is less than the 5D3. One other note, she grew up using 35mm SLRs and is not a stranger to photography. Should I have bought the 5D3 for her? I don't want to be cheap. But I don't want to spend twice as much on a camera that is about to be replaced.

Thanks for any input. I also realize the potential irony here, since the 7D2 may be a good back up to a 1Dx, while I may find that the 5DS-r is so finicky that I just spent a bunch for a camera I might end up hating.

The Canon Brand Still Means Something

My coworker wants to buy a dslr for his wife. Both of them have close to no experience in photography. My recommendation was sony a6000. The response was that he wants either Canon or Nikon. I named certain cool things about the a6000 but he still insists that he prefers these two brands. In the end i told him to get canon 70d + efs24 2.8. He has no reservation this time.

First Look: Sigma 20mm f/1.4 DG Art from LensRentals.com

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LensRentals.com has posted their first look of the brand new Sigma 20mm f/1.4 DG Art series lens with a series of MTF curve tests.</p>
<blockquote><p>With a wide-angle, wide-aperture prime lens, MTF is probably not the main consideration in whether you buy the lens or not. Theses lenses are used for different things by different photographers and bokeh, handling, vignetting, and dozens of other things I don’t test for will make a bigger difference in whether you like the lens, rather than simply how sharp it is.</p>
<p>Everyone’s first comment seems to be, “Well, I don’t need a 20mm f/1.4 lens”. I said that myself. But then I realized, well, I’ve never had the opportunity to use a sharp 20mm f/1.4 lens before, because there’s never been one . Will I like it? I have no idea. But I think I’ll at least check it out, it might be fun. Especially at this price point.</p>
<p>But the geek in me, at least, is totally impressed. Wider, faster, sharper, cheaper. What’s not to be impressed by? <a href="http://www.lensrentals.com/blog/2015/11/sigma-20mm-f1-4-dg-hsm-a1-mtf-curves" target="_blank">Read the story</a></p></blockquote>
<p><strong>Sigma 20mm f/1.4 DG Art: <a href="http://www.bhphotovideo.com/c/product/1191178-REG/sigma_20mm_f_1_4_art_lens.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x678532" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1NkFcIH" target="_blank">Amazon</a></strong></p>

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