For the majority of the pros who will use it? It isn'tI don't understand why some people are bogged down with the 20 Mpx vs 24 Mpx. Does 4 Mpx difference really contribute to any perceivable IQ improvement? Why is it such as deal breaker?
For the majority of the pros who will use it? It isn'tI don't understand why some people are bogged down with the 20 Mpx vs 24 Mpx. Does 4 Mpx difference really contribute to any perceivable IQ improvement? Why is it such as deal breaker?
Because Sony...I don't understand why some people are bogged down with the 20 Mpx vs 24 Mpx. Does 4 Mpx difference really contribute to any perceivable IQ improvement? Why is it such as deal breaker?
If I recall correctly, the hump is the gps antenna. Might be wireless antenna in there too.I thought the wireless problem was solved by putting the antenna in the OVF hump, why is the wireless transmitter still a separate part?
According to DPR, this camera will fill a 256GB card in a little over 10 minutes while recording RAW video at maximum quality.Who on earth is filling up a 256GB card on a 20mp camera? Maybe if you're doing video, but surely a more reasonable 128GB card is adequate for most uses.
Not all professional photog will need all of these features.Hi Guys!
I got an newsletter from the local professional shop. The camera will cost 7360 Euros in Austria. What an incredible price. This is 1050 Euros more than the Mark 2 version at the time of announcement. Wow.
I was until reading the heavily pricing thinking of buying the Mark III. But as an non-professional this is definitively to much. Professional photographers will need all this new features, but for me price vs. performance is not in relation.
Daniela
Naw, your post was too vague and speculative.No, I beat you to it, as I said that I realize that when recording video, especially raw, you could easily fill this. And I accept that maybe some hardcore sports shooters might also need this capacity. But I would hardly say that dual 256GB cards on a 20mp camera is a bare minimum just to operate the camera as the person that originally posted that insinuated.
That's a bit of a straw man, it's not really about 20 versus 24MP. It's more about Canon's deliberate segmentation of the market. They say in the whitepaper that studio and landscapers should go and use the 50MP beast, press photographers use the 1DX3 and wildlifers... well they've got the ancient 7D2 I suppose.I don't understand why some people are bogged down with the 20 Mpx vs 24 Mpx. Does 4 Mpx difference really contribute to any perceivable IQ improvement? Why is it such as deal breaker?
So you never have an editor crop your photo? You're never focal-length limited and can't fill the frame?The only people complaining about 20mp vs 24 mp are people who were never going to buy one. For me, all my images are going to be maximum full bleed in a magazine or newspaper - for which 20mpx has always been fine.
Because wildlife photographers are almost never 'too close' to their subject. If Canon made the Mark III so much faster, then they shouldn't have any problem pushing through 24 or even 28 megapixels and still have 14 FPS with a buffer around 100 shots. Why not bump the resolution just a little to create a buzz on the internet and maybe draw in some new customers instead of relying solely on the existing professional customer that you already know will upgrade. Canon develops products from a safe and conservative engineering perspective and not from a marketing perspective. Does it make business sense to rest on your laurels in a rapidly declining business segment? The professionals will upgrade because they probably already have a very tired Mark II with a really high shutter count and their business can more easily absorb the cost, but the not-quite-professional may see the incremental changes to the Mark III as not worth their hard earned $6500 and may choose to it that money toward a more reliable car. Sometimes you have to wonder if Canon makes its decisions based on the marketplace or based on their own engineering limitations. They always seem to be playing catch up rather than innovating.I don't understand why some people are bogged down with the 20 Mpx vs 24 Mpx. Does 4 Mpx difference really contribute to any perceivable IQ improvement? Why is it such as deal breaker?
I'm exactly in the same boat here. I even ordered a Sony A9 from eBay but I quickly checked the YouTube videos about that camera and the Canon 600mm and I cancelled the order; the results were not satisfactory for me so I'll wait for the new mirrorless, just like you...and probably, many others.I have a Mark II, and without a bump in megapixels it does not matter to me that the camera shoots 2 frames faster than the Mark II. At 14 fps the images already overlap one another and to get two more frames is not a deal maker for me.
I am sure the Mark III will be a fabulous camera, but.... how long before they bring out a mirrorless camera that is fast enough to use professionally for sports or wildlife?
Dropping nearly 10k in Canada by the time you figure taxes in for Mark III, then having a R camera come out that can shoot just as fast as the Mark III or almost as fast would be a kick in the teeth especially if the rumors of a movable sensor are true and a pro R is introduced.. So, to me.... its more waiting to see what Canon brings to the table in 2020. If there was a proven adapter to go on my 600II to shoot with the Sony A9 I would have left Canon as well.
I was complaining and I am going to buy one. So there.The only people complaining about 20mp vs 24 mp are people who were never going to buy one. For me, all my images are going to be maximum full bleed in a magazine or newspaper - for which 20mpx has always been fine. The rest is consumed online. If I wanted to shoot for a billboard, I'd find a larger sensor and go back to 1995 when that might be relevant. As it is, this release is the second exciting Canon release (the first being the M6 mk2). It's nice to see Canon be (by their standards at least) aggressive. I'll be picking up a 1DX3 this summer when it's upgrade time.
Thanks for your answer, I think it makes a lot of sense, but I think to say that Canon isn't innovating isn't exactly fair. Even mark III's huge bump in the onboard processing power, high ISO range, weight save, AF improvement, new AF-on button, 16/20 FPS, and 1000+ buffer are all exciting features. To my eyes I haven't seen capabilities like these in any gear before.Because wildlife photographers are almost never 'too close' to their subject. If Canon made the Mark III so much faster, then they shouldn't have any problem pushing through 24 or even 28 megapixels and still have 14 FPS with a buffer around 100 shots. Why not bump the resolution just a little to create a buzz on the internet and maybe draw in some new customers instead of relying solely on the existing professional customer that you already know will upgrade. Canon develops products from a safe and conservative engineering perspective and not from a marketing perspective. Does it make business sense to rest on your laurels in a rapidly declining business segment? The professionals will upgrade because they probably already have a very tired Mark II with a really high shutter count and their business can more easily absorb the cost, but the not-quite-professional may see the incremental changes to the Mark III as not worth their hard earned $6500 and may choose to it that money toward a more reliable car. Sometimes you have to wonder if Canon makes its decisions based on the marketplace or based on their own engineering limitations. They always seem to be playing catch up rather than innovating.
Good point. Perhaps we'd all be happier when Canon has it's next high megapixel R or the R II come out shooting at 10+ FPS, if they can manage that. Right now they really don't have anything to answer the wildlife photographer's needs.That's a bit of a straw man, it's not really about 20 versus 24MP. It's more about Canon's deliberate segmentation of the market. They say in the whitepaper that studio and landscapers should go and use the 50MP beast, press photographers use the 1DX3 and wildlifers... well they've got the ancient 7D2 I suppose.
And on the topic of pricing, I notice here in the UK the price of the 1DXii is rising! WEX had it listed at £3,999 yesterday, and tonight it's gone up to £4,999!I'm going to go out on a limb here and predict that the Mark III will drop in price more quickly than the Mark I and II did. I don't expect a huge price drop, but I think it will at least fall to the price of the Mark II at introduction within the next 4-6 months, possibly sooner.
Same here, this is what I posted on this site maybe a couple of days ago:And on the topic of pricing, I notice here in the UK the price of the 1DXii is rising! WEX had it listed at £3,999 yesterday, and tonight it's gone up to £4,999!
A big part of this is the ending of a Christmas season offer (£800 back) but makes you wonder if there is a sense the 1DXiiii may not be quite so popular that the 1DXii needs such a discount? - of course it could just mean there isn't so much stock remaining, so no need to discount?
^^^ THIS ^^^That's a bit of a straw man, it's not really about 20 versus 24MP. It's more about Canon's deliberate segmentation of the market. They say in the whitepaper that studio and landscapers should go and use the 50MP beast, press photographers use the 1DX3 and wildlifers... well they've got the ancient 7D2 I suppose.
The 1DX3 has enough internal throughput to do 30MP at 18fps. But they give us 20.1 and tell us to be grateful that they bothered.
So you never have an editor crop your photo? You're never focal-length limited and can't fill the frame?
Even at 1200mm I'm sometimes limited and need to crop. So the 1DX3 isn't going to help me, and hence I'll ignore it and stay with the older models. Maybe in 2021 we'll see a mirrorless 1D that actually belongs in the 2020s.