Wrong Photography Ethics?

Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
 
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Don Haines said:
jimjamesjimmy said:
Mick said:
If you feel your photography is exceptional and you are a top photographer, try sending your images to Nat Geo.

They only have one rule. You must send them the RAW image aswell. If its tweeked, its in the bin.

Dont believe me? Then give it a try.

so what your saying is its ok to have my raw settings, picture style/saturation/sharpness etc set in camera, but if i zero out everything and do it in my raw converter then its not ok?

that makes no sense to me whatsoever !

Bang on again.....

If I set up everything before the shot, then the out-of-camera jpg is acceptable.
If I take that RAW file and apply the exact same settings, it is evil.
And strangely enough, If I take that RAW file and make a B/W jpg out of it.... that's OK ?!?!?!?!?!
And all this from the magazine that publishes photos of "Bart the Bear" from Wasatch Rocky Mountain Animals as wildlife? That's like me heading of to the Papanac Zoo and shooting pictures of the wild animals.

As Spock would say.... "Highly illogical"

Step further....grad ND filters ----OK
But don't you dare take 3 bracketed images and composite them together (which is essentially the same thing...)
 
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CarlTN said:
awinphoto said:
yawn... this thread is boring... I swear... worrying about altering an image? For the love of god, anyone who thinks national geographic doesn't alter their images, anyone who doesn't think photographs in some way shape or form was altered at print competitions and fairs, anyone who things a simple head shot hasn't been smoothed, blemishes cloned out, filters applied, double chin and loose skin warped and removed... You are just fooling yourself... I can almost guarantee you that the only images that haven't been manipulated in some way are those who have no access to photoshop, but then it can be argued even posing someone can be "altering" a natural photograph... get over it, it's not worth 12 pages on canon rumors discussing the "ETHICS"... my lord.... (then again i'd rather talk about this than some pixel peeping nerd debating the file quality of a 7d or 5d or such...)

Disagree, I think both pixel peeping and photo ethics are perfectly valid subjects to discuss on a photography forum, even a rumors forum (since there are sections meant to discuss things other than rumors). 12 pages is nothing on here, some of the threads go to what, 30 or more pages?

I do agree that worrying about whether an image has been altered or not, can be more of a trivial waste of time, in this day and age.

However, I also agree with Don Haines, because pictures with an intent to deceive, could very likely be done by some of the same sort of people who would use the IRS to gain political power, or perhaps even to begin "cleansing" a certain group of people...and I don't mean with soap! "The end justifies the means..."

Pictures with the intent to deceive... Golly... then any photograph with green screen, any movie with CGI or green screen or stunt actors or..... It's not like we are forensic photographers trying to cover our butts from defense attorneys who may blow up your photo in court and try to discredit your photos... with the rare exception of scientific photography, photography is an art form, it is what you want the viewer to look at, i just think this is a topic that has beaten to death... just let it be.
 
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Don Haines said:
You have to look at the intent.

The aspect of altering photos that gets to me is when a photo is faked to be misleading. It can be done with or without photoshop.... like a news story about a car accident where children are hurt and someone throws a big stuffed animal into the scene to try to make it a tear-jerker.

If the altered picture is so silly as to be unbelievable, I can accept that it is in good fun, but not the sneaky ones that attempt to deceive.

For example, big storm and flooding hits New York... Photos start to appear like the shark swimming in the subway and on flooded streets.... those are attempts to deceive. The one of the Statue of Liberty hiding behind the pedestal as a huge wave crashes against it or the ones of Godzilla are obvious fakes with no intention to deceive.

If I took a moonlanding picture, added something to the image like a wire, and started to claim that it was proof that the moon landing was faked in a studio, that would be an attempt to deceive..... while Lucky the cat in the picture is obviously not.


OMG!@!!!!! I knew it...Cats do live on the moon...... :D
 
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CarlTN said:
awinphoto said:
yawn... this thread is boring... I swear... worrying about altering an image? For the love of god, anyone who thinks national geographic doesn't alter their images, anyone who doesn't think photographs in some way shape or form was altered at print competitions and fairs, anyone who things a simple head shot hasn't been smoothed, blemishes cloned out, filters applied, double chin and loose skin warped and removed... You are just fooling yourself... I can almost guarantee you that the only images that haven't been manipulated in some way are those who have no access to photoshop, but then it can be argued even posing someone can be "altering" a natural photograph... get over it, it's not worth 12 pages on canon rumors discussing the "ETHICS"... my lord.... (then again i'd rather talk about this than some pixel peeping nerd debating the file quality of a 7d or 5d or such...)

Disagree, I think both pixel peeping and photo ethics are perfectly valid subjects to discuss on a photography forum, even a rumors forum (since there are sections meant to discuss things other than rumors). 12 pages is nothing on here, some of the threads go to what, 30 or more pages?

I do agree that worrying about whether an image has been altered or not, can be more of a trivial waste of time, in this day and age.

However, I also agree with Don Haines, because pictures with an intent to deceive, could very likely be done by some of the same sort of people who would use the IRS to gain political power, or perhaps even to begin "cleansing" a certain group of people...and I don't mean with soap! "The end justifies the means..."

Agree wit hte former here...how many pages worth of endless debate are here regarding Dynamic range???? This is a nice change of pace actually
 
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Sporgon

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Chuck Alaimo said:
Don Haines said:
You have to look at the intent.

The aspect of altering photos that gets to me is when a photo is faked to be misleading. It can be done with or without photoshop.... like a news story about a car accident where children are hurt and someone throws a big stuffed animal into the scene to try to make it a tear-jerker.

If the altered picture is so silly as to be unbelievable, I can accept that it is in good fun, but not the sneaky ones that attempt to deceive.

For example, big storm and flooding hits New York... Photos start to appear like the shark swimming in the subway and on flooded streets.... those are attempts to deceive. The one of the Statue of Liberty hiding behind the pedestal as a huge wave crashes against it or the ones of Godzilla are obvious fakes with no intention to deceive.

If I took a moonlanding picture, added something to the image like a wire, and started to claim that it was proof that the moon landing was faked in a studio, that would be an attempt to deceive..... while Lucky the cat in the picture is obviously not.


OMG!@!!!!! I knew it...Cats do live on the moon...... :D


Yea, and that particular cat doesn't 'arf get around - last week it was on safari ;D
 
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Sporgon said:
CarlTN said:
agierke said:
yawn... this thread is boring... I swear... worrying about altering an image? For the love of god, anyone who thinks national geographic doesn't alter their images, anyone who doesn't think photographs in some way shape or form was altered at print competitions and fairs, anyone who things a simple head shot hasn't been smoothed, blemishes cloned out, filters applied, double chin and loose skin warped and removed... You are just fooling yourself... I can almost guarantee you that the only images that haven't been manipulated in some way are those who have no access to photoshop, but then it can be argued even posing someone can be "altering" a natural photograph... get over it, it's not worth 12 pages on canon rumors discussing the "ETHICS"... my lord.... (then again i'd rather talk about this than some pixel peeping nerd debating the file quality of a 7d or 5d or such...)

i agree completely with this notion, as i tried to state before. i understand people who have not considered this topic before trying to hash out their position on this but it has been a longstanding discussion in photography going back to the late 1800's.

the fact is that photography is incapable of depicting "truth". it can only depict a singular viewpoint and "manipulation" begins the moment a photographer looks through the viewfinder and "chooses" what will be shown in the frame and what will not be shown in the frame. nevermind any post that occurs after the fact.

it brings to mind the images that came out of the aftermath of Katrina, in particular there was an instance where news outlets ran a photo of a white family "scavenging" for supplies while an almost identical photo of a black family doing the same thing had headlines attached stating they were "looting". truth in photography is a myth. it is simply a means of communicating an idea, story, or feeling and in the end it falls upon the viewer to determine what truths a photograph holds for them.

so if you want to subscribe to contrived notions of what makes a photograph real or true or whatever...you are welcome to it. i personally don't want to limit my own ability to tell a story how i want to tell it by applying a set of rules that don't make a whole lot of sense considering that manipulation has been inherent throughout the history of photography since its inception.

oh, an National Geographic is far from being the standard bearer for for what "real" photography is. on the contrary, it is a very narrow slice of what photography is and can be.

What is "truth"? If you can answer that, then what is the meaning of life?


We've been here before Carl - The answer's 42 ;D

:D Kudos!!!!
 
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Rienzphotoz said:
As long as the photographer is not entering a competition and not breaking its rules, to me it doesn't matter what the photographer does with the image, it is his image, his vision ...as far as I'm concerned he can remove/add whatever he wants. Those who are capable of making awesome changes/modifications will continue to do so while those who are incapable will continue to crib that it is unethical.

+1

Times are changing. What was doctoring in the past is post processing now. The workflow has changed for the better...
 
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Hobby Shooter

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Chuck Alaimo said:
Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
Just a note, Cambodia's countryside is not epic. Ive lived here three years and have yet to find those breathtaking views. Im actually out in the provinces now. It's 5 in the morning herre and me and my friend are going out in a while to capture the sunrise. Will see what I get. Vietnam is epic.

But I agree on your point.
 
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Mick

Wildlife, Landscape and above all sport.
Mar 12, 2012
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In essance this is a pointless debate. Times are changing and whatever any one feels Photoshop is here to stay, adjustment is here to stay and whatever people such as me think, its a fact and wont go away.

Therefore the debate is a differant one, whos the better photographer, the one who captures the image in camera or the one who doesnt with the end point being more important." I can do what the photoshoppers can do, but can they do what I do?" I dont mean me but i hope you know what I mean. Its a general point.

A comment made on here alluded to the idea that those who ant that good with computer software are only a bit jealous as they arnt that good with the computer. Maybe they may not be good with a computer but are you any good with a camera? If you are such a great photographer, why do you need to spend days on your image? Is it really that bad, are you really so poor you need to spend so long adjusting it? Or is the new world of photography one where the end is more important than the original image do the dinosaurs need to wake up and smell the coffee and realise its a whole new world out there?

Its a debate with no answer. Technology has changed and computer adjustments are here to stay. I may not like the fact someone cant take a decent picture and needs a computer to to do a decent image, but i have a nice warm feeling that im a photographer but also realise im a worse graphic artist.
 
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Hobby Shooter said:
Chuck Alaimo said:
Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
Just a note, Cambodia's countryside is not epic. Ive lived here three years and have yet to find those breathtaking views. Im actually out in the provinces now. It's 5 in the morning herre and me and my friend are going out in a while to capture the sunrise. Will see what I get. Vietnam is epic.

But I agree on your point.

Ok...so as you can see there...never been to cambodia to know it's not epic...lol...
 
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Hobby Shooter

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Chuck Alaimo said:
Hobby Shooter said:
Chuck Alaimo said:
Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
Just a note, Cambodia's countryside is not epic. Ive lived here three years and have yet to find those breathtaking views. Im actually out in the provinces now. It's 5 in the morning herre and me and my friend are going out in a while to capture the sunrise. Will see what I get. Vietnam is epic.

But I agree on your point.

Ok...so as you can see there...never been to cambodia to know it's not epic...lol...
Well now you know ;D
 
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Hobby Shooter said:
Chuck Alaimo said:
Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
Just a note, Cambodia's countryside is not epic. Ive lived here three years and have yet to find those breathtaking views. Im actually out in the provinces now. It's 5 in the morning herre and me and my friend are going out in a while to capture the sunrise. Will see what I get. Vietnam is epic.

But I agree on your point.

Steve McCurry's Afgan Girl (the most famous portrait / Nat Geo shot ever) was originally shot in a landscape orientation. It was an over the shoulder shot which he gave no thought to. When his editor saw it he "converted" it to portrait by re-shooting the difference using a model and a room set up....and merged the two together. Most of his images are tweeked in some way (vignetting, dodge burn etc) by his editor. So don't think that all Nat Geo shots are a perfect in cam shots....some are quite convoluted and anything goes to get the shot.
Even the late great Ansel Adams used to do extensive post production to each photograph. So I don't see what the problem is here. How can we ask about purity and subject integrity where we are photographing a 2D representation of a 3D world. It's all representation of some sorts.
 
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GMCPhotographics said:
Hobby Shooter said:
Chuck Alaimo said:
Mick said:
My view is quite a simple one. If you look at National Geographic magazine you will see photographs beyond what we see on here. Yet,they were all taken in camera. If such can be taken in camera, why do you need a computer to make your images look better when they dont?

The thing about this statement --for the most part...nat geo shots are carefully planned voyages (sometimes multiple voyages) to epic locations ---- EPIC LOCATIONS!!!!!!!! (and yes they do post process things too)... I live in Buffalo NY, and while there may be some nice spots to shoot... other than niagara falls is there truly anything epic here? --- nat geo Epic???? I do not have thousands of dollars in travel budget...and my wedding and portrait clients don't have thousands of dollars to spend to have their wedding at the top of Mt Everest, or the jungles of Brazil, or deep in greenlands glaciers, or off in the magical hobbit land that is new Zealand...we aren't going to the tops of the Andes, not hiking through Cambodia, no sleek desert dunes of Tatooine (LOL...Tunisia), no engagement shoot at the great wall of China, no South African Diamond Mine, and not in a tribal village in New Guinea......I could go on and on but you get the point I hope. Nat Geo goes to EPIC places!!!!! They also have the budget to wait out the weather if need be. They also have the budget to go back if they wait 2 weeks and the weather doesn't work out. They have their own submarines for crying out loud, subs, helicopters, planes, large boats....so yeah, Nat Geo can hold to a more natural approach...because they are generally going places that are so epic they don't need much manipulation. Most of us don't have EPIC locations at pur doorstep, most of us are engaged in the art of pulling the beauty out of and or creating magic from a mundane scene. LOL... in the portrait/wedding world, it's like wondering why you handle a sports illustrated swimsuit model with full wardrobe and makeup crew differently than a plus sized bride at a budget wedding....
Just a note, Cambodia's countryside is not epic. Ive lived here three years and have yet to find those breathtaking views. Im actually out in the provinces now. It's 5 in the morning herre and me and my friend are going out in a while to capture the sunrise. Will see what I get. Vietnam is epic.

But I agree on your point.

Steve McCurry's Afgan Girl (the most famous portrait / Nat Geo shot ever) was originally shot in a landscape orientation. It was an over the shoulder shot which he gave no thought to. When his editor saw it he "converted" it to portrait by re-shooting the difference using a model and a room set up....and merged the two together. Most of his images are tweeked in some way (vignetting, dodge burn etc) by his editor. So don't think that all Nat Geo shots are a perfect in cam shots....some are quite convoluted and anything goes to get the shot.
Even the late great Ansel Adams used to do extensive post production to each photograph. So I don't see what the problem is here. How can we ask about purity and subject integrity where we are photographing a 2D representation of a 3D world. It's all representation of some sorts.

Even the choice of focal length and aperture are distortions of nature. You never "in real life" actually see what a 600mm lens sees, nor what a 10mm lens would see. The eye cannot replicate f22, nor can it replicate f1.0. Thus, photography reality is not as black and white a line as people would often indicate. We make edits long before photoshop.
 
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Jan 13, 2013
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Cause of Death ... "elegant forensic evidence that, although the camera cannot lie, photographs tell different truths" - John Hilliard

"John Hilliard’s ‘Cause of Death’ provides a useful textbook example of the ways the meaning of a single image can be altered by its cropping and caption. This piece of work demonstrates how meaning in the photograph is achieved by selecting the appropriate information. From a single negative, Hilliard has selected and titled four possible ‘causes of death’ that might explain the situation of a body shown lying on a beach. These ‘explanations’ have been captioned: crushed, drowned, fell, burned and gain their effect purely through the way Hilliard has decided to present the facts. The spatial relationship between each fragment and its frame indicates that each image has been cropped from a larger image, which (if ever shown in its entirety) would prove to be ambiguous. Upon viewing Hilliard’s work, we can not only discover that we may have been deceived by the four possible interpretations, but the way that they have been displayed provides us with the means to find out exactly how we might have been misled."
(Copied from a book)


Every photograph is a lie and basically a representation of how the photographer wants to depict a scene. Does it really matter that the clouds have been photo-shopped?

Photography is an art form and with the continuous improvement in tech, the only ethics you have in this discipline are those which you choose for yourself.
 

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