A summary with the probability of upcoming Sigma lenses has appeared on sigma-rumors.com. Most of the lenses mentioned have been written about here in the past. Sigma’s focus over the last 2 years has been on high quality and affordable offerings, there’s no reason to think that won’t continue.
The most likely lenses to appear next would be:
24mm f/1.4 DG ART
85mm f/1.4 DG ART
Both of these lenses have a chance to appear at Photokina in a couple of months. I’d say the 85mm f/1.4 is a given, but the 24mm f/1.4 could fall to later this year or early 2015. With Zeiss expected to announce their Otus 85mm f/1.4 in September, Sigma could play spoiler with an optically great lens with autofocus at a much cheaper price.
The other lenses according to the site with the highest probability of happening are:
24-70mm f/2 DG ART
300-600mm f/? OS Sport
We’ve heard about both of these in the past, and I’m inclined to believe the supertelephoto zoom is definitely something Sigma is developing. The 24-70mm f/2, I’m not 100% sure on. If Sigma wants to differentiate themselves from the Canon and Nikon offerings, then such a lens would do the trick.
Kai from DigitalRev has completed his video review of the brand new Canon EF-S 10-18 f/4.5-5.6 IS STM lens. This $299 lens for APS-C shooters seems to be getting a lot of praise, most of which is based around its extremely affordable price.
I have used the lens a couple of times and find it to be nearly as good as the EF-S 10-22 f/3.5-4.5, especially as an ultra wide angle walk around lens in cities. Pair it with an EOS Rebel SL1, and you have a pretty good light weight hiking setup as well.
A few more patents for various “normal” fast prime optical formulas have appeared. Among them, another 35mm f/1.4 mention, as well as a 55 f/1.4. Read the entire patent to see the various optical formula images.
Northlight has been sent an image showing an always covered Canon camera. Apparently this photographer is always in the exact same spot on the side of the pitch. The camera is always covered in the white tarp, while no other camera is. It’s definitely a Canon as you can easily tell it’s a Canon lens.
We have been told numerous times that the replacement to the EOS 7D would be at the World Cup going through professional testing. Maybe that’s what’s under the cover.
REDMOND, Wash., and TOKYO — July 2, 2014 — Microsoft Corp. and Canon Inc. on Wednesday broadened their strategic alliance with the announcement of a broad patent cross-licensing agreement. With this agreement, Microsoft and Canon gain licenses to each other’s highly valued and growing patent portfolios.
“This collaborative approach with Canon allows us to deliver inventive technologies that benefit consumers around the world,” said Nick Psyhogeos, general manager, associate general counsel, IP Licensing of the Innovation and Intellectual Property Group at Microsoft. “Microsoft believes cooperative licensing is an effective way to accelerate innovation while reducing patent disputes.”
This agreement covers a broad range of products and services each company offers, including certain digital imaging and mobile consumer products. Microsoft and Canon have a long history of collaborating to bring high-quality, cutting-edge products to consumers, including color technology. Contents of the agreement will not be disclosed.
“This agreement is a natural extension of our longstanding relationship with Microsoft and commitment to developing innovative technologies,” said Hideki Sanatake, senior general manager, Corporate Intellectual Property & Legal Headquarters of Canon Inc.
Says Bryan about the new lens “Canon’s ultra-wide angle zoom lenses have long been very good performers. I have them and use them, but I was never overly excited by them – until now. The focal length range is not new and the max aperture in this range was already covered by another high quality lens. But, the Canon EF 16-35mm f/4 L IS USM Lens adds one critical feature – image stabilization. That feature alone gives this lens a huge value to me. Equally or more exciting is the image quality being delivered by this lens. If prime-lens-grade corner-of-the-frame image quality is something you appreciate in your ultra-wide angle lens, you are going to love this lens. Add a state-of-the-art AF system and the 16-35 f/4 L IS becomes a must-have lens… read the rest of the review“