EOS-M and what countries get the flash included?

As the subject reads, can anyone clarify who gets what? It seems the USA does not get the flash for $799 in the kit, and Canucks like me get the flash for $879 in the kit ($829.99 with 22/2), see the linkS below.

http://www.henrys.com/71879-CANON-EOS-M-WHITE-W-EF-M-18-55-And-90EX.aspx

http://www.henrys.com/71881-CANON-EOS-M-BLACK-W-EF-M-22MM-F2-And-90EX.aspx


If Canada gets the flash in the kit for $879, it seems our neighbors to the south are getting hosed.

Help picking a Tripod

You didn't specify a budget. I have a Gitzo 2531EX carbon fiber tripod, Markins M10 and RRS QR clamp Arca Swiss setup which cost roughly $1200 plus a bag and L-Brackets and lens plates.
I also bought a Benro 1681 Travel Angel travel tripod that is super small and light - it also doubles as a monopod and it came with an Arca Swiss ballhead - fantastic rig and it was only $300 from eBay, which next to the Gitzo is cheap.
If I had it to do all over again, I would go Benro all the way. They are nice tripods, very sturdy and well made. They have much cheaper aluminum models that won't break the bank.
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What Lens to use/get for shooting bands, mini performances...

I've done a lot of stage performance photography and my 70-200 f/2.8 is almost always the lens I use. That's generally because I am not right on top of the performers and need some reach to get closer shots. If it's an actual stage with anything reasonable for lighting, you probably won't have to go below 2.8. Your 5D2 will shoot up to 1600iso without any problems and you can go up to 3200 if you need to. Prime lenses will give you a larger aperture if you need it, but you never know where you'll have to stand at a musical performance, so the flexibility of zoom is important. That said, I would go for mid-range zoom (24-70 or 24-105) and the 70-200.

If you're in a small venue with poor lighting or no real stage lighting at all, you're going to need a fast lens. The 85 1.8 is a great choice and fairly affordable. Otherwise I would go for fast zooms to give you the biggest bang for your buck.

Here is my album of performance photos if you want some reference. All but the newest few were shot with a 5D2 -- the first 10 are 5D3 shots.

http://chrisburch.com/Portfolio/Performance
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Canon Road Map Becoming More Clear

.
Interesting, Mark, and no surprise. I guess one interpretation is the old generational "young people don't know how to work," but I'd resist that. As a young journalist I could keyboard a story into a text/layout system and be done in an hour while an old managing editor banged away on a manual typewriter and made pencil edits. I was at the bar with the other young guys while he was still banging away at his desk. I guess it's just more technology transition and the usual resistance by the oldsters. I know today I've never "texted" and see no point to it.

Anyway, for me, the real highlight of what you've said is "...all I care about is getting another generation or two of DSLR's out of Canon before they go the way of film cameras." The crux of this is how you define DSLR.

The new Canon M is not by pure definition a DSLR since it has no traditional mirror for "reflex" or reflection. However, it does enable you to view through the lens so the same thing is accomplished. For me, it comes down to how you see the image coming through the lens. If I put aside my bias for looking through an eyepiece, maybe the screen really isn't much different in fact. But then, I'm the first to suggest I don't see the same clarity on a 3-inch screen that I see looking directly through that lens via mirror. And there's the influence of sunlight on that screen, limitations on angle of view, etc. Finally, my biggest issue seems to be AF speed and feedback. I'm seeing conflicting comments on how fast the new M can autofocus. If it's as fast as a traditional DSLR, that goes a long way toward suggesting the mirror really can go away. Unfortunately, I haven't found looking at focus on a screen nearly as satisfying as looking directly through the lens.

Oh, and I'll also defer to one poster who made the valid point about platform stabilization achieved by holding the camera against the head.

I'm sure the technology will soon get to a point where that mirrorless focuses as fast as any traditional DSLR. And perhaps those of us who value seeing the focus directly through the lens will have to go away. Even with that, there are constraints in the marketplace. Wedding photographers, for instance, sell their service to clients. Those clients believe the typical EOS1 form factor (or gripped 5D series) and traditional eyepieces define a pro photographer. Imagine the horror in the bridal party when the photog shows up with something like the Canon M and starts snapping away while looking at the back screen -- like something they'd do with their cell phones! Making that transition is going to take some time -- at least your "generation or two," I'd guess.

Tangentially, for those interested in understanding Japanese manufacturing and management, I'd suggest an insightful book from 25 years ago. It's "Made In Japan" by Akio Morita. He was Sony chairman and relates the rise of the company from post-WWII Japan to a worldwide technology leader. It's probably not as relevant today as it was in 1988, but the background is priceless -- especially if you want to understand things like western criticism of a company having a 76-year-old running the show as is being discussed in another thread here.




unfocused said:
Great insights as usual distant.star.

Your comments fit very nicely into something I read a year or so ago about computer users. The conventional wisdom is to divide the world into persons who are comfortable with computer technology and those who are not. But this particular study found a huge variation among those who use computers. In fact, they found about five or six distinct categories of users.

I don't remember all the details, but I remember that many of us aging baby-boomers fell into a category that relied very heavily on "anchored" computers. We like our programs and like working on computers doing things like Photoshop, Dreamweaver, Lightroom, Word, Excel, etc. Many younger users fell into a category that used computers a lot in their daily life, but mostly for communicating and social purposes. They like mobile phones, tablets, etc., and consider them just a tool or a means to an end. They consider it a waste of time to sit down at a desktop and spend hours working on a project and they actually have less knowledge about actual computer programs than many people older than they are.

I think that is one of the main differences between the mirrorless generation and the traditional DSLR users. (And, if you look at Canon's marketing videos for the new M camera, it's pretty clear it ain't aimed at my generation.)

So, what's my point? Hell if I know. I guess just that I agree things are changing and frankly, about all I care about is getting another generation or two of DSLR's out of Canon before they go the way of film cameras.
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Must-have lenses for Canon 5D Mark III

BozillaNZ said:
Suggesting 35L for every full frame shooter who can afford it.

I got rid of 17-40, 24-105 and almost got rid of 50 1.4 after acquiring a 35L. It's currently my only wide angle. It's that good.

After shooting with L primes, those f4 zooms will never be enough. To get good sharpness you have to stop down at least 1 stop, and f5.6 is not acceptable in low light.

The next target is 24L II, damn the L lust!


+1 on the 35 and 24Lii. I just had a 24*36 print made from the 24L shot wide open and it's just amazing.
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Refurbished Lenses from Canon

I've purchased three refurbished lenses, mostly through B&H, and am very satisfied with them. I just bought a refurbished 7D during Canon Direct's most recent 20% off sale. For a 7D, it's fine but, after using a 5D3 for a few months, the 7D seems archaic. (The coming 7D firmware upgrade convinced me that a 7D2 will not be coming soon and my 40D is getting a bit erratic.)
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Another Full Frame Camera? [CR1]

I don't understand how a "slower 1DX" at 4000 dollars is supposed to compete against a D800 for 3000 dollars?
I'm sure die hard Canon users will be happy to have a high MP offering to choose from, but from an outside observer Canon seems to be about a year behind Nikon and with a significantly higher price(and lower DR.)
As a Canon user, the news lately isn't exciting, more just depressing as Canon seems to mostly be matching Nikon's products a year later and at higher prices.
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A New EF 50 f/1.8 IS? [CR1]

I'd love to have IS for video in this lens.

At the moment I'm about to upgrade to FF with a 5dmkII, one of the main reasons being that my 50mm 1.4 will be easier to handhold, which is sometimes a necessity at weddings when shooting the cake cutting or dancing at the end of the reception. I'll also be adding a 28mm 1.8 for even easier handholding in lowlight.
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EF 70-200mm f/4L IS USM with 1.4 converter or EF 70-300mm f/4-5.6L IS USM

Jotho said:
Planning for a motorbike travel through Vietnam in September I am going through lens options. I've done this and similar travel before but not since I became a more enthusiastic photographer. I will sell some of what I capture together with articles and hopefully some of them on their on merit but most will be for my own use. I moved to 5d MkIII a couple of months ago from 60D so I've lost some reach on what I have today. Except for the old stuff I have a 24-105L that I will bring and I might bring my 35L. I today realized that i have about 1500 USD to spend on extra equipment (apart from stuff I already planned to get like remote trigger, extra batteries etc) which means I started looking at a new zoom. So referring to the subject line, would anyone have any recommendations at which one to get between the 70-300L or the 70-200 f/4 L with 1.4 converter? I am looking at sceneries from mountain jungle where I would need some reach and candid street pictures in villages where people are not used to foreigners taking pictures. Thanks in advance for any input.
I would go with 70-200 f2.8L non IS and a 1.4 tc
That's in the price range go with the kenk 1.4 tc to save some coin
Definately go with the 35L too
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Which intervalometer for 5d mark iii ?

AdamJ said:
I paid about $20 new for mine on ebay. It does everything it's supposed to, including the option to set the number of shots at 'unlimited' (some impose a limit of 400 or something). Why pay more?
Yep these are great I have 2 that way when te light changes you can program the offline one and quickly swap them over
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5D MKIII comparied to 5D MKII

wickidwombat said:
bcpro said:
wickidwombat said:
bcpro said:
wickidwombat said:
the auto white balances are different, the presets are very close though if you want the shots too look exactly the same i suggest an xrite colour checker passport to control your colour balance between cameras
Thanks for the insite, as we already have xrite for our monitor, I'm sure it will work with the camera control as well.
yep you just need the xrite profile software that add the calibrated profile into lightroom i quite like the xrite stuff I got a color munki for the monitor and its nice and easy to use too the same xrite colour checker swatch that comes with the monitor calibration devices is in the passport but it also has a nice whitebalance swatch that you can use to add a consistant warmth or cool down all the shots too. it makes life sooo much easier when trying to get consisency across 3 or 4 bodies
We have the the xrite i1 display pro, which one is correct for the canon bodies? Also while I'm here do you know if the issues with noise using the mkiii and ef 200mm f2.0 L have been resolved via a firmware, or some update?
Its a service fix on the lenses not the body apparently
Thanks you have been very helpful
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1DX and DxO Optics Pro compatibility

Shawn L said:
Thanks, JR.

Regarding #3, what "Camera Calibration" are you using in LightRoom? Haven't played too much with it for the 1DX, but for my old T1I, I found some of the presets better for certain types of images than for others. I often ended up with "Camera Faithful," but sometimes "Landscape" got the color balance more to my liking.

Your mileage may, of course, vary =)

Shawn L.

always use the neutral profile...
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Patent and New Lens

Few patents make it to production. there have been numerous patents released over the years that were for a 24-70mm f/2.8 lens.
Anyone expecting a patent to actually become a released product at some later time is going to be disappointed over and over ... and over.
In fact, many lenses are introduced before the patent is published. This avoids tipping off the competition. I believe thats it is only when production delays hold up a new lens that the patent arrives first.
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Post your custom shooting settings

bdunbar79 said:
1D Mark IV
Indoor Basketball C1: 8)

Av Mode, f/6.3
ISO Safety Shift: ON
Minimum Shutter Speed: 1/500
ISO: Auto
Exposure Compensation: +1
Center AF point or Center + surrounding
Spot Metering (linked to active AF point)

Thanks for posting bdunbar. I have enjoyed reading some of your posts in other threads in the past. Curious what range you have set for your auto ISO and does the safety shift get used? If so under what circumstances and do you find the results acceptable?
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