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BCN Rankings Are Out, Canon Continues to Dominate DSLRs, Further Growth in Mirrorless

Orangutan said:
Aglet seemed to be saying that Canon uses its position to bamboozle the consumer with marketing, and would otherwise fail.

Canon has indeed bamboozled me, though not with marketing. Out of about 8 bodies that I've bought, 6-7 L lenses, 10+ non-L lenses, a few of P&S and non-interchangeable lens cameras, printers, and a whole bunch of accessories, not a single piece has had even the tiniest problem.

The only Canon-related gear problem I've ever had an issue with are canon extenders + Sigma 150-600, which worked at for a long time and stopped working properly after Sigma did a firmware upgrade (spoiler: it works with Sigma extenders now, lol -- but I'm too cheap to buy an extender for ONE lens that's also f/6.3, especially since that extender doesn't work for most other Sigma lenses). But being the sucker that I am, I haven't blamed Canon :)

So yeah, they've got me pretty much accepting as a fact that my next bodies and lenses and accessories from them will be trouble-free, and just let me enjoy taking pictures of stuff. Neat trick they pulled on me.

I guess, also, over the years, they've also pretty much bamboozled me into thinking that I just have to shoot more, experiment, and learn, to get a just a little better each year, when really, it's not that at all. If I were more open minded, I'd accept that lighting and composition are myths. I'd run out and buy something that would let me toss out my flashes and strobes and softboxes and filters and gels and reflectors and grids and tripods -- Because all I should really need to do is just hold down the shutter button and turn everything into perfect photos in Lightroom.
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buy a 1DX used now or wait to buy a 5D4 later

Re: Sport Photography Body Advice

EdMarra said:
Current Rig:
7D with a Tamron 70-200 F2.8

I shoot college football and soccer games for fun and share photos with the athletes and parents. Games are mostly day. I want to upgrade and use 7D as a secondary. I don't sell my stuff so budget is an issue. I buy used and looking at either a 1D Mark IV or 7D Mark II for $1K. Also a Tamron 150-600 F5-6.3 G2. Thinking is the 1D has better ISO so the higher F on the lens would not be as much an issue?

Any suggestions?

The 1D4 is a wonderful camera and in some features is better than the 7D2 but I found that by ISO 800 I was getting shots that were a bit noisy especially when I wanted to crop. Never owned the 7D2.

Jack
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Patent: Canon EF 85mm f/1.8 & EF 100mm f/1.8

^Basically all that, and also because production is already well versed for a few common focal lengths. The reason 50mm became the 'standard' focal length, despite a mathematical standard being more like 43mm, is simply because Leica and Zeiss both set up production for 50mm (they already had lenses around the 40mm mark, and 50mm for them was intended to be a 'secondary' standard, much like 35mm is) and it just so happened that workers, machines, and whole production line which were used to make those 50mms ended up being moved to/used by other companies, too, and it was cheaper for those companies to keep the 50mm lenses coming than to reconfigure for a more proper standard. Thus 50mm completely took over as the standard focal length.

For 100mm, it's much the same story. 100-110mm was often adapted to 35mm from medium format (where it was more like a 35-50mm equivalent, depending on the MF in question), and 100mm (or thereabouts) was the portrait length for decades. It wasn't really until the late 70s that 85mm started to pick up steam, and it wasn't until the late 80s that it equalled 100mm in popularity. As 35mm format was used more and more for magazine shoots, which required cropping, the slightly wider 85mm picked up in popularity and by the mid-90s 85mm was 'the' portrait length... but production was still set up for 100mm. It takes a long time to get factories to move on and to get designers used to prioritising new focal lengths. That's why even in the early 90s, when it was starting to look like 85mm would take over from 100mm in popularity, Canon still designed and released the 100mm f/2 before the 85mm f/1.8, and based the 85 on the 100's design. It was becoming clear 85mm would be the bigger deal, but it was cheaper and quicker for them to get 100mm sorted and out the door, first, and then use that to kickstart the 85mm afterward.

These days it's less about physical production and more about the ease of design (as mb66energy says, lenses around this length are often the easiest and best-corrected designs) as well as the designer's familiarity with the lengths. That will change as the older generation of designers retire and younger engineers come up.
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Hasselblad Introduces the H6D-400c MS, a 400 Megapixel Multi-Shot Camera

IglooEater said:
Don Haines said:
Eldar said:
Mt Spokane Photography said:
Of course, any camera can do it be shooting off a burst of shots and then combining them in post, but a designed in feature is nice.
I don't believe this is correct. To gain the extra resolution, they are using a very precise pixle shift, by moving the sensor. If I read your suggestion, you would only get a number of identical images.

Olympus does it by a series of sensor shifts of precisely 1/2 pixel in the X and Y plane, and combining the shots in-camera. It needs to be on a VERY steady tripod to work. Firing off a burst is not the same.

No, it’s not the same, but MtSpokane is correct in that it gets similar results. It’s just a whole lot longer and trickier. You take a burst, pull the images to photoshop, upscale 400%, align, and average. May not be as good as pixel shifting, but pretty close. Actually a good deal more versatile as one doesn’t need a rock solid tripod for it to work. As much as I dislike this site normally, here’s an article that gets the gist of it: https://petapixel.com/2015/02/21/a-practical-guide-to-creating-superresolution-photos-with-photoshop/

Thanks for sharing a link to this article. I appreciate learning. It is amazing what type of functionalities are being incorporated into camera's now! We live in a great time to be involved in this hobby (for me), profession for many others here.
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Canon EF 400 DO f4 IS iI Field Review

Thanks for the comments and feedback, Talys, Click, drjlo and BeenThere, also Maximilian. Seems that the new 400 DO f4 IS ii is enjoying a better reputation online than its predecessors, and its well deserved. We are hoping that Canon keep producing more fixed telephoto DO lenses as the more compact form and lighter weight are very important for my wife and I who travel a lot by air :)
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Cheap CFast 2.0 Cards

jolyonralph said:
Cthulhu said:
This is cheap because it's lower quality/speed. Might be enough for 1dxmk2 requirements, but will drop frames if used with a pro video camera. Some cfast cards are no faster than a cf card.

That's a CFast 1 card, not a CFast 2.0 card.

It may still be faster than the equivalent Compact Flash card though.

I'm pretty clueless on memory but the Transend CFX600 128 GB I bought really cheap does 4K60 when it wasn't supposed to so maybe there is a fair amount of variation. It was a better deal than a fast CF and faster, I'm sure.

Jack
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Weather Sealing Torture Test: Canon, Olympus, Nikon Pass.. Sony?

Don Haines said:
Neil1000 said:
Throughout my Canon days I kept a $6 pair of Optech rainsleeves in my bag - they cope with tropical rain. I have them available for my Sony a7r3 should the need arise.

I carry an umbrella on "iffy" days... Even though I know my gear is well sealed, it makes me feel better.....

I live in Vancouver. Three quarters of the year, I have an umbrella with me :D
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Off Brand: Leica Camera Unveils New Prime Lenses for the Leica SL-System

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While I wait for a new Leica S body with an 80mp sensor, Leica continues to add to the SL system.</p>
<p><em>The new APO-Summicron-SL 75 mm f/2 ASPH and APO-Summicron SL 90 mm f/2 ASPH lenses embody superior performance and the finest engineering in compact designs</em></p>
<p><strong>January 15, 2018</strong> – Today, Leica Camera announces the first two editions of a new line of high-performance Summicron-SL lenses for the Leica SL-System; the APO-Summicron-SL 75 mm f/2 ASPH. and the APO-Summicron-SL 90 mm f/2 ASPH. that will be available in February for photographers across the country. Both lenses seamlessly work with the SL-System’s lightning-fast autofocus and, as with all SL-Lenses, have been designed and constructed in Germany with exceptional materials for a long work life, even withstanding the rigors of professional use while always providing superior image quality.</p>
<p><!--more-->

The focal lengths of these two SL-Lenses are ideal for all types of photography, and truly shine when used for portraiture. While the APO-Summicron-SL 75 mm f/2 ASPH., for example, captures exceptional natural portraits, the APO-Summicron-SL 90 mm f/2 ASPH. is a classic telephoto focal length for portraits with the often sought-after compression between the subject and background, ultimately creating the ideal aesthetic for exquisite pictures of people. Another great feature of these new lenses is their fast and silent autofocusing, meaning the photographer does not have to wait to take the perfect shot to quickly capture their subject’s best look, even for a moment.</p>
<p>Both the construction and design of the new, cutting-edge Summicron-SL line represent the continuing innovation in the development of lenses for the Leica SL-System. State-of-the-art, extremely precise manufacturing methods and measuring technologies were developed specifically for the production of these lenses. The results of these developments are reflected not only in the more compact dimensions and considerably lower weight of the lenses, allowing for greater portability, but also in their excellent imaging performance. As the Leica SL-System continues to evolve with new capabilities and lens options, the addition of these two primes further round out the Leica SL native lens selection, which now encompasses two zoom lenses and three prime lenses. Current Leica SL customers continue to receive new lens options at their disposal that can bolster their current capabilities, and new users have more selection than ever before.</p>

<p>Additionally, these lenses feature a new, faster autofocus system, as well as a considerably shorter close focusing limit for tight portraits of their subjects. The autofocus drive of all Summicron-SL lenses employs extremely powerful and robust stepping motors with DSD® (Dual Syncro Drive™). Thanks to this advanced focusing drive, the entire focusing range can be fully travelled in only around 250 milliseconds, providing photographers the confidence that they will always be able to instantaneously capture their subjects in crystal-clear sharp focus.</p>
<p>As both Summicron-SL primes deliver extremely high imaging performance at their largest f/2 aperture, the lenses are also ideal for photography in low-light or difficult lighting conditions. The Leica promise of ‘maximum aperture is a usable aperture’ also applies to the new SL-Lenses. Users can rest assured that their lens is capable of creating a tack-sharp photograph in any situation. Meticulous attention was paid to the prevention of stray light and reflections in the construction of the APO-Summicron-SL lenses. Together with optimizing the optical and mechanical design, the application of high-quality coatings to each lens surface reduces unavoidable reflections to an absolute minimum. Thus, photographers get a lens that always creates images with beautifully strong contrast, where other lenses may suffer from distracting flares and ghosting effects that detract from the photo.</p>
<p>All glass elements in any optical imaging system, including camera lenses, can sometimes refract certain colors of light at different lengths. Thus, not all rays of light from a multi-colored subject are always focused at the same point – the result of this imperfection is chromatic aberration, also known as color fringing. In order to reduce chromatic aberration to a hardly perceptible minimum, both new Summicron-SL lenses are Apochromatic, or in short, APO, corrected, allowing photographers to capture photos in high contrast situations without a distracting purple or green outline along backlit subjects. Further supporting this optical achievement, most of the eleven elements of the optical system, one of which is aspherical, feature anomalous partial dispersion and are manufactured from sensitive and specially formulated, high-quality glass. Without all of these state-of-the-art lens corrections, images could suffer from fringing, flares, ghosting or distortion. These incredibly well-corrected glass optics are what make a Leica lens special and so crystal clear.</p>
<p>The APO-Summicron-SL 75 mm f/2 ASPH. and the APO-Summicron-SL 90 mm f/2 ASPH. will be available in February. Both can be purchased at Leica Stores, Boutiques and Dealers. In the second half of 2018, the SL-System will even further increase its prime lens arsenal with the launch of a Summicron-SL 35 mm f/2 ASPH. and APO-Summicron-SL 50 mm f/2 ASPH.</p>
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B&H Canadian Shipping “Fast & Easy” Customs Problems

9VIII said:
The package was shipped USPS and delivered through Canada Post.
The issue is I see no indication on the customs forms that anything special was done at all. It really looks like they’re just taking people’s money for nothing.

I sent an e-mail to CS with the B&H internal website system but I’m not sure if the e-mail actually made it to them, or if it’s just the holiday rush delaying things.
I guess I should probably call them and make sure to get an answer before too much time passes.

Yes, it always makes sense to contact a company first, especially one with very responsive customer service. Not understanding the issue and then going to online forums to shout "scam" makes no sense (for people without an agenda).

No follow up?
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Canon Concept Cameras Brought to CES 2018

Hector1970 said:
They’d sell more printers if they were easier to calibrate and better size ink tanks and didn’t weigh a ton. Proper printing is stupidly complex. (Adobe don’t help in this regard either)

While I agree inks are a sore point (it looks French authorities are investigating it, as printers "planned obsolescence) - your other complaints often are due to physical and engineering needs. For example, a printer has not to jump around while the printer heads changes direction so quickly (or you would need to bolt it to the table), and the paper handling mechanism needs to be precise and sturdy.

Calibration procedures has to cope with the many different monitors, inks and papers available. It's quite automatic today. Even when you use the printer's ICC profiles for its known papers you can get good result.

And unless monitors, inks and papers are fully standardized and made with the same specs, there's little to do, and anyway, you're moving your images between very different ways of displaying them. Maybe AI one day will take care of the whole process - just it will be the result it thinks it is best, not what you think. Transforming a source image into a print is a process where the photographer has a role - it may not be just a "you press the button, we do the rest".
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Lens Rentals have posted a Canon 85mm f/1.4 L IS comparison

It looks like one of the best lens releases by Canon in a long time. Great spec, features, an intelligent balance of image qualities and ... unusually for Canon these days, a not unreasonable price.

I have the 85 f1.2 L II but would still consider this were I still investing in Canon gear. I think its really cool that the old lens remains available (for now, but one assumes production will cease) because it does have a beautiful look to it, if you can deal with the CA and other downsides.

Canon still rules when it comes to making consistently well made, well designed and functionally superb lenses. They may not be innovating much on the bodies side of things, but lenses like this new f1.4 L IS will keep some twitchy people in the Canon fold, for sure.
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Canon Italy Responds to Social Media Composite Photograph Backlash

Hi Folks.
The way I see this, someone needs to be fired for this, not for making the mistake, that would be cruel who has not slipped up occasionally.
They should be fired for not taking responsibility, for not putting their hand up and saying oops I’m sorry and removing the offending item, for digging in and making excuses, for not knowing that when you are so far down the hole you can’t see anything but sky it is time to digging! ::)

My tuppence and probably overvalued at that! :)

Cheers, Graham.
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Off Brand: Panasonic Announces the Ultimate Hybrid DSLM With New 10.2MP High Sensitivity MOS sensor

Re: Off Brand: Panasonic Announces the Ultimate Hybrid DSLM With New 10.2MP High Sensitivity MOS sen

gsealy said:
Canon has nothing to compete with the GH5s with the video specs it has and the price point. Nothing. It AFs better than the GH5 too. If you question the quality of the video it produces, then go look at the YT vids of which there are many. I am a Canon guy and I have many Canon cameras and camcorders, so don't consider me a troll. I will say it again, Canon has nothing to compete with it. I wish they did. Go look at the GH5s specs.

So I assume you'll buy one. Please report back how you like it.
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Canon’s Focus on Innovation Once Again Lands Imaging Leader a Top Five Spot Among U.S. Patent Holder

Re: Canon’s Focus on Innovation Once Again Lands Imaging Leader a Top Five Spot Among U.S. Patent Ho

Mikehit said:
infared said:
Canon congratulating itself. This is not interesting.
Prove you are an "innovator" and show us a state-of-the-Art FF mirrorless camera. I am not holding my breath. 8)

So mirrorless is the only definition of innovation? What a small world you live in.

They have no idea what innovation is. They just know they want it. Like Brondo, innovation has electrolytes.
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Canon Professional Services and Professional Photographers of America Collaborate to Offer Exclusive

HTML:
<em>The Company Will Showcase Its Latest Digital Imaging Solutions for Professional Photographers and Feature Educational Presentations by Canon Explorers of Light</em></p>
<p><strong>MELVILLE, N.Y., January 12, 2018</strong> – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce that the company will launch a special pricing promotion for new and existing Canon Professional Service (CPS) members at the Imaging USA EXPO 2018 hosted by Professional Photographers of America (PPA). This exclusive promotion, offers 20 percent off new, renewed or upgraded CPS gold or platinum memberships for active PPA members. Imaging USA EXPO 2018 will take place through January 16<sup>th</sup> at theGaylord Opryland Resort & Convention Center in Nashville, TN.</p>
<p><!--more--></p>
<p>“CPS members are among the most loyal and dedicated customers of Canon. Their passion, experience and knowledge are invaluable assets to the photo and video imaging community,” Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Offering this special promotion to both new and existing CPS members is an exciting initiative for us. We want these photographers to continue to grow and succeed with Canon’s world-class service and support right alongside them.”</p>

<p>Beginning at Imaging USA and effective throughout 2018, active PPA members will have the opportunity to renew or upgrade their current CPS membership, while non-CPS members can open a new membership – both at a 20 percent discount off current prices. Attendees who sign up for a CPS membership at the show will also qualify for a free gift. PPA members who do not sign up at Imaging USA can call 1-844-58-CANON to also receive the 20 percent exclusive offer.</p>
<p>“PPA is always looking to provide our members with savings on their essential needs,” says Kristen Hartman, PPA’s Director of Member Value & Experience. “We are excited that Canon is offering this exclusive discount to our members and we look forward to working with Canon in the future.”</p>
<p>Canon Professional Services will also host the CPS Lounge where Gold, Platinum, Enterprise and Cinema CPS members can have their Canon equipment (up-to-two current Professional DSLR bodies or lenses) cleaned and checked. CPS members can also enter the CPS member photo contest for a chance to win a PIXMA PRO-10 printer. Restrictions apply. Stop by the lounge for more information.</p>
<p>The hours of operation for the CPS Lounge are:</p>
<p>Saturday, Jan 13: 12:00pm – 5:00pm (Pre-show day)</p>
<p>Sunday, Jan. 14: 10:30am – 5:00 pm</p>
<p>Monday, Jan. 15: 10:30am – 5:00 pm</p>
<p>Tuesday, Jan. 16: 11:00am – 1:30pm (Equipment pickup only)</p>
<p>At the booth, Canon will also showcase its latest digital imaging solutions for professional photographers, including its full line of cameras and lenses.</p>
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Crop vs FF for lots of mm's

RGF said:
okaro said:
Your current camera has 175 pixels/mm. EOS 1D X has 144 and mark II 152 so you probably lose detail EOS 7D Mark II might be better. It has pixel density of 244 pixels/mm.

I would say IQ is more than photo sites/mm. The quality of the photosites matter

Yes. Seems obvious but I guess it is not.
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Hasselblad H6D-100c vs. Sony AR7II by Karl Taylor

What's up with the obviously different contrast curve? How on earth do you lose hight detail in a piece of cloth with an A7rII? Why are most colours warmer in the Sony pictures? Why start comparison at an aperture where the 35mm camera will be disadvantaged by diffraction when you refuse to stop down the medium format camera to get an equivalent dof with the argument that it makes the image softer due to diffraction. Why talk about "a finger grain structure" on a fixed pixel pitch image sensor with 2.5 times the resolution?

All in all, if I wanted to rig a test in favour of the Hasselblad, I'd do something similar.
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