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There will be an EOS M/EF-M announcement this year [CR1]

Uh oh, am I going to eat crow about the future of EOS M? I don’t believe so, but I have received some pretty cryptic information about an EOS M/EF-M product launch apparently coming in 2021.
I have been told that Canon plans to “pivot the EOS M system is a new direction”. Was this only brought to my attention because of the recent reporting about the PowerShot lineup moving in a new direction, or is there something actually to it?
You do remember that we have seen some very in-depth patents recently showing a new type of ILC camera from Canon that appears to have an EF-M mount.
The same source also told me that you’re going to have to wait until later in 2021 to learn more about what Canon plans to do with EOS M.
Now I’m not going back and forth for the clicks, I’m just...

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Lomography launches the RF Atoll 17mm f/2.8 Art Lens via Kickstarter

Lomography has launched the Atoll 17mm f/2.8 Art lens for full-frame mirrorless cameras, including the EOS RF mount. You can save $150 by ordering this lens year.
The Atoll Ultra-Wide 17mm f/2.8 Art

GET INTREPID: designed for full-frame mirrorless Canon RF/ Nikon Z/ Sony E cameras and rangefinder coupled for M mount analogue and digital cameras
STAY ExTRA: impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast
GO BOLD: closest focusing distance of
0.1 m with Canon RF, Nikon Z, Sony E cameras and 0.25 m with M mount cameras
BE BRAVE: great low-light performance and enhanced rectilinear optic design
ROAM FREE: compact and optimized
for photo and video with helicoid focusing mechanism, damped aperture control ring and short focus throw


THE WORLD IS YOUR OYSTER
Stop still amid the sea of city-slickers coursing through the gritty streets, wade deep into the dark-green forest and swim among the towering pines, cast off into the...

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Will there be any announcements from Canon ahead of CP+ this month?

The CP+ Camera & Photo Imaging Show in Yokohama, Japan is normally a time that the Japanese camera companies make major announcements or show off major products that haven’t begun shipping. The Canon EOS-1D X Mark III and the Canon EOS RP are a couple of the big announcements in the last couple of years.
Obviously, this is not a normal year.
So is Canon going to be announcing anything ahead of the CP+ 2021 virtual trade show that begins on February 25, 2021?
Judging by the lack of leaks, patents and other signs pointing at a major product announcement, for the moment it looks like Canon is going to be pretty quiet for the show.
I was thinking about what Canon could do for the show to build a little buzz if they aren’t going to make a camera announcement.

A new feature firmware update for cameras like the EOS R5...

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Canon officially unveils the PowerShot Pick

I’m late to the party on this one, but it didn’t really excite me all that much. These concept cameras from Canon like the Ivy Cliq, PowerShot Zoom and PowerShot pick are the future of the PowerShot name as Canon phases out fixed lens cameras.
Canon launched crowdfunding for the PowerShot pick at Makuake and easily surpassed their goal to make the product a reality. We should see this hit retail stores elsewhere around the globe in the coming months.
Head on over to Makuake and turn your translator on to learn more about the PowerShot Pick.

Canon PowerShot Pick Specifications:

12mp 1/2.3″ CMOS Sensor
19-57mm f/2.8-5.0 35mm equivalent zoom lens (4x zoom)
Pans 170°
Tilt of 110°
Electronic Image Stabilization
Dust and Waterproofing
Battery life of about 2.5 hours
Records data...

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Canon R5 sharpness with 100-400 ii and buffer issues

Hello everyone!
First of all, english is not my first language and I apologize for any mistake.
I've been doing bird photography for the last 10-12 years but I'm getting somewhat desperate with my new R5 these days... I got some serious buffer issues and the image sharpness is really bad compared to my old 5Dmkiii.

First, the buffer issue : whenever I do burst shots, my buffer starts around 40-45 pics available and after the first 3-4 shots it drops down to 20 before I can take maybe 10-12 shots if I'm lucky. This could be tolerable, but the buffer takes up to 90 seconds (timed it) to get transferred to the CFExpress card (Sandisk) and even when I'm up to around 13-15 shots I can only take one shot before it goes down to 0 again! I've tried this with multiple CFExpress cards, SD cards (300mbps) and the result is always the same. I shoot raw and save on a single card. The only time the problem seems to be somewhat less present is when I shoot without a lens and with the cap on and it seems to be worse when I continuously need to focus on my subjects. Needless to say, I missed a lot of shots this way.

As if this wasn't enough, picture quality with my 100-400 ii, which was super sharp on my 5Dmkiii, is really bad or at least hit or miss with mostly misses. I'll include pictures below to illustrate what I mean (100% crop). I'm also using the Canon TC1.4x iii, but was also using it before without any problem on my old camera, getting super sharp shots.
Yesterday I saw a Boreal owl (quite rare where I live), and it flew towards me before landing no more than 10 feet from me (was not baiting). With my 5Dmkiii I would have nailed that shot super sharp since it was really an easy shot. When I looked at my pictures I was really frustrated with the results since they were really not sharp at all. I tried using servo AF and one-shot AF, animal eye dectection AF, spot AF and got mostly the same results (RAW, IBIS on, ISO AUTO (2000), f/8, 1/800s to 1/1600s). Attached below is one of many "missed" shots and one of the few where the feathers are a bit sharper (less than 5% of the files). I also added a picture of a duck in a different setting, but again with the same softness problem. I was wondering if the use of the 1.6x-cropped frame mode sometimes could be the culprit, but even when using full frame I get this problem.

Stores are closed right now where I live, but I'll send the body to Canon to fix the buffer issue when they open back. However, I'm curious to see if anyone else had these problems. I'm also worried that even if they fix the buffer issues, I'll still end up taking pictures that are not sharp.

Test 2.png
(560mm, f/8, 1/1000s, ISO 2500)
Test 3.png
(560mm, f/8, 1/800s, ISO 2000)
Test1.png
(560mm, f/9, 1/3200s, ISO 1600)

R5 Moire and fringing :eek: :eek: :eek:

:eek: Help...I've been using my new R5 in the snow for the 1st time.

Wth? Moiré and fringe Big issue!

Canon R5
50mm EF 1.2 (original canon mount adapter)

What should I do, could it be fixed in the camera settings?

I'm always shooting in RAW (but wantes flaless files)

I'm thinking of returning it back and finally keep my 5Ds

Any toughts, hints, tricks?

Thanks Guys!

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Canon R5 extreme green color cast in Log

Hello,
on both of my Canon R5 cameras I experience a rather heavy and ugly green color shift whenever I use log.

I compared log on and log off (with "neutral" or "faithful" picture styles, which both are quite similar and always look fine).
I used a fixed WB for all shots. I used Clog, color matrix neutral (if I pick "Cinema EOS Original" the green cast gets stronger), settings 0 0 0 and Colorsprace BT.709.

I open the log footage in Premiere and apply the original LUT provided by Canon: BT709_CanonLog-to-BT709_WideDR_65_FF_Ver.2.0.cube

The image I get is similar in contrast and brightness compared to the shot in "neutral" or "faithful". But the colors are WAY greener and much uglier. This is especialy noteable unter tungsten light. It looks aweful.

I attached an example, a rather shaky image on my dog under tungsten light :-D
The image on the right is shot in LOG with canons original LUT applied. The "skintones" are rather ugly. On human skin this effect is even uglier... If I try to fix the image on the right by grading, its not working realy well, the colors fall apart.

Anyone experience something similar? Am I doing something wrong?

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Canon releases their full 2020 financials, beat expectations

Canon Inc. has released its financials for 2020 and it looks like they exceeded expectations, even if only slightly. Canon’s imaging segment saw a 49% rise in its operating income over 2019. What’s more impressive that sales in the segment were down 25% year-over-year, likely due to the pandemic and manufacturing challenges.
Canon is quite confident about 2021 and the RF system, both for camera bodies and RF lenses. They project a 5% growth in imaging systems in 2021.
The demand for the Canon EOS R5 and Canon EOS R6 really drove sales for Canon in the 2nd half of 2020, both of which greatly exceeded Canon’s sales projections. Both cameras will likely continue to be hot sellers in 2021.
There is more EOS R goodness coming in 2021 that will further strengthen Canon’s market share in the full-frame mirrorless space...

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Any rumour about a R6 with 30 Megapixel ?

Hello,

did you hear any rumour about:
A) that "R" might get the ability for animal eye detection/auto-focusing by firmware upgrade ?
B) that Canon plans for an upgrades / refined R6 with 30 Megapixel ?

Does it make sense to wait for a refined/upgraded R6 with 30 Megapixel ?

Rationale behind my questions:
1. I am especially interested into the R6 because of the new feature eye-detection / auto-focusing of animals.
2. According to the relatively high price of the R6
- around €2700 for the body and
- €700 higher compared to the "R" which has 30 Megapixel
I am a bit disappointed, that the R6 only offers 20 Megapixel resolution.

Why I would prefer the "R6" / Option B) over the "R":
- quicker electronic, according to information in reviews better focusing in low light situations
- the joystick, some people commented, that it can be in the way and that you issue a function "by accident"

Many thanks for your comments.

What will Canon bring to the table with the EOS R1?

Yesterday Sony set the gear world ablaze with the Sony Alpha a1, their new flagship full-frame mirrorless camera. It boasts a ton of pretty great features that most of you already know about. In particular, I love the EVF on paper, the 1/400 flash sync and the autofocus looks tremendous.
So what could Canon potentially bring to the table with their upcoming flagship mirrorless camera, which I call the EOS R1? The rumors for this camera have been minimal, with only very broad strokes about what we can expect.

One area I think Sony should have changed with the Alpha a1 is the form factor and ergonomics of the camera. If you have ever used a flagship DSLR like the Canon EOS-1D X Mark III or Nikon D6, you can have a hard time going back to other cameras, this is especially true with the EOS-1D series of cameras.
I...

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Fujifilm officially announces the FUJIFILM GFX100S

The Best of Fujifilm’s Image Making Technology In A Portable, Large Format,*1 Mirrorless Camera Body
Valhalla, N.Y., January 27, 2021 – FUJIFILM North America Corporation is pleased to announce the release of FUJIFILM GFX100S digital camera (GFX100S), the fourth large-format mirrorless camera in Fujifilm’s GFX System.
“Fujifilm has taken the groundbreaking ideas that lead to the development of FUJIFILM GFX100 and now combined them with an approach rooted in portability, to create GFX100S — a camera that provides photographers and filmmakers with an unbelievable opportunity to take large-format image-making to places it has never been before,” said Victor Ha, senior director of marketing and product development for FUJIFILM North America Corporation, Electronic Imaging Division.
Refusing to sacrifice performance for portability, Fujifilm has developed one of the most compact, high-performance, large format cameras in the world. GFX100S is...

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Industry News: Sony announces their new flagship camera, the alpha a1

Sony has officially announced its new flagship alpha a1 camera body.
This new body is equipped with a 50.1mp stacked EXMOR RS CMOS image sensor and a new BIONZ XR processor. This allowed the new camera to shoot at a full 30fps.
The autofocus is new and improved, with a fast sensor readout that enables up to 120 AF/AE calculations per second. This is twice the speed as the Alpha a9 II.
The EVF is a pretty impressive 9.44million-dot OLED display with a crazy refresh rate of 240fps.
Other goodies include 1/400sec full-frame flash sync speed and 1/500sec in APS-C mode.  It can shoot 8K up to 30fps for up to 30 minutes, as well as 4K at 60fps for the same length of time. You also get a 5-axis in-body stabilization system that can compensate shake up to 5.5 stops.
It looks like pixel shift shooting is going to become the norm, as the alpha a1 can do it up to 199mp.
This new flagship camera will cost $6498 at launch and preorders will begin tomorrow at 10 AM ET...

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The Canon RF 70-200mm f/4L IS USM begins shipping this week

I have just received word that the Canon RF 70-200mm f/4L IS USM will begin shipping from some retailers this week. I do not know what sort of allocation is being made available, or how long preorder lists are.
The Canon RF 70-200mm f/4L IS USM is remarkably small and I’m sure it’ll be optically fantastic.
Key Features

Canon’s Shortest and Lightest 70-200mm f/4 Interchangeable Zoom Lens
High Image Quality and Bright, Constant f/4 Aperture Telephoto Zoom RF L Lens
Optical Image Stabilizer with up to 5 Stops of Shake Correction
High Speed, Smooth and Quiet Auto Focus with Dual Nano USM
Minimum Focusing Distance of 1.96 ft. and Maximum Magnification of 0.28x
Control Ring for Direct Setting Changes
12-Pin Communication System
Dust- and Water-resistant with Fluorine Coating

Canon RF 70-200mm f/4L IS USM $1599 at Adorama

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16K Stills/Video Camera Camera Leak

January 25, 2021

This image is a leak for a GLOBAL SHUTTER MEDIUM FORMAT SENSOR combined video/stills camera that records DCI 16k video at up to 120 fps 2:1 RAW and 178.98 megapixels via 3:2 aspect ratio stills at 60 fps burst rate full 16-bit RAW with 3D-XYZ Depth Map and other metadata!

These are the ACTUAL current camera specifications as of January 2021 based upon an actual working PRODUCTION MODEL (i.e. is NOT just a prototype!)

BIG COMBINED STILLS/VIDEO CAMERA REVEAL:

Wireless Real-time Live View Image Adjustment
and Camera Control via Phone or Tablet:

Medium Format Sensor 56mm by 38mm
3:2 aspect ratio with 16,384 by 10,924 active pixels
at 3.4 microns per photosite

Recording up to DCI 16K Video and
Stills Image Capture at 178,979,816 pixels
or 178.98 Megapixels

Uses a GLOBAL SHUTTER SENSOR!

Recording Video and Stills at:

up to 4:4:4:4 Full RAW and Interframe/Intraframe
compressed video and still image file formats

at up to 16 bits per channel
(64-bit RGBA/YCbCrA/YCCA colour!)
Has Infrared 3D Depth/Distance map
used for 3D object and environment scanner.

Has all Lens Metadata saved as separate
channel into all video and stills files
AND 3D-XYZ GPS + Camera Orientation, all
current Lens Data and Timecode/Date/Clock Time
saved FOR EVERY SINGLE FRAME!

All Video and Stills are ENCRYPTED on
save and export/external output for
best data security! (Triple-AES 768-bit)
File Password Set/Open is via camera, external app,
phone, smartcard or combination of all four !!!

Two HDMI and TWO DisplayPort outputs are
fully CLEAN at up to DCI 8K 60 fps. Uses latest
versions of HDMI 2.1/DisplayPort 2.0 specs to
support 8K 60 fps+!

4-channel 192 KHz, 24-bit Audio PCM
and Compressed MP3 audio recording.

Uses Best quality 32-bit ADC/DAC for
super-high quality video AND audio input/output
and 32-bit DSP throughout the recording/playback chain !

Uses latest TWO large format USB-4 ports
at latest specifications for Ethernet-over-USB
connections for up to DCI 8K 60 fps RAW and
compressed 120 fps!

Has ONE RJ-45 Gigabit Ethernet
connector. Wireless is 802.11 x/x/x at latest standards.
one mic jack for input, one head phone output.

Has detachable audio input block with 4-port XLR inputs
an extra 1/8 inch mic input an extra 1/8 inch headphone output!

Has large Flip-Out rotatable OLED DCI 4K screen
(120 fps at 4096x2160 pixels) and large detachachable
120 fps OLED viewfinder.

Supports Anton-Bauer V-lock Li-Ion Battery system.

Internal Thermal Fluid Liquid Cooling System and
Built-in Heat Sink for 24/7/365 continuous daily
operation with NO overheating!

Has TWO custom fibre optic connectors for
16K 120 fps Full RAW RGBA/YCBCrA/YCCA
video and Stills live export at 200 Gbits/per
Secon using latest 400 Gbits Ethernet 802.3cm (100 metres fibre)
and 802.3cn (40 km single mode fibre) standards

Stills Burst Rate and Video Capture Frame Rates:
DCI 16K = 120 fps using 2:1 RAW or 60 fps Full 4:4:4:4 RAW
DCI 8K = 960 fps using 2:1 RAW
DCI 4K = 3840 fps using 2:1 RAW
DCI 2K = 15,360 fps using 2:1 RAW
DCI 1K = 61,440 fps using 2:1 RAW

and

has AVC/MP4/H.264/H.265 compressed
interframe AND intraframe video recording.
Has RAW, HEIF, PNG, BMP, TIFF and JPEG for Stills!

via Removable RAID cartridges using 4-TB Enterprise-class
SSD drives changeable and upgradable by end-user.
Raid Cartriges can be plugged directly into laptops/desktop
via USB-3/4 connections for immediate use and/or transfer.
Has two CF-express slots for 8K/4K/2K proxy video and stills!

(I understand this camera has HUUUUUGE RAM buffers to support
the 200 GBits/sec compression and data transfer rates required for
FULL RAW output to a RAID-based SSD setup!)

Price has been CONFIRMED to be $7999 USD

No information on lenses other than Cinema-quality 35mm, a 50mm, an 85mm, a 135mm, prime and a 70-to-200mm zoom and a 100mm to 650mm zoom and a 2X extender are being introduced at the same time as the camera.

8mm fisheye, 10mm, 12mm, 14mm, 16mm and 24mm wide primes and a set of 200mm, 300mm, 400mm, 600mm, 800mm and a specialty 1200mm telephotos will come later along with some Tilts Shifts. No specific timeline was outlined on the wide primes, big telephotos or tilt-shifts.

The app noted within the screen capture below is from Summer 2019 and has been updated to reflect both the VIDEO AND STILLS capabilities of the camera itself.

Playback, File handing and Import/Export Plug-ins for General Purpose Windows Presentation Foundation (WPF) filters/drivers, Blackmagic Resolve, Adobe Suite, Apple Final Cut Pro and Other video and stills editing programs are to be introduced at same time as camera.

Looks pretty SWEET TO ME!

V

P.S. Am VERY CURIOUS to see how this compares to upcoming Sony and Fuji product reveals coming during the week of Jan 25, 2021 !!!

P.S.2. A second set of documents is to be released sometime soon after Jan 27, 2021 showing actual technical documentation for this product. I will update and post to this forum as soon as I get those docs!


v

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R5 / .C3 File question

Hi all,

I've been trying out the R5 in a variety of conditions. I have a Prograde 128GB CFExpress that is "full" after 62 exposures, all RAW which seems like too much use of the card for that few exposures. The card has 62 RAW files in the DCIM folder, each about 55-59MB but has 115GB of cpbf************ files in the card's numbered folder. I don't recall this kind of usage in my old DSLR CF card storage and would have thought I'd get more still images on this CFExpress card. I can't find any info on what these files represent and they are not needed or copied when I upload the images to my PC for storage and processing.

Maybe this is something I should already know but what are these files, why are they recorded, and why do they use more space than the images, themselves?

These forums have always been a great place for information and help. Thanks in advance.

JPAZ

Message about the obvious - R5 with 1.4x and 100-400

Did a quick image this evening of the moon in a hazy sky. Since I am still thinking about options for long lenses, I used my EF 100-400 MKii with a 1.4x Mk iii and an off brand EF-RF adapter. The photo is nothing special, but it was hand held and I am impressed with the abilities of this camera, its focus, and the IS. But, when I shut the camera down a message appeared: "Keep the lens cap on after you turn the camera off." Maybe that message is always there and I never noticed it before since I usually turn the LCD around to protect it. I just thought it was kind of humorous.

Anyway, I will not give up this lens for the RF 100-500 after seeing this result (1/800; f/8; 490 mm; ISO 640 hand held. No processing except for some cropping)CAV_0355-1.jpg ISO 640 hand
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Gear of Yesteryear: DPReviewTV reviews the Canon EF 200mm f/1.8L USM

Here is a fun review of an epic Canon lens from the past. In this episode of Gear of Yesteryear, DPReviewTV reviews the Canon EF 200mm f/1.8L USM. To some, it is regarded as one of the best lenses that Canon has ever made, to others… well they still think it’s awesome.
The Canon EF 200mm f/1.8L USM is a relatively easy lens to come by, as they are regularly available on eBay. I purchased this lens used from the Fred Miranda forum for about $3000 USD. I didn’t need a mint copy and so the price was right.
These lenses can be repaired, there is a company in Michigan that can apparently rebuild the autofocus motors and make other repairs on it. Canon themselves won’t do any sort of repairs. So you need to know that going in, but these lenses are as reliable as any big white Canon L lens.
You can check out the sample gallery from the review here.
Canon EF...

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Backfocus with any 70-200 ( RF, EF 2/3) and canon R5 in Servo

Hi everyone! I am a photographer for Russia, Moscow.
As many people here I initially had a lockup/freezing issue with my R5. I recently sent it to CPS-Russia (main office) and they replaced the circuit board under warranty and also updated the firmware. That helped.

BUT! After receiving my body back I encountered that now when using a servo-mode (any type) and a 70-200 ( I have RF 70-200, but also tested another RF, and EF 2/3 USM lenses) I have severe backfocus especially at a tele-end (200 mm) and for distant targets that are approaching me ( skiers, snowboarders, cars etc.).
Originally I found it out during skiing competition ( I am a sports shooter).
Then I ran several tests with different lenses shooting approaching cars and had the same bad results. There is clear backfocus( several meters!), whereas DPP in 99% of the time shows the focus point where it was intended to be.

The test were run outside during daylight and a temperature of around -10 Celsius with:
- latest firmware for both all lenses and body;
- R5 + two RF 70-200/ EF 70-200 USM 2, EF 70-200 USM 3 ( all lenses were tested for optical quality by CPS, an they all were provided by CPS for test except for the RF lens I originally own);
- Several different Sandisk Extreme Pro SD-cards,
- Several different original batteries;
- various FPS;
- servo spot af/1-point af/intelligent tracking with initial point af choice;
- at 200 mm 90% of time, sometimes around 150-175mm;
- ISO ranging from 100 to 1000;
- shutter-speeds from 1/1250 to 1/3200;
- IS on/off;
- lens focus distance limiter on/off;
- mechanical shutter/electronic 1st curtain;
- cars approaching me at the speed about 30-60 km/p/h;
around 50+ meters distance to cars ( at closer distances the backfocus is less severe)
- I even invited an engineer from CPS as well as independent photographer to run the tests with me and to shoot themselves.


Result: same backfocus in most of the cases whatever we did.

I attach an album with one of the series and a DPP printscreen. If needed I can upload more.



The yellow taxi in the photos is supposed to be in focus. However it is blurred whereas the truck behind it is much sharper! Look at the plates. DPP shows red square on taxi for the whole series. It is only one of the series but I have many. If you really want I can upload them but hope you will believe me.

After that we tested ANOTHER R5, that is owned by CPS and is given for tests/as a replacement - SAME RESULT!
Unlike mine CPS R5 is said not to have ANY service history except for the firmware updates.

When checked according to CPS procedures NO PROBLEMS are found with any of the bodies.

So, though the engineers clearly see that something is wrong they can do nothing concerning the repair or replacement. I was told that Servo AF can not be checked by their equipment and is considered to work fine out of the box as long as the 1-shot af works fine ( it does).

We are all at a complete loss. We filed a ticket to Canon Japan but the guys from CPS do not expect to receive a quick answer or any real resolution.
Actually it might be that CPS somehow messed up both cameras not knowing that, but they will never admit that...

I really need your help in further tests! I would appreciate if the owners of R5 and 70-200 tested their cams in similar conditions and reported the results.
( 200 mm of 70-200, servo, approaching cars, distance 50+ meters, actually the further you start shooting the car as it is approaching - the better).

Is there anyone with similar problems or maybe heard of someone?
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Lensrentals tear down Canon RF 100-500mm

A very impressive tear down of a very impressively designed and constructed lens. A driving motive was to discover why they had 4 copies with a cracked element, which Roger originally thought to be part of the unparked IS unit but later reported to be physically compartmentalised from it. This detailed description is worth reading to see just how much care, thought and attention Canon has brought to the design of this lens. The punch line of why the element cracked is...
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Why I Returned My Canon C70

I'm a life-long Canon user and love their products.

I received my C70 last week. Unfortunately, the lenses outlined in the manual as compatible with the C70 are not correct. When Canon announced the C70, I was aware that only 3 EF lenses were compatible with the C70. I planned to wait until my 400 and 600mm lenses were compatible with the C70. From announcement to release, I kept in contact with CPS. I asked the same question...when will Canon list the EF lenses compatible with the C70? The answer: Once Canon releases the manual, it will list all of the compatible EF, EF-S and Cinema lenses.

When Canon released the manual, I was jubilant (pages 203-204). I placed my pre-order and waited. When the C70 arrived, I attached the 600mm via the Canon 0.71x Mount Adapter and took it for a test drive. When I downloaded the video, the first thing I noticed was a considerable amount of vignetting. Almost like it had a fisheye lens. The other issue is that I could not find the setting to record in 4k@120fps. I got on the phone with CPS and they began troubleshooting the issue. Within the C70 menu, there is a setting where you can update the camera based on the attached lens. However, that option was grayed-out. In addition, the rep tried to identify how to set the C70 to record in 4k@120fps. After confirming that the 600mm was compatible with the C70, the rep placed me on hold and escalated the matter. After an approximately 10 minute wait, the rep returned and confirmed the C70 could only record 4k@120fps in the slow or fast motion setting. The rep then added, "while I was waiting for an answer from a senior level specialists, I googled the C70. Every article and YouTube review began with the same comment 'this camera can record 4k@120fps'. They all failed to mention that it was only possible in slow or fast motion setting. It is very misleading." With respect to the 400mm and 600mm lenses, turns out that even though the manual clearly states which EF lenses will work with the C70 when combined with a Canon EF to RF Mount Adapter (Canon makes three EF to RF mount adapters), Canon did to include the caveat that the 0.71x only works with 3 EF lenses (as of September 2020). Canon will, in the future, release updates for other lenses but no timeline is available. I specifically purchased the C70 because of the 0.71x Mount Adapter since it would eliminate cropping. I do not have any information for the EF-S or Cinema lenses. I do not recall the exact words, but the rep made a comment that they were not surprised Canon missed this detail.

I next rang the East Coast store where I purchased the C70. After I explained what happened, the rep there made an almost identical comment on how this did not surprise them and that Canon has done similar things in the past which infuriates its customers. This is the first time I've ever reported a negative comment with Canon.

I will continue capturing video with my 1D x and when and if Canon provides a firmware update for the 400 and 600mm lenses, I will revisit the C70.
I'm so bummed. I planned to use the C70 as a starting point to transition to RF while maintaining my EF lenses.
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Canon 11-24 L Lens: Anyone tried this for 360 Pano for Virtual Tours?

HI all,
I've been watching a bunch of YouTube and reading some sights about shooting DSLR's (and I suppose mirrorless too) and stitching together panos for 360 shots to be used for Virtual tours (real estate, etc).

I have the Canon 11-24 L lens and was hoping to experiment with this since I have it on hand. I have a Really Right stuff Pano kit, I can use on my tripod....

So far, what I've read seems to indicate that fisheye is the way to go and one even seemed to say that a ultra wide rectilinear lens was, in fact, a BAD choice to use.

I just have a hard time believing that with such a good lens and so wide, combined with software that it would not work.

Any thoughts? Suggestions? Experience in trying to shoot this type of photography with this lens?

I"d be using it on my trusty old 5D3.

Thank you in advance,

cayenne

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