What will the 77D get that the 800D won't?

See subject. These appear to be refreshes to the very similar 750D and 760D, and we have two rumored spec sheets at present:

800D (the 750D follow up):

Number of effective pixels: 24.2 million pixels
Video engine: DIGIC 7
Dual Pixel CMOS AF
AF point count not listed so far

Burst: Up to 6 frames per second
ISO speed: 100 - 25600
Video: Full HD, 5 axis electronic image stabilization
Liquid Crystal: Type 3 Touch Panel Bali Angle LCD
Built-in Wi-Fi / Bluetooth
Size: 131.0 × 99.9 × 76.2 mm
Weight: 532 g

77D (the 760D follow up):

Top LCD = presumed based on profile/body similarities to 760D

Number of effective pixels: 24.2 million pixels
Video engine: DIGIC 7
Dual pixel CMOS AF
AF point: 45 points
Burst: Up to 6 frames per second
ISO speed: 100 - 25600
Liquid Crystal: Type 3 Touch Panel Bali Angle LCD
Built-in Wi-Fi / Bluetooth
Size: 131.0 × 99.9 × 76.2 mm
Weight: 540 g


So for some reason, the 760D refresh has been promoted to XXD status with the 77D name. What will it have above and beyond the 800D?

Will the 800D get the huge bump to 45 AF points as well, or is that the key difference (and he top LCD) between the two models? Will the 77D get AFMA?

Discuss!

- A

Review: Sigma 85mm f/1.4 DG Art Series Lens

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DPReview has completed their review of the highly anticipated Sigma 85mm f/1.4 DG Art series lens, and have come away quite impressed.</p>
<p><strong>From DPReview:</strong></p>
<blockquote><p>The Sigma 85mm F1.4 Art offers some incredible image quality for the price, with outstanding class leading sharpness, excellent subject isolation and bokeh performance. The F1.4 aperture makes it a fantastic choice for low-light events and portrait shooting. The lens does experience some purple and green fringing when it’s shot wide open at F1.4 in harsh backlit conditions, but stopping it down to F2.5 eliminates it entirely. All in all this lens is one of the best portrait lenses we’ve seen to date and at a bargain price for the performance. <a href="https://www.dpreview.com/reviews/sigma-85mm-f1-4-art-lens">Read the full review</a></p></blockquote>
<p>Sigma 85mm f/1.4 DG Art: <strong><a href="https://bhpho.to/2ky91Cj">B&H Photo</a></strong> | <a href="http://amzn.to/2ktW21L">Amazon</a> | <a href="https://www.adorama.com/sg8514aca.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/sigma-85mm-f1-4-dg-hsm-art-lens-canon.html?acc=3">MPEX</a></p>
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Images & Specifications for the Canon EOS 77D

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An image and specifications for the upcoming Canon EOS 77D have leaked out ahead of the official announcement.</p>
<p><strong>Canon EOS 77D Specifications</strong></p>
<ul>
<li>Effective pixel number: 24.2 million pixels</li>
<li>Processor: DIGIC 7</li>
<li>Dual pixel CMOS AF</li>
<li>AF point: 45 points</li>
<li>Continuous: Up to 6 frames / sec</li>
<li>ISO range: 100-25600</li>
<li>LCD: 3″ touch panel,  variable angle</li>
<li>Built-in Wi-Fi / Bluetooth</li>
<li>Size: 131.0 × 99.9 × 76.2 mm</li>
<li>Weight: 540 g</li>
</ul>

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Dear Canon, please quit toying with me!

Dear Canon,

I've been a big fan and loyal customer of your refurbished site.

But please, why do you buy internet ads that pop up on this site and others that advertise refurbished lenses that are not in stock?

I know it is just that your robots spy on my browsing history and when they see me drooling over a big white lens, they seize on that to put an ad on the pages I'm surfing. But really, can't you program them to not advertise products that aren't in stock and aren't likely to be in stock anytime soon?

What would be a lot more welcome, would be if the ads popped up when lenses came into stock.

I know you want my money, but if you don't have it for sale, why waste your advertising dollars.

Sincerely,

Just Wondering

Here are the Canon EOS M6 Specifications

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<strong>Canon EOS M6 Specifications (Google Translated): </strong></p>
<ul>
<li>Number of effective pixels: Approximately 24.2 million pixels</li>
<li>Processor: DIGIC 7</li>
<li>Dual Pixel AF</li>
<li>AF point: 49 points</li>
<li>Max FPS: 7 frames / sec (AF fixed: 9 frames / sec)</li>
<li>ISO: 100 to 25600</li>
<li>Shutter speed: 1/4000-30</li>
<li>Sync Speed: 1/200 second</li>
<li>Video: Full HD, HD, VGA</li>
<li>LCD: 3.0 type tilt type touch panel</li>
<li>Size: 112.0 × 68.0 × 44.5 mm</li>
<li>Recording medium: SD / SDHC / SDXC card</li>
<li>Built-in Wi-Fi, Bluetooth</li>
<li>Color: Black / Silver</li>
<li>Battery: LP-E17</li>
<li>Kit: Body – EF-M 15-45mm kit – EF-M 18-150mm kit</li>
</ul>

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newton's rings

i'm getting Newton's rings on long exposures with 6 and 9 stop ND filters on my 16-35 f/4L when stopping down. no sign of them at f/5.6, noticeable at f/8, really bad at f/11. doesn't happen at all with my 3 stop ND or polarizer.

i've ordered some heavier duty cleaning solution, in case there is any residual oil on the filters. is there anything else i can do to fix this? i've had these filters for a while (too long to send back).

Canon EF 85mm f/1.2L II AF really that bad?

Over and over we've read that the AF on Canon's EF 85mm f/1.2L II USM is very slow.

I know this is a special lens to many shooters. I think I've also read that an f/1.4L replacement is in the works.

My question are whether the AF is really that slow? For portrait work?

This just might be one of those classic lenses that will have no match in the future, so I'm wondering what actual owners really think. Do you shoot at f/1.2 often? Would f/1.4 really be that much of a bokeh trade off if the new lens comes with IS and faster focus?

I have the 135 f/2L (my fastest lens), but the focal length is limited indoors.

Canon Showcases 2/3" Global Shutter Image Sensor at ISSCC 2017

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Canon has presented a paper showcasing global shutter technology for a 2/3″ image sensor at ISSCC 2017 <a href="http://image-sensors-world.blogspot.co.uk/2017/02/isscc-2017-canon-23-inch-gs-sensor.html">according to ISW</a>.</p>
<p>You can check the thumbnails below for all the technical information.</p>
<p><strong><em>A 1.8e-rms Temporal Noise Over 110dB Dynamic Range3.4μm Pixel PitchGlobal ShutterCMOS Image Sensorwith Dual-Gain Amplifiers, SS-ADC and Multiple-Accumulation Shutter

</em></strong>by Masahiro Kobayashi, Yusuke Onuki, Kazunari Kawabata, Hiroshi Sekine,Toshiki Tsuboi, Yasushi Matsuno, Hidekazu Takahashi, Toru Koizumi, Katsuhito Sakurai, Hiroshi Yuzurihara, Shunsuke Inoue, Takeshi Ichikawa at ISSCC 2017 on Feb. 6, 2017.</p>

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Patent: Canon Working to Improve Dual Pixel AF

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A patent showing Canon continueing to improve Dual Pixel AF technology has appeared at the USPTO.</p>
<p>A quick summary from Northlight:</p>
<blockquote><p>Offset microlenses and unequal pixel sizes improve off axis dual pixel sensor phase AF in a new Canon US patent.</p></blockquote>
<p>You can read the complete patent <a href="http://pdfpiw.uspto.gov/.piw?PageNum=0&docid=09565381">here</a>.</p>
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Images of the Canon EOS M6 & EVF Have Leaked

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Images of the upcoming Canon EOS M6 mirrorless camera body have leaked out ahead of the official announcement.</p>
<p>By the looks of the images, this is very close to an EOS M5 without the built-in EVF. I really like the looks of the silver version of the camera.</p>
<p>Images of the new EVF for the EOS M6 can also be seen below.</p>
<p>Not related to the Canon EOS M6 is the brand new EF-S 18-55 f/4-5.6 IS STM lens for the new EOS Rebel T7i and EOS Rebel 77D.</p>
<p><strong>EF-S 18-55mm F4-5.6-EF IS STM</strong></p>
<ul>
<li>Lens construction: 10 12 sheets group</li>
<li>Minimum focusing distance: 0.25M</li>
<li>Filter diameter: 58Mm</li>
<li>Size: 66.5 × 61.8Mm</li>
<li>Weight: 215g</li>
</ul>

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Sony Introduces 100mm F2.8 STF G Master, 85mm f/1.8 & New Flash

HTML:
<p><em>New Full-frame 85mm F1.8 Mid-telephoto prime lens and Compact Radio-Controlled Flash announced as well</em></p>
<p><strong>LAS VEGAS, Feb. 7, 2017</strong> – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new lenses for their popular line of E-mount interchangeable lens cameras.</p>
<p>Sony’s new lenses include one of their flagship G Master Series – an FE 100mm F2.81 STF GM OSS mid- telephoto prime lens (model SEL100F28GM) built to deliver breathtaking bokeh with a unique STF™ (Smooth Trans Focus) design, and a new compact, lightweight FE 85mm F1.8 mid-telephoto prime lens (model SEL85F18) that is a welcome addition to the bag of any hobbyist or enthusiast photographer looking to create amazing portraits.</p>
<p>They have also introduced a new powerful, compact flash (model HVL-F45RM) with radio-controlled wireless communication that is ideal for professional shooting with Sony’s lineup of α7 full-frame cameras.</p>
<p><!--more--></p>
<p><strong>FE 100mm F2.81 STF GM OSS Telephoto Prime Lens

</strong>A specially designed mid-telephoto, full-frame prime lens, the new 100mm STF is built to produce truly unique, magnificent and beautiful bokeh while maintaining the exceptional standard of resolution that is showcased by Sony’s entire line of flagship G Master series lenses, making it a powerful photographic tool for any portrait, fashion, nature or wedding photographer.</p>
<p>These impressive defocus capabilities are made possible by the lens’ advanced optical structure, as it features a newly designed 11-bladed aperture and a unique optical apodization lens element. Similar to a neutral density filter that increases in density towards the edges, the apodization element creates beautiful transitions of in-focus to out-of-focus areas within an image, making for exceptionally soft, smooth bokeh that adds depth and dimensionality. This allows the subjects to stand out against beautifully defocused elements in both the foreground and background, producing an image that is naturally pleasing to the eye. The design of the lens also ensures that vignetting is kept to an absolute minimum, ensuring optimum image quality.</p>
<p>Additionally, the new 100mm lens supports both contrast AF and focal-plane phase detection AF2, and has a high-precision, quiet direct drive SSM (Super Sonic Motor) system that ensures exceptionally fast and accurate AF performance. The SEL100F28GM also offers up to 0.25x close-up capabilities with a built-in macro switching ring, built-in Optical SteadyShot™ image stabilization, a customizable focus hold button, AF/MF switch, aperture ring and more. It is dust and moisture resistant as well3.</p>
<p><strong>FE 85mm F1.8 Telephoto Prime Lens

</strong>The new 85mm F1.8 mid-telephoto prime lens offers an extremely versatile, lightweight and compact telephoto prime lens solution for a variety of Sony camera owners ranging from working professionals to emerging enthusiasts that have stepped up to full-frame or APS-C cameras for the first time. With its wide F1.8 aperture, it can produce impressive, exceptionally sharp portraits with soft background defocus that take advantage of its 85mm focal length and wide F1.8 maximum aperture.</p>
<p>The new prime lens features a 9-bladed circular aperture mechanism that ensures smooth, natural looking bokeh, and a double linear motor system to allow for fast, precise and quiet focusing. It also has a focus hold button that can be customized and assigned together with functions in the camera body like the popular Eye AF feature. There is a smooth, responsive focus ring and AF/MF switch as well, and the lens is also dust and moisture resistant 3.</p>
<p><strong>New Compact Radio-controlled Flash

</strong>Sony’s new HVL-F45RM flash enhances the radio-controlled lighting system capabilities of their growing system, offering a compact professional shooting solution when combined with the currently available wireless remote controller FA-WRC1M and receiver FA-WRR1.</p>
<p>The new flash, which is designed to complement the compact bodies of Sony’s E-mount camera lineup including full-frame α7 models, produces a maximum lighting output as expansive as GN45 4. This ensures sufficient illumination even when shooting with bounce lighting or high-speed-sync (HSS) flash. The radio capabilities of the HVL-F45RM allow it to be used as a transmitter or a receiver at up to 30m (approx. 98 feet5), making it an ideal fit for creative lighting with multiple flashes. Additionally, unlike optical flash systems, radio-control flashes do not require a direct line-of-sight between components to function properly, while also minimizing any impact that bright sunlight has on signal transmission and control.</p>
<p>The HVL-F45RM flash has an impressive battery life of up to 210 bursts, and can tilt up to 150o vertically, a complete 360o horizontally and up to 8o downward to maximize versatility. Usability has been maximized with a new large, bright and highly visible LCD display, an LED light, dust and moisture resistant design3 and a revamped menu system that mimics those of Sony’s newest camera systems.</p>
<p><strong>Pricing and Availability

</strong>Both of the new lenses and the new flash unit will ship to authorized dealers throughout North America.</p>
<ul>
<li>The new FE 100mm F2.8 STF OSS GM Telephoto Prime Lens will ship this March for about $1,500 US and $2,050 CA.</li>
<li>The new FE 85mm F1.8 Mid-Telephoto Prime Lens will ship this March for about $600 US and $800 CA.</li>
<li>Replacement lens hoods for each of the new models will also be available for purchase as well.</li>
<li>The new HVL-F45RM flash will ship this May for about $400 US and $550 CA.</li>
</ul>

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Canon Dominates Sidelines at Super Bowl LI

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<b>MELVILLE, N.Y., February 7, 2017</b> – On February 5<sup>th</sup>, top sports photographers from across the country gathered in Houston to cover the Big Game between the teams from New England and Atlanta. With an estimated 75 percent* of the photographers in the Houston stadium using Canon EOS DSLR cameras and EF lenses, Canon’s iconic white lenses filled the sidelines from the opening kickoff to the final whistle. In addition to the EOS DSLR cameras and EF lenses on the sidelines, Canon’s line of HD broadcast lenses were also used extensively to help deliver the game to more than 110 million television viewers.</p>
<p dir="ltr"><!--more--></p>
<p>“It’s an honor to see yet another major sporting event where the country’s most talented and acclaimed sports photographers captured exciting moments with Canon equipment. These images will be seen by millions of people around the world and will forever be etched in sports history. We understand there are many equipment options for professional photographers and Canon is honored to serve these professionals and provide assurances that both our products and support live up to the requirements and expectations of our devoted customers,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.</p>
<p>A full complement of friendly and knowledgeable staff from the Canon Professional Services (CPS) team, a fixture at major sporting events throughout the year, were on site at the stadium for most of the week leading up to game day providing comprehensive equipment maintenance, extensive equipment loans and expert technical support to the major photo agencies and individual professional (or media) photographers covering the game.</p>
<p>For veteran sports photographer and Canon Explorer of Light Damian Strohmeyer, this was his 30th time covering the big game as a professional, and he was well stocked with Canon cameras and lenses. “Leading up to the game, I always make sure to meet with the Canon Professional Services team to run through my settings and firmware, and ensure that my gear is as ready for the big game as the players are,” Strohmeyer said. “During the game, there’s so much action that you can’t be worried about how your equipment will perform. Depending on where the play is, I need to stay prepared for anything that may happen, with no time to switch lenses. For this reason, I used three EOS-1D X Mark II cameras, equipped with EF 400mm f/2.8L IS II USM, EF 70-200mm f/2.8L IS II USM, and EF 24-70mm f/2.8L II USM lenses. After the game, I switched to an EF 16-35mm f/4L IS USM wide angle lens for post-game reaction shots. Everything performed fabulously, and my images came out looking great!”</p>
<p>Canon Professional Services will be proudly attending to professional photographers at over 30 events this year including major sporting, auto racing, Hollywood, and political events throughout the year.</p>
<p>For more information about CPS: <a href="http://www.cps.usa.canon.com/" target="_blank"><b>http://www.cps.usa.canon.com/</b></a></p>
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Sony: new 100mm f/2.8 G Master lens: no macro, but it's APO

Hmmm:
http://www.thephoblographer.com/2017/02/07/sony-introduces-new-100mm-f2-8-g-master-lens-wppi-2017/

100mm
IS
G-Master big price tag

But it's f/2.8 and not a macro lens. It's usually f/2.8 Macro or it's f/2. So I was wondering why f/2.8 and no macro, but apparently it's an APO lens (which I thought was generally reserved for exotic large aperture portraiture glass). Someone please educate me if an APO offering is a big deal for a relatively good-but-not-great bokeh generator like 100mm f/2.8.

New focusing system as well -- Smooth Trans Focus (STF) -- perhaps for a less jerky / video friendly AF setup?
(edited, see next two posts)

- A

Does taking many very long exposures wear or damage a sensor?

I am experimenting with some very long exposure times with very dark ND filters, like ten hour long exposures, on a 5D3.

Would taking photos like this on a consistent basis harm or damage the sensor? I'm assuming that the wear on the mirror and shutter is no more than a normal photo since they are just sitting there not moving. (Hopefully whatever mechanism holds the mirror open will not burn out or anything, right?)

But, I'm not sure if this may be detrimental to the sensor. If it is, then I would probably just shelve my curiosity and not bother.

Oh, and I do not have long exposure NR turned on. :o

Picture Profile specifically for Low light level video for a Canon 5d Mk 3 ?

Hi guys
Does anyone know of a picture picture profile specifically for Low light level video for a 5d Mk 3 ?
I'm always shooting in extreme low light situations where I cant get anymore light on the subject/surroundings.
(I film a lot of bands performing live on stage indoors so its a very dark environment)
Ive tried Prolost but even after tweaking in post it doesnt look any better than set to the Standard or Auto picture profiles built into the camera.
Thanks in advance.

W-E1/5DsR iOS utilities?

Just got my W-E1 for my 5DsR. No problem getting it working on a MacAir and my iPhone 5. Re iPhone apps, there is Canon's Camera Connect, and just noticed Cascable. Are there other apps to consider for remote shooting? Cascable has a free basic set, and then a pro bundle. Is the pro bundle worth it?

The biggest issues is the lack of depth of field preview on the mobile device and the inability to enlarge parts of the preview image for precise focusing. Any iPhone apps that can do that?

Preorder the New Tamron Lenses Now

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You can now preorder the recently announced lenses from Tamron.</p>
<p>Tamron 10-24mm f/3.5-4.5 Di II VC HLD $499: <a href="https://bhpho.to/2kfkdAH">B&H Photo</a> | <a href="https://www.adorama.com/tm1024veos.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-10-24mm-f-3-5-4-5-di-ii-vc-hld-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/peak-design-range-pouch-medium-charcoal.html?acc=3">Peak Design Range Pouch</a></em>)</p>
<p>Tamron SP 70-200mm f/2.8 Di VC USD G2 $1299: <a href="https://bhpho.to/2kkLnJ2">B&H Photo</a> | <a href="https://www.adorama.com/tm702002nk.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-sp-70-200mm-f-2-8-di-vc-usd-g2-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/tenba-dna-10-messenger-bag-graphite.html?acc=3">Tenba DNA 10</a> Messenger Bag</em>)</p>
<p><em>*Note: MPEX is offering bonus items if you preorder either of the new Tamron lenses. You do not need to add them to your cart, they will be shipped to you automatically. The MPEX bonus offer runs until February 12, 2017.</em></p>
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Tamron Announces the 10-24mm F/3.5-4.5 Di II VC HLD

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<em>Compact, high-performance lens boasts the largest focal length range in its class</em></p>
<p><strong>10-24mm F/3.5-4.5 Di II VC HLD (Model B023)</strong></p>
<p><em>February 6, 2017, Commack, NY</em> – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $499.</p>
<p>Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class<sup class="green">1</sup> (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.</p>

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<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<ol>
<li><strong>Inheriting the broadest focal length range in its class of ultra-wideangle zoom lenses</strong></li>
</ol>
<p>The new Model B023 achieves a broad focal length range of 10-24mm, the largest range among ultra-wideangle zoom lenses for APS-C DSLR cameras. This is the 35mm equivalent of covering a very wideangle of view, from 16mm ultra-wideangle to 37mm semi-wideangle. A photographer can enjoy diverse wideangle expressions with just this one lens, from dynamic landscapes far beyond the normal human field of vision to simple, casual snapshots.</p>
<ol start="2">
<li><strong>Improved optical performance across the entire zoom range</strong></li>
</ol>
<p>The optical design of the new Model B023 consists of 16 lens elements in 11 groups. Special lens elements are utilized in an optimum configuration of one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens. While curbing an increase in the size of the optical system, the new lens very effectively compensates for a wide variety of aberrations in the entire zoom range, including transverse chromatic aberration, comatic aberration and distortions that tend to become more prominent with a wideangle lens.</p>
<p>Tamron’s highly regarded BBAR (Broad-Band Anti-Reflection) Coating and the optical design paying close attention to internal reflections in the lens barrel also curb the effects of harmful light rays that tend to occur with a wideangle lens, achieving excellent resistance against ghosting and flare seen in backlighting situations.</p>
<ol start="3">
<li><strong>4-Stop Vibration Compensation that is especially useful in low light conditions</strong></li>
</ol>
<p>In response to the requests of many customers who have asked the company to equip a wideangle lens with image stabilization, we have now installed Tamron’s acclaimed VC (Vibration Compensation) on the new Model B023. Optimizing the actuator and the control algorithm has made it possible to incorporate the VC, while maintaining the compact design of the previous Model B001. The VC especially enhances the photographer’s freedom in handheld shooting at dusk or in a dimly lit room, and under other relatively low light conditions, as the mechanism proves particularly effective in the shooting conditions with slower shutter speeds.</p>
<ol start="4">
<li><strong>Equipped for the first time with the new HLD with outstanding driving power and stability</strong></li>
</ol>
<p>Tamron’s new HLD (High/Low torque modulated Drive) has been developed for use as the AF drive system for Model B023. With its outstanding driving power and stability, the HLD is capable of smoothly controlling the AF mechanism of the new Model B023 that is actually equipped with large focusing lens elements. When shooting in AF mode, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.</p>
<ol start="5">
<li><strong>Compressed into a compact body with structural ingenuity</strong></li>
</ol>
<p>While enhancing image quality, adding new functions and substantially improving the basic performance, Model B023’s space-saving design has ensured an optimum configuration for components such as the VC and AF unit, thus successfully reducing overall length compared to the previous Model B001. The lightweight and compact body with outstanding ease of use will prove to be very well-balanced when attached to an APS-C DSLR camera.</p>
<ol start="6">
<li><strong>An even more user-friendly lens with Fluorine Coating and Moisture-Resistant Construction</strong></li>
</ol>
<p>The front surface of the foremost lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints, allowing for much easier maintenance. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.</p>
<ol start="7">
<li><strong>Electromagnetic diaphragm system now used also for Nikon-mount lenses</strong></li>
</ol>
<p>An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses<sup class="green">2</sup>. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.</p>
<ol start="8">
<li><strong>Compatible with TAMRON TAP-in Console</strong><strong><sup>TM</sup></strong><strong>, an optional accessory product</strong></li>
</ol>
<p>The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.</p>
<ol start="9">
<li><strong>External design placing importance on functionality and ease of use</strong></li>
</ol>
<p>While inheriting the design that makes use of a lot of organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B023 comes with a highly sophisticated design that also places much importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring, the switch shape and the distance-scale window design.</p>
<p><span class="green">1. Among ultra-wideangle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)</span></p>
<p><span class="green">2. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s) (As of January, 2017; Tamron)</span></p>
<p><strong>Tamron 10-24mm f/3.5-4.5 Di II VC HLD $499: <a href="https://bhpho.to/2kfkdAH">B&H Photo</a> | <a href="https://www.adorama.com/tm1024veos.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-10-24mm-f-3-5-4-5-di-ii-vc-hld-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/peak-design-range-pouch-medium-charcoal.html?acc=3">Peak Design Range Pouch</a></em>)</strong></p>
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