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Best lens for puppy photography?

I can't believe I'm posting this, but hey, here we go.

We're getting another dog, and alongside the obvious house prep we are doing, I am getting geeked out for puppy photos. I'll be a shooting a 5D3 in non-scripted situations handheld without a flash -- I'll resort to toy/treat-baiting for eye contact, but that's about it.

If the pup is asleep or very still, the 100L immediately comes to mind. But for general awake and active shots, I'm leaning towards a wider fast prime to keep the ISO non-stratospheric.

I was just curious, but given the nightmarish combo of [black lab] + [indoor lighting] + [moving subject], is there a 'best' optical tool to capture that?

- A

Portable Battery charge for 1Dx

The current battery charger for the 1Dx is great at the office, studio or home. It is nice I can load 2 batteries, recycle a battery, etc.

However when I travel I would like a smaller charger. Does any one know a reliable portable charger for the 1Dx?

Also notice a friend the batteries in his Nikon D4. Unlike the Canon, the battery does not include the outside piece (the part of the canon battery that is closes the housing and includes the locking mechanism). In the Nikon battery you detach the outside piece and slip in onto the new battery. This makes the battery much smaller, not sure if there is a problem with outside piece becoming loose.

Overall I think this is a better solution as it makes the battery smaller for packing.

Irix Announces 15mm f/2.4 Lenses for Canon EF

HTML:
<p><em>Meet the Irix 15mm f/2.4. The photographers dream. Built by engineers and perfected by designers.</em></p>
<p><strong>The new ultra wide-angle, rectilinear manual lens designed for DSLR cameras guarantees exceptional optical performance.</strong></p>
<p>The Irix 15mm f/2.4 lens is designed to deliver the best optical performance and match full frame DSLR cameras demands. Providing a focal length of 15mm, this new lens model is ideal for outdoor and indoor photography whether it is photojournalism, landscapes or architecture.</p>
<p>From 19 to 22 March, during The Photography Show in Birmingham, TH Swiss will be premiering new family of lenses. Visit Irix at Stand No F121.</p>
<p><strong>Innovative technology

</strong>Combining capabilities specific to analogue photography with ingenious technology and solutions, the Irix 15mm f/2.4 is the perfect tool for both professionals and hobbyists. The new special features such as focus lock, infinity click and hyperfocal scale set a new level of manual lens functionality. Focus lock enables to lock the focus ring at any time ensuring the chosen settings. Hyperfocal distance scale gives information about the accessible range for depth of field for a given aperture simply and intuitively. When the focusing ring is set in the “infinity” position, there is a noticeable “click” (infinity click), making it easier to find the value without looking.</p>
<p><!--more--></p>
<p><strong>Extraordinary optical performance

</strong>The Irix 15mm f/2.4 meets the most demanding requirements of modern cameras. Thanks to sophisticated optical construction and special neutrino coating, colour aberration, ghosting and flare effects have been reduced to the absolute minimum, so the lens is ready to meet the requirements of the 50+ megapixel sensors of the newest cameras.</p>
<p>The complex optical system consist of 15 elements in 11 groups. Three of the lens elements have a high refractive index and two others have been made from extra-low dispersion glass. The construction also contains two glass aspherical lenses that are responsible for extremely high image quality and improving image brightness at edges, while minimizing distortions and aberrations at the same time.</p>
<p>With a minimum focusing distance of 0.28 meter and 9 rounded shaped aperture blades, the lens stands for supremely smooth out-of-focus areas. Working with a narrow depth of field it allows the user to fully enjoy the bokeh effect.</p>
<p><iframe src="https://www.youtube.com/embed/hzaBoZASJwk" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>Resistant to extreme conditions

</strong>Irix 15mm f/2.4 lenses are made with extreme precision, allowing them to be used in even the harshest weather conditions. Each lens is equipped with a weather sealed construction that protects the interior against dust and moisture. Thanks to inner seals they are also protected from accidental water splashes.</p>
<p><strong>Prepare for more and create

</strong>Despite its short focal length and large aperture, the Irix 15mm f/2.4 is equipped with not only a front filter mount, but also has a rear gelatin filter slot. The design of the lens allows the use of 95 mm screw-in filters at the front in the petal-shape lens hood and gelatin filters at the back of the lens. This ensures unlimited possibilities for image creation.</p>
<p><strong>Personalize your view

</strong>For the comfort of our customers Irix has created two versions of the Irix 15mm f/2.4 to meet their personality and individual taste.</p>
<p><strong>Irix Blackstone:</strong> classic design meets maximum functionality, achieving the perfect match of innovative technology. The durable aluminium and magnesium body ensures foolproof protection of your lens, even in extreme conditions. Engraved fluorescent markings that reflect the light enable easy operation in all lighting conditions.</p>
<p><strong>Irix Firefly:</strong> high quality mechanism in a handy design. Ergonomic focusing ring offers the freedom to capture the most ideal moment, whether it is big city architecture or wildlife scenery. The most lightweight lens in its class. Challenge accepted.</p>
<p><strong>Irix Swiss Design

</strong>Irix Swiss Design stands for minimalism in style while maintaining maximum functionality. It is a perfect mixture of European design combined with Korean precision. The same look and feel of all products in the Irix family. The same consistency, product packaging and complementary elements, all perfectly shaped and fitting one another.</p>
<p><strong>Ultimate precision

</strong>Each Irix 15mm f/2.4 lens leaving the factory has been properly calibrated. However, the focus calibration function provides the unique opportunity to adjust the focusing scale for a particular model of camera.</p>
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  • Locked
My very BAD Experience with CPS - Final Chapter

Hi Guys,

This is the end chapter of this thread http://www.canonrumors.com/forum/index.php?topic=29235.0

Finally got my EF 100-400 Mk II in my hands, so far, it seems to work.

Now, you wonder what happened with my lens, and I wonder too, because they explained that they had to change the first group of lenses, change the IS group and a PCB.

Am I satisfied? not at all. Yes they gave me a loaner and they fixed my lens, but something happened with it along the way and they won't recognize it. I hope the attachments go through since they won't stand behind their work. They stated the following in the memo:

- The problem necessitating this repair is not covered by the limited warranty for your product. Accordingly, this repair is being provided to you as a courtesy only. "As is" and without warranties of any kind, express or implied. Furthermore, Canon U.S.A. will not be responsible for any damage (including, without limitation, consequential damages and lost profits), cost, expense, loss or inconvenience as a result of these repairs. This courtesy repair does not and is not intended to constitute a waiver of Canon U.S.A. Inc's right to charge you for any future repairs not covered under the limited warranty for your product.

It's really amazing, I sent my lens to have it serviced, they sent it back with focusing problems and after fixing it they are washing theirs hands... After this, I'm really thinking if I should return the loaner or keep it as a warranty.

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EF 100-400mm f/4.5-5.6L IS II vs EF 70-200mm f/2.8L + 2X III

Hi,
Just packing for a trip to Argentina and trying to keep things light. Am trying to avoid taking both lenses and wanted to know how good the 200 with a 2X extender was compared to the new 100-400. Took some pictures to compare and the 100-400 came out sharper. Anyway, sharing the results in the event that it is useful to anyone else.

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Ditching Sigma 35/1.4 for Canon 16-35/4 ?

I have found a fairly good deal on a new Canon 16-35/4 IS, and i'm very tempted to go for it, for i've been missing an UWA lens since i did the switch to FF (over 2 years ago!). Right now i have the 35mm covered by the Sigma Art, which i love to use while taking pictures indoor. But sadly, if i take the 16-35/4 i can't justify owning both, so it would have to go.

The alternative would be keeping the Sigma 35mm and going for an UWA prime. This choice would be far more expensive, and will make my kit grow even more, but could be viable if said UWA would deliver better results than the Canon 16-35/4. The first that came to my mind is the Zeiss Milvus 21/2.8, but i'm open to more suggestions.

My aim is to start doing more landscape work. Right now i have a 6D and 3 lenses: Sigma 35/1.4, Sigma 50/1.4, Canon 85/1.8. Next step would be selling the 85 and getting a Canon 70-200/4 IS or a 70-300L, but i'll cover that in another topic when the time comes. ;D

100mm f2.8 IS macro - due for replacement?

I sold my Tamron 90mm macro some months ago with the intention of getting the Canon next time there was a cash-back deal. There's now a £75 cash-back here in the UK so I could get one for £544 (plus I'm off work this coming week so I'd have a new toy to play with whilst waiting on a 1DX2 or 5D4 :D).

So the question is, as I don't shoot a huge amount of macro stuff but like having one available, should I get one now or is the lens likely to get updated anytime soon? It was introduced back in 2009 and is clearly a great lens but is a greater lens not too far away? I know many also use it for portraits but I've a Sigma 85mm f1.4 for that. Hmmm, sell the Sigma too and just use the Canon for portraits and macro?

Decisions, decisions. Help!!!

EOS 5D Mark IV Update [CR2]

HTML:
We’re not shocked that the latest round of clickbait articles out there were wrong about the EOS 5D Mark III replacement being announced before The Photography Show this weekend. Though we do find the forum celebrities over on other forums to be entertaining.</p>
<p>We’ve been told that the EOS 5D Mark III replacement is slated for announcement after the EOS-1D X Mark II begins shipping in large quantities, which is at the end of April at last check. This information isn’t new. We’re also told that the next camera will get a moderate bump in resolution, but a good leap in dynamic range and ISO performance like the EOS-1D X Mark II. Again, this likely isn’t new information, but at least shows some consistency.</p>
<p>The same source has also told us that the video features of the camera will be the best in the lineup and will easily best the EOS-1D X Mark II for most filmmakers. While the EOS-1D X Mark II is aimed at photojournalists, the EOS 5D Mark IV will be aimed at filmmakers, with enough goodies to get new Canon buyers, retain old ones and get people on the path to getting into the Cinema EOS system. Apparently the plans for the video features of the camera changed about a year ago and became an important part of the development of the camera.</p>
<p>We’re looking forward to hearing more and I expect NAB 2016 will shed some light on the next full frame DSLR from Canon, though we don’t expect an announcement.</p>
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Help identifying this mount

I am trying to identify this mount. The thread is M58, but it also has a locking pin. It is on a Kilfitt Zoomatar 250mm F/1.3 lens. I'd like to find/make an adapter to Canon EF mount. Is there a name for this Kilfitt mount? I've seen some Kilfitt adapters that appear to have a hole for this pin, however, it is not clear whether they are interchangeable and none were adaptations to the EF momunt. My plan right now is to get a M58 female to EF adapter and use extension tubes to get the flange distance in the ballpark. Any info or ideas welcomed.

Cheers, Joe

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Pentax DFA* 70-200mm: The best 70-200 yet?

A guy over at DPR has already been using the new Pentax DFA* 70-200mm. Although he isn't using it on a FF K1 yet, it looks to be really impressive. Seems to have the sharpness of the Canon vII IS and the bokeh quality of the Nikon vII VR combined in one lens. It will be interesting to see how the corners perform on the FF K1.

http://www.dpreview.com/forums/thread/3978608

I love the way those images look, and they were even taken in crappy light. Super sharp details and the bokeh quality transitions nicely to a smooth and buttery background. Looks like a really high quality prime lens, IMO.

24-70mm II or primes?

Hi!

Now my professional Situation has changed and I am owner of muuuch more leisure. Reducing the working hours is really fine.
I have updated my equipment for wildlife photography. Updating my lens situation in the range from 24-70mm ist still a "to do". Primarily to photograph landscape and my children. Focus is on Image Quality.

So, I need your experience: Option 1 is to buy the 24-70II from Canon (no IS).
Option 2: I own the 24mm 2.8 IS Canon lens (I am happy with it) and the 70-200mm IS zoom 2.8 from Canon. If I buy the Tamron 1.8 35mm lens (seems to be very sharp as I read in tests) and the Sigma 50mm 1.4 Art I would own 24-35-50-70mm primes that (in tests) have an better IQ, have IS and have an better bokeh.
What would you do?

Daniela

Which magazine ratings of DSLRs and CSCs

The UK Consumer Association magazine “Which” has just rated DSLRs and compact systems cameras for the April edition. The scoring is independent of price and is 45% for IQ, 30% for ease of use, 10% for viewfinder, 10% for video and 5% for flash.

For DSLRs: #1 is the Nikon DF (but no video); 2, Canon 5DIII; and 3 Canon 700D. The Nikon 7200 is in 5th place, 810 in 6th and Canon 6D in 7th. The 70D and 7DII are not even mentioned. For the CSCs, the Canon EOS M10 is a best buy in 5th place, pipping the Olympus OM-D E-M1. (Panasonics GH4 and GX8 are 1 and 2). The overall best buy is the 700D.

Some eyebrows must surely be raised. We are not exactly Nikon and Olympus fanboys here, but give some credit where credit is due.

First Impressions: New Tamron 35mm f1.8 & 6D

After having read our friend Dustin Abbott's Tamron review and also a few others on the net, I decided to take the plunge and ordered myself a Tamron SP 35mm f1.8 Di VC USD lens ( sheesh what a mouthful!)

This is my first non Canon lens in a decade. I burnt my fingers on a sigma zoom many years ago and decided to stick with Canon...but with our declining currency, prices have skyrocketed this year and my 'dream lens' the Canon EF 35mm f2 IS has become quite a bit more pricey than I am comfortable to pay. I happened to notice one of our big local suppliers had a sale on the 35mm Tamron at about 60% of the price of the Canon & Tamrons normal price...so I took the plunge without ever having had the lens in my hand....something I promised myself I will never do...

Here are my first impressions:

1. Big and heavy

2. Feels solid and very quiet... bonus is the included lens hood

3. Definite slight hesitation before focus confirmation

4. Outer AF points on my 6D is useless and results in totally out of focus images ( even with Canon lenses the outer AF points are iffy, but with the Tamron its much worse)

5. Center focus point is the only usable AF point but at least its very accurate in good light. I haven't tested very poor light yet.

5. Lens is very sharp even wide open...I have tended to ignore the max apertures on my lenses because I just dont shoot that way but its almost like a whole new world of possibilities opening up being able to shoot at f1.8

6. Lots of CA and colour fringing wide open but it does become less noticeable as I stop down

7. Fortunately I can remove almost all of the CA and colour fringing in LR

8. LR already has a profile for the lens that takes care of the shading , distortion and CA

10. Focus was off and I had to micro adjust focus, and now it focuses perfectly and accurately

11. F11 is also still sharp enough for me

So I will probably keep it. i'm very impressed with sharpness in the center and even out to the corners although I still want to shoot a few tests to check centering etc etc. Roger Cicala from Lens Rentals also noticed very good copy to copy variation. I have returned quite a few Canon zooms in the past because I just couldn't get a good copy, so I am glad that it would seem I got a good copy for a change!

Below a shot of my two dogs playing on the lawn. Exposure 100iso 1/3000sec and f1.8 centre point AF on 6D.

Processed in LR and Viveza. LR Tamron lens profile activated and sharpened etc as per my normal post processing routine.

( We are experiencing the worst drought in 30 years- although we have had good rains the past few days - and that's why my lawn looks the way it does! )

and yes that is a boxer with a tail ...its illegal to dock tails in my part of the world...

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Does Moore's law apply to digital photography?

https://en.wikipedia.org/wiki/Moore%27s_law
As far as I know, (computer) hardware geeks are upset by the delays of the releases from Intel and by the weak competition by AMD: the latest news seem to begin to contradict the holy Moore's law.
I would like to know whether an electronic-statistic-photography expert has ever tried to check whether this law applies to photography too (with respect to frames per seconds in pictures and videos, usable ISOs, resolution etc.).
I would also like to know whether the conjunction "whether" can be used twice in a sentence or not, but that's a bit off-topic. :'(

Canon 1Dx Mark II delayed?

Found this on Canon's Japanese website - now I did use Google translate for this so I'm not sure this is accurate.

If anyone has any information on this, please share.

https://translate.google.co.in/translate?sl=auto&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fcanon.jp&edit-text=&act=url

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There's More to a Camera System Than Just the Gear

HTML:
There’s an<a href="http://petapixel.com/2016/03/14/photographer-matt-granger-ditching-sony/" target="_blank"> interesting article on PetaPixel</a> about Australian professional photographer Matt Granger and his experience with the Sony A7 cameras and the level  of support you receive when you own Sony gear in Australia.</p>
<p>His experiences seem to mimic mine in Canada, the quality of service from Sony Canada is abysmal at best. I’ve had a number of items that have needed repair, and every single one of them took more than 12 weeks to get back to me, and one of the items I haven’t seen for 6 months.</p>
<p>I  tracked all of our Canon repairs when Lens Rentals Canada was open, and 90% of the repairs done by Canon Canada took less than 2 weeks door-to-door.</p>
<p>From Matt Granger</p>
<blockquote><p>“It all comes down to <em>service</em>,” Granger <a title="" href="https://www.youtube.com/watch?v=apCc5JD4PYs" target="_blank" rel="external">writes</a>. “For many types of my work the gear itself is suitable for me. The sensors are quality. The images and video are outstanding. For other work I have never used them (rough conditions, tricky focus).”</p>
<p>“But with service like this – I just can’t use them at all.”</p></blockquote>
<p>Service isn’t going to be great every time, but it should be more often than not. In Canada, I recommend joining the <a href="http://www.canon.ca/inetCA/en/categoryHome/msegid/5/catid/4345" target="_blank">Canon Canada CPS program</a>, even if you’re not a professional, you can qualify for the Gold level of service and support.</p>
<p>The quality of image that the Sony system can produce is outstanding, but I don’t feel it’s worth being without a camera or lens for months if something goes wrong.</p>
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ac power/battery adapter - for 1 series cameras

when I sold my 1D mk III yrs ago...I forgot to include the ac adapter...I never used it....
and the guy didn't ask for it...
so ...later I thought if I get a 1D mk Iv I can use it there...
because 1D III was the las model it was included with...
so it was an option for 1D Iv... also .. for 1Dx I, and 1Dx II
(I never got the 1D Iv...settled for 5D3...liked smaller...)
and 1DX ...
so now I have skipped two gens of 1 D series..
today I took it to the photo store and made sure it worked...and worked with 1 D Iv ..
ok... so would the mk III batteries.. they are compatible up to todaqy's 1Dx II....
but slight diff affects on performance etc..

so...
no one knew the answer for sure... and I asked to have it officially asked of Canon ...from the store..

" can I use the 1D III a/c power adapter on the 1Dx mk II?"

///////////

does anyone know for sure...or what canon's position on it is..???

I do understand the 1Dx II has newer...more powerful battery...but that all the ?...1D3 onward batteries will 'fit' and work..
just want to verify the ac thing

also what happens to warranty if I do (admit to doing) this?...

I likely will never use it..
just want to know

thanks ...if you know...or where to go to findout...

Review: Zeiss Otus 28mm f/1.4 ZE Lens

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The-Digital-Picture has completed their review of the brand new Zeiss Otus 28mm f/1.4 ZE lens. This is the widest lens currently available in the Otus line which also has 55mm f/1.4 and 85mm f/1.4 offerings.</p>
<p>These Otus lenses have very limited users due to the cost and the fact that they’re manual focus only. However, for the photographers that don’t care about those two things, these lenses are amazing optically.</p>
<p>From TDP:</p>
<blockquote><p>Most apparent in the corner is the vignetting and its clearing causing increased brightness and contrast at narrower apertures. While many wide angle lenses render corners very noticeably blurred at their widest apertures, the Otus 28 holds things together well even into deep corners. I’m not ready to say that this lens is sharper than its longer siblings, but it performs at the top of its class. <a href="http://www.the-digital-picture.com/Reviews/Zeiss-28mm-f-1.4-Otus-Lens.aspx">Read the full review</a></p></blockquote>
<p><strong><a href="http://www.bhphotovideo.com/c/product/1190733-REG/zeiss_otus_28mm_f_1_4_ze.html/bi/2466/kbid/3296" target="_blank">Zeiss Otus 28mm f/1.4 ZE Lens at B&H Photo</a></strong></p>
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