sabaki, the only things affecting depth of field are focal length and aperture - no free lunch in macro world.
A 1:1 TS macro would be cool, popular with product photographers, most of whom swear by the TS-E 90 +/- extenders. I would guess that 90 to 120 mm would be the sweet spot. I would like a 300 or 400mm 1:1 macro, perhaps by having swing-in elements or a converter with glass to cover the 1:4 to 1:1 magnifications. (It would be great for those head shots of rattlesnakes and cottonmouths. Really. I currently use the 180 plus 1.4x TC, and even that is slightly closer than I would like.) It needn't be continuously focusable from infinity to 1:1, if that presents a design issue. I admit that I would like a lighter 180mm 1:1 macro with IS, but the IS would be more for the 1:3 and lesser magnification, because IS doesn't do much at high magnification. Speaking of which, I wonder how in-body image stabilization (sensor position adjustment) would work in macro. Sony A7II users?
I am not sure that any of these are truly unique. The MP-E 65, now THAT'S unique!
A 1:1 TS macro would be cool, popular with product photographers, most of whom swear by the TS-E 90 +/- extenders. I would guess that 90 to 120 mm would be the sweet spot. I would like a 300 or 400mm 1:1 macro, perhaps by having swing-in elements or a converter with glass to cover the 1:4 to 1:1 magnifications. (It would be great for those head shots of rattlesnakes and cottonmouths. Really. I currently use the 180 plus 1.4x TC, and even that is slightly closer than I would like.) It needn't be continuously focusable from infinity to 1:1, if that presents a design issue. I admit that I would like a lighter 180mm 1:1 macro with IS, but the IS would be more for the 1:3 and lesser magnification, because IS doesn't do much at high magnification. Speaking of which, I wonder how in-body image stabilization (sensor position adjustment) would work in macro. Sony A7II users?
I am not sure that any of these are truly unique. The MP-E 65, now THAT'S unique!
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