Amazing news. Who would have expected this?? I feel that this will be good for Nikon.
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Well it appears you may not know everything.It's okay. I still wuv you. On another note, this likely came out of the RED-Nikon patent lawsuit and was not something that happened organically or with great thought and effort on RED's part. Both Jim and Jarred LOVE Canon and have a personal history with their products, so I suspect they would have loved to have sold out to them, but the two companies never sat down and talked about anything as far as I know.
Maybe your assumtions were incorrect.I had thought RED and Canon had some arrangement where RED gets to use Canon’s mount and protocols while Canon gets to use their in-camera raw compression. I wonder what this will mean for Canon’s arrangement with RED. This seems like a pretty big shake up.
The biggest news is that Canon will likely lose RAW video capture capabilities.
AbsurdI guess it means that
1) Nikon has license to the RF mount.
2) RED will switch to the Z mount ASAP.
3) Canon is going to sell fewer RF lenses.
Fake news. And most likely not. As if RED is the only RAW video capture technology on the planet.The biggest news is that Canon will likely lose RAW video capture capabilities.
Of course. It is a rumors forum after all. Where else would we share assumptions, speculations and false information if not here?Now all the cinema "know it alls" will come out from beneath the rocks and weigh in with their assumptions, speculations, and false information.
Makes me wonder . . . will Nikon go to RED sensors / global shutters in the stills arena and get themselves out from under the Sony limitations?
Why wouldn't they?
I think Canon has some sensor issue for cinema lineup. They released R5C in 2022 Jan. Then they have not released any cinema cameras.Good for Canon video users. Canon don't need to hold back on their cheap cine camera any more. Release your box camera, cheaper cine to complete with Komodo and Fx30.
The shareholders get rich.I’ll admit I don’t really know the professional cinema camera market, but I’ve heard of RED, and I’m familiar with Nikon. From what little I do know about both companies, this sounds like a deal that could benefit Nikon, but it’s less clear to me how it will benefit RED.
First, they all have to figure out if it's pronounced N-eye-kon or N-eee-kon.It will be interesting to see if and how the graft will take hold, between a rather bureaucratic and conservative Japanese multinational on the one hand and a Californian quasi-sect on the other, with:
- its guru, Jim Jannard, soon to be 75, founder, majority shareholder and former chairman & CEO, who has been gradually retiring since 2013, mainly for health reasons, but is still chairman of the board,
- its deputy guru, Jarred Land, 48, CTO then CEO and finally President & CEO since Jannard's gradual retirement, and
- its disciples, not only RED's 220 employees, but also its thousands of users/followers.
While recent RED cameras can produce world-class results, the amount of operational management required to achieve such output is significant. In comparison, cameras like the FX3 or R5C are considerably easier to manage.