No 7D Mark II in 2013? [CR2]

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RLPhoto

Gear doesn't matter, Just a Matter of Convenience.
Mar 27, 2012
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That's an opinion Jrista, and I believe that getting closer to your subject always make a stronger photo. Is it more inconvenient? Sure. Impossible? I doubt it. Extremely Difficult? Sure. Why drop by a volcano when you can just shoot it from the air?

Unique Perspectives is what separates the good from the greats. Lets say You did get that shot with the A1400, and It's never been done before. Let's say shot is average, Every wildlife photographer and magazine will ask how on earth you got it? See where I'm going with this?

If you got that one unique photo, No-one would think twice about which photo is better.
 
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Krob78 said:
RLPhoto said:
jrista said:
RLPhoto said:
"I am uninterested in the notion that a good photographer can make good photos with any gear. That's NOT THE POINT!!"

That's the whole point right there but gear makes the job more convenient. ;D

No, that's not the point. It was never anyone's point. Its been YOUR point, but you've been ignoring everyone elses' point.

I'll try one last time. Lets see whether you succeed or fail at this test.

You see a Western Grebe off the sandy shore you are standing on. You are standing right at the waters edge. The Grebe some 65 feet off shore. The water out there is 10 feet deep. You have at your disposal a supercheap $109 Canon PowerShot A1400, and a 5D III with a 600mm f/4 L lens. Which camera will take the better photo?

And I don't mean something that is more convenient. I mean, BETTER PHOTO. Sharper detail. Less noise. Thinner DOF. Brighter exposure. No blur from camera shake. BETTER FRIKKIN PHOTO!! Which camera?

Let's do one better, I'll get a better shot from the A1400 wading water getting the shot closer than you will with that 600L you have.
Wading up close to a Western Grebe?? Ya, that's not going to happen... no matter how inconvenient... ::)

LOL...I got a chuckle out of that one for sure. :D

Just to prove I'm not spouting smoke and mirrors out of my rear end, as I photograph birds almost every day. Here is a "Western Grebe with a Fish" shot...at least 60+ feet off shore (maybe this one was about 90-100 feet, actually), taken with a 400mm lens and the 7D:



If I had a 5D III, 600mm lens (and probably a 2x TC, given how far off shore this grebe was)...I could have gotten a FAR better shot...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective, sharper detail, and better exposure (and thus lower ISO, less noise) than would ever be possible with the 7D and 100-400mm lens. I can't wait to get better photographic tools in my hands...I'm a fairly skilled photographer, but there is no alternative to having the best money can buy in combination with that skill.
 
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Krob78

When in Doubt, Press the Shutter...
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jrista said:
Krob78 said:
RLPhoto said:
jrista said:
RLPhoto said:
"I am uninterested in the notion that a good photographer can make good photos with any gear. That's NOT THE POINT!!"

That's the whole point right there but gear makes the job more convenient. ;D

No, that's not the point. It was never anyone's point. Its been YOUR point, but you've been ignoring everyone elses' point.

I'll try one last time. Lets see whether you succeed or fail at this test.

You see a Western Grebe off the sandy shore you are standing on. You are standing right at the waters edge. The Grebe some 65 feet off shore. The water out there is 10 feet deep. You have at your disposal a supercheap $109 Canon PowerShot A1400, and a 5D III with a 600mm f/4 L lens. Which camera will take the better photo?

And I don't mean something that is more convenient. I mean, BETTER PHOTO. Sharper detail. Less noise. Thinner DOF. Brighter exposure. No blur from camera shake. BETTER FRIKKIN PHOTO!! Which camera?

Let's do one better, I'll get a better shot from the A1400 wading water getting the shot closer than you will with that 600L you have.
Wading up close to a Western Grebe?? Ya, that's not going to happen... no matter how inconvenient... ::)

LOL...I got a chuckle out of that one for sure. :D

Just to prove I'm not spouting smoke and mirrors out of my rear end, as I photograph birds almost every day. Here is a "Western Grebe with a Fish" shot...at least 60+ feet off shore (maybe this one was about 90-100 feet, actually), taken with a 400mm lens and the 7D:



If I had a 5D III, 600mm lens (and probably a 2x TC, given how far off shore this grebe was)...I could have gotten a FAR better shot...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective, sharper detail, and better exposure (and thus lower ISO, less noise) than would ever be possible with the 7D and 100-400mm lens. I can't wait to get better photographic tools in my hands...I'm a fairly skilled photographer, but there is no alternative to having the best money can buy in combination with that skill.
I thought you'd like that Jon! So now let's see the one taken with a Canon PowerShot A1400 at 90'-100'! Nice image! ;D
 
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RLPhoto said:
That's an opinion Jrista, and I believe that getting closer to your subject always make a stronger photo. Is it more inconvenient? Sure. Impossible? I doubt it. Extremely Difficult? Sure. Why drop by a volcano when you can just shoot it from the air?

Unique Perspectives is what separates the good from the greats. Lets say You did get that shot with the A1400, and It's never been done before. Let's say shot is average, Every wildlife photographer and magazine will ask how on earth you got it? See where I'm going with this?

If you got that one unique photo, No-one would think twice about which photo is better.

Magazines don't really go for unique as the primary factor in the photos they select for print. I read a lot of magazines with wildlife and bird photography in them. A magazine editor is interested the artistic quality and aesthetic appeal first, and probably photographer reputation second. I can show you a hundred photos of Grebes, Loons, Herons, Owls, you name it. They all look fairly similar...in one way or another. Some have a unique ASPECT or two to them, but none of them are totally and entirely unique in any particular way.

The point about them is the quality and aesthetic of the shot. Does it just make you go "WOW!!" the moment you see it? Does it draw you in? Are the technical aspects correct...is the bird lit well? Is it isolated? Is your perspective appealing? Are the surroundings "clean", rather than cluttered? Is the photo engaging...is the bird looking out of the frame (unappealing), or right at the viewer (VERY appealing)? Is the birds body angled properly to the frame? Is the bird doing something interesting? What kind of emotion is there in the scene? These factors aren't unique...but they are critically important.

Those are the kinds of questions a magazine editor is going to ask you, or use if they are evaluating your photo for inclusion in an issue. They could care less about whether its totally, never-done-before unique. They care about each and every quality aspect of the photo, technical and artistic. And there ARE specific expectations for many of those aspects...perspective, depth of field, sharpness, bird pose (body and head angle), viewer engagement. They aren't arbitrary.

Trust me...some half-assed, wobbly photo taken by someone treading water with an A1400 while trying to photograph a fleeing Grebe wouldn't ever make the cut unless the magazine was all about that kind of thing... '"Unique" shots, damn the quality, give us the craziest thing you've ever done!'

You should really quit while your ahead. No, people won't think twice about which photo is better...no one will even look at the one taken with the point and shoot. Trust me...I've had enough critiques of my work in the last couple of years (of my own choice, I asked for them! :)) to know, from first hand experience, what makes a good bird photo, and what people won't even give a second glance.
 
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RLPhoto

Gear doesn't matter, Just a Matter of Convenience.
Mar 27, 2012
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www.Ramonlperez.com
Let's get back to the fundamental principle here.

A great shot from a A1400 from a never attempted perspective very close to an animal very difficult to do so, would destroy anything ever done by any super-tele + $$$$$ 1D combo. That's the principle. It's Irrelevant how its done, but that's what makes a better picture. The photographer.
 
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...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective

Well if it had been from the exact same spot, it would have had the exact same perspective! :)


So now let's see the one taken with a Canon PowerShot A1400 at 90'-100'! Nice image!

Just to throw a spanner in the works, there has been a rather well mannered thread about this kind of thing http://www.canonrumors.com/forum/index.php?topic=12154.0

I can see both sides of this argument, only a fool couldn't, or an argumentative troll who wouldn't. Some photographers can achieve amazing results with comparatively modest equipment, eg, most of these images were shot with a 5D MkII and a 50mm f1.8 http://tamarlevine.com/. On the flip side some photographers wiill always find images they can't shoot due to equipment limitations even when they are using the best currently available, eg, http://www.andyrouse.co.uk/index.php?pageno=6&link=blog&category=7 now those images, however skilled you are, could never ever be shot with a point and shoot, an SX50, or a 4x5 field camera.
 
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Krob78

When in Doubt, Press the Shutter...
Aug 8, 2012
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privatebydesign said:
...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective

Well if it had been from the exact same spot, it would have had the exact same perspective! :)


So now let's see the one taken with a Canon PowerShot A1400 at 90'-100'! Nice image!

Just to throw a spanner in the works, there has been a rather well mannered thread about this kind of thing http://www.canonrumors.com/forum/index.php?topic=12154.0

I can see both sides of this argument, only a fool couldn't, or an argumentative troll who wouldn't. Some photographers can achieve amazing results with comparatively modest equipment, eg, most of these images were shot with a 5D MkII and a 50mm f1.8 http://tamarlevine.com/. On the flip side some photographers wiill always find images they can't shoot due to equipment limitations even when they are using the best currently available, eg, http://www.andyrouse.co.uk/index.php?pageno=6&link=blog&category=7 now those images, however skilled you are, could never ever be shot with a point and shoot, an SX50, or a 4x5 field camera.
I like your spanner! And I agree! As I mentioned earlier, both sides win! It is more convenient and gear matters! Good for us!
 
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RLPhoto said:
Let's get back to the fundamental principle here.

A great shot from a A1400 from a never attempted perspective very close to an animal very difficult to do so, would destroy anything ever done by any super-tele + $$$$$ 1D combo. That's the principle. It's Irrelevant how its done, but that's what makes a better picture. The photographer.

Well, your going to have to prove that one. You need to go get that shot, then prove to me that the only thing that matters to a magazine editor is the simple fact that it's unique. Words aren't enough anymore. Your going so hard against the grain here, so far beyond the point where you could have cleanly exited this debate without all the bumps and bruises, that you now need hard, irrefutable PROOF, actual physical evidence (i.e. your A1400 photo reproduced in a prestigious magazine...oh, say, "Living Bird" of the Cornell Lab of Ornithology).

You can say whatever you want. Doesn't make it true. I don't think you quite understand what it is your debating...and are just debating for the sake of taking the contrarian position? I mean, I can't think of any reason your still continuing. You lost the debate a long time ago.

I'm not saying the photographer is not a critical factor in getting a good photo. On the contrary, that has been core to my point ever since the debate started. You are still, conveniently, ignoring my point. That even when the photographer is as skilled as humanly possible, if you put a better tool in their hands, they will have the capacity to make better photos. The PHOTOGRAPHER is still CRITICAL to that equation...and a skilled photographer, the human mind aspect here, would KNOW about all of the factors I listed in my previous answer. That skilled PHOTOGRAPHER would KNOW that an aesthetically appealing perspective and clean low-noise output isn't going to happen with a wider angle lens, while treading water, with a microscopic sensor, from a few feet away!

No one is going to care that YOU, the great and powerful "photographer", risked your camera, intruded upon the territory of a bird (in rather rude and unethical fashion), and got yourself soaked...in order to get a photo of a Grebe that was "unique". That doesn't matter. No one cares. You aren't going to be getting any props, and in a circle if other bird and wildlife photographers, or even in any group of naturalists, they would probably be quite miffed at your lack of respect for the bird and it's environment. You'd probably get stoned to death for encroaching upon the bird's bubble of comfort and making it fly away in the first place!

Again...you should really quit while your...well, there is no "ahead" anymore, RL. You don't know what your talking about anymore, and I think that is paramount to anyone still reading this thread. Quite before you dig the hole so deep you can't see the rim. It's the less embarrassing, and still honorable, thing to do.
 
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RLPhoto said:
neuroanatomist said:
RLPhoto said:
I love being devil's advocate. ;D

The gear doesn't matter, its just a matter of convenience. That's how I feel about equipment.

Fine, but a proper devil's advocate should present a cogent argument...otherwise, you're merely being contrary and argumentative.

Sure, Let's imagine that at said Olympics, your allowed to be anywhere at anytime but the catch is that your only had a 50mm and a 5Dc. Nothing more or less...

Who would get the better shots? The photographer standing in the convienent photo pit with $$$$$ in gear or the photog allowed anywhere at anytime? I'd put my money on the latter.

I wouldn't since he'd drown in the pool, bump into a gymnast and cause an international controversy, trip a sprinter and get tossed out, block a soccer pass and get pummeled by fans, etc. in each case the photog returns not only not with the best shots but with zero shots.
 
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Don Haines said:
When one follows the logic through to it's obvious conclusion, the answer is clear.

Real photographers do not use "spray and pray" because it's a cheat... you should be able to use skill instead.

Real photographers should also turn off the AF, because it's also a cheat.

Real photographers should turn of IS, it's also a cheat.

Real photographers don't look at the exposure display.... because with skill they don't need it.

Real photographers should NEVER shoot in RAW, because if they were any good the out-of-camera JPG would be perfect every time.

Real photographers do not bracket, their first shot is always perfect.

Real photographers have phenomenally high keeper rates, because every shot is perfect.

Get the point? Real photographers ignore all the tools available to them..... makes me glad I'm a hack who doesn't know enough to turn everything off.

And a 6 stop DR range sensor is good, because if the scene doesn't fit into 6 stops then the lighting is bad. So don't even bother asking for more DR you nitwits hah.
 
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privatebydesign said:
...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective

Well if it had been from the exact same spot, it would have had the exact same perspective! :)

The longer lens changes perspective. Remember, bird size and depth compression change by a factor of (Longer/Shorter)^2 when you change lenses. If you go from a 400mm lens to a 600mm lens, the bird gets 2.25x larger in the frame, and the background compresses by the same factor. Anything that "stretches out behind the bird" would stretch in a different way...and on top of that, it would be softer, more aesthetically appealing.

So no, same location, different perspective, with two telephoto lenses of different focal lengths.

privatebydesign said:
So now let's see the one taken with a Canon PowerShot A1400 at 90'-100'! Nice image!

Just to throw a spanner in the works, there has been a rather well mannered thread about this kind of thing http://www.canonrumors.com/forum/index.php?topic=12154.0

I can see both sides of this argument, only a fool couldn't, or an argumentative troll who wouldn't. Some photographers can achieve amazing results with comparatively modest equipment, eg, most of these images were shot with a 5D MkII and a 50mm f1.8 http://tamarlevine.com/. On the flip side some photographers wiill always find images they can't shoot due to equipment limitations even when they are using the best currently available, eg, http://www.andyrouse.co.uk/index.php?pageno=6&link=blog&category=7 now those images, however skilled you are, could never ever be shot with a point and shoot, an SX50, or a 4x5 field camera.

I don't disagree that a good photographer can take good photos with lesser gear. It is most certainly possible. I'm just saying a good photographer, or an excellent photographer, can usually take better photos with better gear. I'm also saying that the ability to get good photos, or any kind of photo at all, with lesser gear doesn't invalidate higher end gear. It is about more than just being more convenient. As Krob said...we get both increased convenience and better capabilities with higher end gear...so its a win/win!
 
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Krob78

When in Doubt, Press the Shutter...
Aug 8, 2012
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jrista said:
RLPhoto said:
Let's get back to the fundamental principle here.

A great shot from a A1400 from a never attempted perspective very close to an animal very difficult to do so, would destroy anything ever done by any super-tele + $$$$$ 1D combo. That's the principle. It's Irrelevant how its done, but that's what makes a better picture. The photographer.

Well, your going to have to prove that one. You need to go get that shot, then prove to me that the only thing that matters to a magazine editor is the simple fact that it's unique. Words aren't enough anymore. Your going so hard against the grain here, so far beyond the point where you could have cleanly exited this debate without all the bumps and bruises, that you now need hard, irrefutable PROOF, actual physical evidence (i.e. your A1400 photo reproduced in a prestigious magazine...oh, say, "Living Bird" of the Cornell Lab of Ornithology).

You can say whatever you want. Doesn't make it true. I don't think you quite understand what it is your debating...and are just debating for the sake of taking the contrarian position? I mean, I can't think of any reason your still continuing. You lost the debate a long time ago.

I'm not saying the photographer is not a critical factor in getting a good photo. On the contrary, that has been core to my point ever since the debate started. You are still, conveniently, ignoring my point. That even when the photographer is as skilled as humanly possible, if you put a better tool in their hands, they will have the capacity to make better photos. The PHOTOGRAPHER is still CRITICAL to that equation...and a skilled photographer, the human mind aspect here, would KNOW about all of the factors I listed in my previous answer. That skilled PHOTOGRAPHER would KNOW that an aesthetically appealing perspective and clean low-noise output isn't going to happen with a wider angle lens, while treading water, with a microscopic sensor, from a few feet away!

No one is going to care that YOU, the great and powerful "photographer", risked your camera, intruded upon the territory of a bird (in rather rude and unethical fashion), and got yourself soaked...in order to get a photo of a Grebe that was "unique". That doesn't matter. No one cares. You aren't going to be getting any props, and in a circle if other bird and wildlife photographers, or even in any group of naturalists, they would probably be quite miffed at your lack of respect for the bird and it's environment. You'd probably get stoned to death for encroaching upon the bird's bubble of comfort and making it fly away in the first place!

Again...you should really quit while your...well, there is no "ahead" anymore, RL. You don't know what your talking about anymore, and I think that is paramount to anyone still reading this thread. Quite before you dig the hole so deep you can't see the rim. It's the less embarrassing, and still honorable, thing to do.
bird and wildlife photographers, or even in any group of naturalists, they would probably be quite miffed at your lack of respect for the bird and it's environment
Well, there is that! Funny I was just thinking that right before you posted it! It is a relevant point, if not pivotal with regard to the bird side of the argument... Sigh...
 
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RLPhoto said:
jrista said:
RLPhoto said:
"I am uninterested in the notion that a good photographer can make good photos with any gear. That's NOT THE POINT!!"

That's the whole point right there but gear makes the job more convenient. ;D

No, that's not the point. It was never anyone's point. Its been YOUR point, but you've been ignoring everyone elses' point.

I'll try one last time. Lets see whether you succeed or fail at this test.

You see a Western Grebe off the sandy shore you are standing on. You are standing right at the waters edge. The Grebe some 65 feet off shore. The water out there is 10 feet deep. You have at your disposal a supercheap $109 Canon PowerShot A1400, and a 5D III with a 600mm f/4 L lens. Which camera will take the better photo?

And I don't mean something that is more convenient. I mean, BETTER PHOTO. Sharper detail. Less noise. Thinner DOF. Brighter exposure. No blur from camera shake. BETTER FRIKKIN PHOTO!! Which camera?

Let's do one better, I'll get a better shot from the A1400 wading water getting the shot closer than you will with that 600L you have.

assuming you are 20' tall AND it is not forbidden to enter the water and the grebe is blind and deaf and the other shooter is 6' tall, so yeah, fair enough
 
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RLPhoto said:
Let's get back to the fundamental principle here.

A great shot from a A1400 from a never attempted perspective very close to an animal very difficult to do so, would destroy anything ever done by any super-tele + $$$$$ 1D combo. That's the principle. It's Irrelevant how its done, but that's what makes a better picture. The photographer.

And it would destroy a close shot with a 5D3+some short lens too? Even if it was some stunning dark evening crazy glow lighting and the large sensor of the 5D3 captured more light and gave it some radical low DOF pop???
 
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jrista said:
privatebydesign said:
...from the exact same spot on shore. No question in my mind that I could have gotten a better perspective

Well if it had been from the exact same spot, it would have had the exact same perspective! :)

The longer lens changes perspective. Remember, bird size and depth compression change by a factor of (Longer/Shorter)^2 when you change lenses. If you go from a 400mm lens to a 600mm lens, the bird gets 2.25x larger in the frame, and the background compresses by the same factor. Anything that "stretches out behind the bird" would stretch in a different way...and on top of that, it would be softer, more aesthetically appealing.

So no, same location, different perspective, with two telephoto lenses of different focal lengths.

privatebydesign said:
So now let's see the one taken with a Canon PowerShot A1400 at 90'-100'! Nice image!

Just to throw a spanner in the works, there has been a rather well mannered thread about this kind of thing http://www.canonrumors.com/forum/index.php?topic=12154.0

I can see both sides of this argument, only a fool couldn't, or an argumentative troll who wouldn't. Some photographers can achieve amazing results with comparatively modest equipment, eg, most of these images were shot with a 5D MkII and a 50mm f1.8 http://tamarlevine.com/. On the flip side some photographers wiill always find images they can't shoot due to equipment limitations even when they are using the best currently available, eg, http://www.andyrouse.co.uk/index.php?pageno=6&link=blog&category=7 now those images, however skilled you are, could never ever be shot with a point and shoot, an SX50, or a 4x5 field camera.

I don't disagree that a good photographer can take good photos with lesser gear. It is most certainly possible. I'm just saying a good photographer, or an excellent photographer, can usually take better photos with better gear. I'm also saying that the ability to get good photos, or any kind of photo at all, with lesser gear doesn't invalidate higher end gear. It is about more than just being more convenient. As Krob said...we get both increased convenience and better capabilities with higher end gear...so its a win/win!

i still think you'd do better sticking to your 7D and jus tusing the longer lens on that unless you had something long enough to frame ideally with the FF and for a grebe way out there, that sounds unlikely
 
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RLPhoto

Gear doesn't matter, Just a Matter of Convenience.
Mar 27, 2012
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San Antonio, TX
www.Ramonlperez.com
I recall seeing a Nat Geo Special about how photographers could never get close enough to hyenas during a kill to video it nicely. I can't find the video (It was shown on cable) but one of them got off the truck and with time, eventually got close enough to video it. Now they said it was impossible, And I'm not a wildlife photographer.

Even so, That nat geo guy wagered that the better shots are closer. It was true, because of its extreme difficulty. They could have shot it at a distance but It didn't look as good.

It's the same that even though someone having an amazing 1Dx with a 600L, If you got close enough with that A1400 and got a great shot, It would better than those 600L shots. No doubt in my mind.

So yes, an Great A1400 shot from a unique perspective can best a 600L shot from every other perspective everyone's been shooting at conveniently.
 
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