TAF said:
Thank you, and you're welcome! As I mentioned earlier, however, the footage does look super videogame-ish when not slowed down. So use this method with caution!
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Results: Filming 720p 60fps at super high shutter speeds
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Thank you, and you're welcome! As I mentioned earlier, however, the footage does look super videogame-ish when not slowed down. So use this method with caution!
Fantastic video. The shots on the glide cam were very well done, and a fantastic job at keeping the focus at such a shallow depth of field.
Oh, and just for future reference, the 180 degree rule has nothing to do with shutter speed. It's the imaginary line between two people cinematographers use while framing shots. For example, you wouldn't begin a scene that has two people talking with the camera positioned on their left side, and the suddenly switch from one persons POV to their right side as it would look as if they suddenly were talking to the back of the other person's head. The general rule for shutter speed if double whatever your frame rate is. Be careful with bumping up the shutter speed too much on DSLRs though, as at higher levels it can create clipping and rolling shutter, which you definitely do not want.
Great job overall though. Keep up the good work!
Oh, and just for future reference, the 180 degree rule has nothing to do with shutter speed. It's the imaginary line between two people cinematographers use while framing shots. For example, you wouldn't begin a scene that has two people talking with the camera positioned on their left side, and the suddenly switch from one persons POV to their right side as it would look as if they suddenly were talking to the back of the other person's head. The general rule for shutter speed if double whatever your frame rate is. Be careful with bumping up the shutter speed too much on DSLRs though, as at higher levels it can create clipping and rolling shutter, which you definitely do not want.
Great job overall though. Keep up the good work!
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I think that, in the context of this thread, the 180 degree has everything to do with shutter speed and is well-known to mean specifically double-the-frame-rate, as is already stated in this thread.DanThePhotoMan said:
And yes, the 180 degree rule that you cite is a common rule of composition.
For future reference, you might want to clarifying the following.
It is my understanding that rolling shutter is not caused by shutter speed at all, as you seem to imply. Rolling shutter refers to how the data are read off the sensor and occurs on regardless of shutter speed or frame rate. It is most noticeable on fast motion, regardless of shutter speed. I'm also unsure of your use of the term "clipping". I have always used "clipping" to refer to loss of detail in bright objects because the sensor "clips" by reaching its RGB highest value. This is usually caused by an image being overexposed. It seems that a high shutter speed would (holding light, ISO, and aperture constant) go against clipping. But, perhaps I am unaware of another common meaning of the word "clipping" when referring to video.
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dirtcastle said:
Good luck, there is some _expensive_ equipment out there for video. Even more so than for stills, especially if you start going cinema lenses and such. I've flirted with it a bit here and there, but so far mostly stayed away unless my friends said "hey, we need your help", which really means I have a 5d2/5d3 and they want to borrow them
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Well, my apologies, but I have never in my life heard of a "180 degree shutter rule" used by a cinematographer on any of the films I have worked on.
And I did not mean that raising the shutter speed is the sole cause of rolling shutter, but from my experiences with a DSLR it seems to make it more pronounced with the higher shutter speeds.
And I did not mean that raising the shutter speed is the sole cause of rolling shutter, but from my experiences with a DSLR it seems to make it more pronounced with the higher shutter speeds.
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Drizzt321 said:dirtcastle said:
Good luck, there is some _expensive_ equipment out there for video. Even more so than for stills, especially if you start going cinema lenses and such. I've flirted with it a bit here and there, but so far mostly stayed away unless my friends said "hey, we need your help", which really means I have a 5d2/5d3 and they want to borrow them
I get the same question too!
I'm looking more at getting into the software/editing side of things: Premiere, After Effects, and DaVinci Resolve. My current work revolves around Photoshop and websites, so moving into Premiere and After Effects is a logical expansion.
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