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ordered refurbished from canon, now backordered. what to expect?

Hi all. I was able to successfully order the 24 and the 70 RF zooms when they went on sale on the canon refurb site in December. The 24-70 we received and it looks and shoots like new. The 70 I never got a shipped email so after a month I've started to look into it. The orders never did show up in my Canon shopping account (maybe because they're refurbs?) but by calling and with the order number I can get an automated response saying that it's "backordered". I'm just curious if anyone here has been through this and had success eventually receiving the backordered refurbished item. I don't need it right away, and the savings was like $650. But if its a lost cause I'll cancel and go another route. Thank you.

Third Party Lenses for the RF mount

Here is a listing of all of the available third-party lenses for the RF mount. Canon has been coming down on third-party lenses with autofocus for patent violations, so most lenses out there are manual focus only. We assume that we will see third-party autofocus lenses for the RF mount in the future.
If we’re missing any RF mount lenses, please let us know.
7artisans | AstrHori | Brightin Star | Cheecar | Fujinon | Funleader | IRIX | KamLan | Kipon | Lensbaby | Meike | Meyer-Optik Görlitz | Mitakon Zhongyi | NiSi | Rokinon |...

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Industry News: Sony announces the FE 35mm F1.4 GM

SAN DIEGO, CA – January 13, 2020 – Sony Electronics Inc. today announced the FE 35mm F1.4 GM (model SEL35F14GM) – the newest addition to its acclaimed G Master full-frame lens series– delivering first-class image quality and beautiful bokeh in a compact and lightweight design. When paired with an E-mount camera body, the lens offers Sony’s industry-leading AF (autofocus) capabilities – perfect for a wide range of uses such as shooting landscapes, portraits and street photography, for both stills and video.
“At Sony, our purpose is to fill the world with emotion through the power of creativity and technology so we designed the FE 35mm F1.4 GM to perfectly capture the moments that need to be saved forever,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “With exquisite resolution and intelligent focusing technology, all in a small, lightweight design, this is an indispensable lens...

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GPS on 5D4 --need a bit of advice?

Greetings --
With some struggles, I have managed to get GPS working on my 5D4 ... But ... not invariably. My usual workflow is to shoot, then transfer GPS logger to my card (usually SD, in #2 slot) and load onto my computer. I open in Photo Mechanic, do my rapid cull, and then import to LR where I do my fine edit. The issue is this: some of my raw files (I check EXIF) have the GPS coordinates perfectly, and some don't.
The only possible explanation I can make of it is that IF I have turned the camera off, then on later, that it takes the camera's GPS a while to learn where it is. If I shoot a bunch in a single spot, all the GPS data work.
Could this be a function of turning the camera off and then on again? I have the GPS set on 1 minute refresh, though easily cold incrase it (I have lots of batteries.)
Thanks for your advice.

Venus Optics will launch an RF 12-24mm f/5.6 lens in 2021

Venus Optics looks like they’re going to have a busy 2021 with new lenses, yesterday we reported that the company would launch a new Laowa Argus line of f/0.95 prime lenses for various mirrorless mounts, but it appears they aren’t done there.
According to Sony Addict, Venus Optics will also announce a 12-24mm f/5.6 lens for various full-frame mirrorless mounts, including Canon’s RF mount.
Laowa 12-24mm f/5.6 Specifications:

Supported formats: Full size
Focal length: 12-24mm
Aperture: F5.6-F22
Angle of view: 121.9 ° -84 °
Lens configuration: 15 elements in 11 groups (2 aspherical elements, 3 ED lenses)
Aperture blade: 5 pieces
Shortest shooting distance: 15cm
Maximum shooting magnification: 0.4x
Size: φ69.4 × 74mm
Weight: 497g
Mount: Leica M...

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Review: Canon RF 50mm f/1.8 STM by Gordon Laing

Gordon from camera labs has completed his review of the Canon RF 50mm f/1.8 STM. The “nifty-fifty” for the RF mount. In this review, Gordon directly compared the RF version to its EF brother and found the RF version to be better, but it should be, it costs twice as much.
From Gordon:
It may cost roughly double that of the EF 50mm f1.8 STM, but at around 200 dollars or pounds it becomes by far the cheapest native lens in the RF system to date, making it tempting for anyone looking for a second lens to complement an existing kit-zoom. It’s smaller than the EF version when you take a mirrorless adapter into account, and while the overall style and rendering is similar, the newer RF version is noticeably sharper across more of the frame when wide-open.
You can watch the full video review above, or you can head on over to CamerLabs for a written review with full resolution samples...

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Godox V1 Pro to have built-in cooling fan?

Godox is planning to release an update to the V1, their round-head lithium powered Speedlite. The new “V1 Pro” looks like it will have an active cooling fan to keep the temperature down during intense shooting conditions.
Lighting Rumors writes:
The successor, called the Godox V1pro (or V1 Pro), will have a similar circular zoom head, designed to give a more pleasing light pattern compared to rectangular flashguns, and able to mount colour filters and accessories magnetically. The key change will be an active cooling fan, built into the head, to mitigate overheating during long or intense photoshoots. The original V1, which is not actively cooled, faced criticism for its overheating protection, which originally caused the flash to cut out after a rapid series of shots, forcing photographers to wait for the unit to cool down before resuming operation. A firmware update changed this...

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An interview with Kazuto Yamaki, CEO of SIGMA

An interview with Kazuto Yamaki, CEO of SIGMA is always a worthwhile read, this interview is no different. They touch on everything from the history of SIGMA, corporate culture, how they’re handling the pandemic as well as his outlook for the future.
However, what you really came here for is in bold below.
It’s true that the photography market has been systematically shrinking for years – in keeping with more and more people simply using smartphones to make photos and videos. Less cameras sold also means less potential customers interested in buying a lens, which is why our short‑term strategy indeed involves a possibility of introducing lenses with new mounts – to such photography systems as Nikon Z or Canon EOS R. So far, however, the number of orders for our lenses is still above our manufacturing capacities, and especially the capabilities of our R&D department.
You can read the full...

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Button on R5 to let go-off canon remote speedlite, as same as with canon 5D Mark IV?

With my canon 5D mark IV i could let go off my canon remote speedlites 600EX-rT with strobes of light every time when i hit the depth of field preview button on my body of the canon 5D mark IV. I found this out by accident but this was quite handy as a model light when i put a magmod grid on my flash. To predict where the light will go and set-up my lights. My Mark IV bodies are sold already, so i can't check this anymore.
But i can't figure out to program a button on my Canon R5 now. Is there anybody who knows how to set this up?

Greetings,
Ronny Wertelaers Photography

Canon Helps Redefine the Limits at CES® 2021

By Fueling Collective Inspiration, The Company’s Incredible Interactive Virtual Experience Helps Inspire a Collaborative Future
MELVILLE, NY, January 6, 2021 – Canon U.S.A., Inc., a leader in digital imaging solutions, has thrived by creating innovative consumer electronics and solutions that bring mutual benefits to consumers, businesses and industries. 2021 presents a year of hope and opportunity, following a year of unprecedented limitations. At CES 2021, Canon is premiering an interactive digital experience through five unexpected experiences and innovation cornerstones to celebrate how people can use Canon products and solutions to help redefine the limits they face. Attendees can be inspired to transcend limits by capturing the marvels of space, the splendor of wildlife, and the nostalgia of a lost iconic sports setting.
“2020 was a year filled with limits. We were all faced with looking at our daily lives and figuring out the best paths to complete our professional work and...

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Venus Optics is set to announce the Laowa Argus line of f/0.95 prime lenses for mirrorless

According to Photo Rumors, Venus Optics is going to announce a trio of f/0.95 prime lenses for mirrorless mounts, including EF-M and RF.
Venus Optics Laowa Argus 35mm f/0.95 mirrorless lens (full-frame):

Focal length: 35mm
Format: full frame
Aperture: f/0.95 – f/16
Viewing angle: 63.4 °
Optical design: 14 lenses in 9 groups, including 1 aspherical, 1 ED, and 4 high refractive elements
Aperture: 15 blades
Minimum focusing distance: 50 cm
Maximum magnification: 0.1x
Filter thread diameter: 72 mm
Size: 76.8 x 103mm
Weight: 755g
Mounts: Sony E, Nikon Z, Canon RF
Price: RMB 6,000 (approx. $910)

Specifications for the Venus Optics Laowa Argus 33mm f/0.95 mirrorless lens (APS-C)

Focal length: 33mm
Format: APS-C
Aperture range: f/0.95 – f/16
Viewing angle: 46.2°
Optical design: 14 elements in 9 groups, including 1 aspherical, 1 ED, and 3 high refractive elements
Aperture: 9 blades...

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Lensrentals launches the Lensrentals Pitch Contest

Lensrentals has launched the Lensrentals Pitch Contest for filmmakers.
From Lensrentals
This year, we want to celebrate filmmakers who worked hard despite everything to make their dreams come true. Even short films take an immense amount of time, planning, and money, so we want to help make your vision a reality. And so, we’re so excited to announce our pitch contest, where you have a chance to win a $2000 Lensrentals.com credit, $1000 cash, and plenty of other prizes to help make your vision a reality.
How It Works
We’re looking for those who want to make a short film (5-7 minutes) with their original idea and execution – and all we’d need from you is your pitch. The contest runs from December 28th, 2020, until January 29th, 2021, where you have the opportunity to submit a script and video pitch of your idea to our...

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Canon to focus on security cameras and medical gear: CEO Mitarai


With news like this I expect a less diverse RF body, lens and accessory lineup, longer replacement cycles, higher MSRP and regional warranty.

To think Canon makes up more than 45% of the DSC market.

Patent: A new Canon Cinema camera appears in a related patent

Richard at Canon News has uncovered a patent showing a better wiring layout for shoulder mount Cinema EOS cameras. The best part of the patent appears to be images of a camera that is similar in design to the Cinema EOS C700, but there are a few noticeable differences.
These drawings are pretty detailed and we’ll likely see some kind of 8K shoulder-mounted camera, and this could be it.
Head on over to Canon News for a further breakdown of the patent.


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...

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An update on the Canon 2021 roadmap [CR2]

Last week I wrote about cameras that I was told were coming in 2021 by a pretty solid source. That post has brought more information about the accuracy of the information.
A couple of other sources have now told me that while that information has some accuracy to it in the middle of last year, things have changed significantly with the roadmap.
The pandemic and manufacturing challenges that are still raging have changed the plans for 2021. One source told me that the “most exciting camera coming from Canon” will be in the 2nd half of the year, which would most likely be the EOS R1 (unconfirmed name).  Other product announcements have not been finalized as the situation Canon and others are facing make it “impossible to plan too far ahead”.
It sounds like we may have to temper our expectations for 2021. I also suspect there is going to be a lot of contradictory information about product...

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Nikon is killing off its international warranty in favor of regional warranties


If Nikon is doing it when will Canon follow?

My guess it has to do with reducing overhead cost and making each operations more self reliant.

CPW warning: Purchased USA Canon CarePAK will DENY WARRANTY CLAIMS WHEN YOU TRY TO USE IT for purchases from Canada!

I have purchased 6 new RF lenses through CPW (Canon Price Watch) which got me in contact with CameraCanada to purchase those lenses at a considerable discount. I had been assured that there was a FULL USA WARRANTY with them doing this. I've received the lenses and been very happy with them, as well as being very happy dealing with George at CPW and Kedar at CameraCanada.

These lenses came with a "USA & Canada" warranty card. I registered those lenses on the Canon USA site (mycanon.usa.canon.com) including all CameraCanada information with Canada location. The site accepted this and offered a link to purchase the CarePAK extended warranty for them. I wanted to purchase a CarePAK extended warranty for my RF 100-500 L lens, and possibly other lenses or body, so I called Canon's line regarding CarePAK and after several long conversations and exchange of documentation with them they said that I could not get CarePAK for anything purchased outside of the USA, and that even if their USA website allowed me to buy the CarePAK I would be refused service from it when I later requested it.

I contacted CameraCanada and CPW, who were very kind and helpful, and were unaware of this situation. Gordon, from CPW, responded with this:

"I checked with my contact at Canon, and yes, they're not supposed to let you purchase CarePAK PLUS on a lens that was purchased from a dealer outside of the USA. Unfortunately, their systems don't seem to check this. It would be horrible to let you purchase it, then deny your warranty claim or service when you try to use it ... we'll note this for future customers. Canon works in strange ways...
Rest assured your item has the standard 1-year Canon USA warranty, as attested to by the Canon USA warranty card in the box."

While I am not happy with this situation, there is nothing I can do about it. If, in the future, I want to buy any Canon equipment which I know I will want to have additionally covered by purchasing a CarePAK for it, I now know that I must buy it from a company in the USA. But if I am comfortable without needing a CarePAK for it, then I will be very happy to buy it from CameraCanada to enjoy their friendly service and considerable discounts which they often have. In either case, I will continue to consider good discounts through CPW, and I hope you will consider them too.

Enjoy your photography, and keep safe!
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R5 - What Canon can improve for pros.

My R5 shipped late July and I've been lucky to shoot (both photo & video) many more weddings than I thought I would this year (socially distant masking wearing affairs, as well as an unfortunate super-spreader or two). It's such a phenomenal camera and I can't recommend it enough. It really is the pro-level mirrorless we've all been hoping for. But my guess is you already know that, so I thought it might be useful to touch on some of the shortcomings/annoyances I've encountered, especially compared to the 5DIV. Some of these might seem nitpicky, but that's 1. only because the camera is that good and 2. I work in a very high paced environment and how quickly I can see/change/toggle settings really matters. Thankfully, almost everything I'm about to mention can be addressed through firmware.

Top LCD Display
Canon chose form over function with its current configuration. It displays minimal information and is often harder to read. It looks new and sexy (and has cool animations while you toggle modes), but in use its utility pales in comparison to a DSLR top display. From manuals to illustrate:

1610217214556.png1610217109300.png
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On a 5DIV I can see everything with one glance. On the R5 only my exposure settings are shown, for some reason ISO is smaller/more difficult to see (I care about that setting as much as aperture/shutter), and a button press is required to toggle to a second page with more info. It's just too slow compared to pressing the shutter half-way to wake the back LCD and seeing all the info there. Further, if you're used to a 5D, here are the settings you still won't be able to see at all from the top display:
  • Remaining shots left before card is full (big omission IMO)
  • If multiple exposure is on
  • If dual-pixel raw is on
  • If GPS is on
If you're comparing the R5 with the R6, and the top LCD is pulling you to the R5, don't let it. That said, if Canon improved this, or better yet made it user-customizable with what info can be shown and how condensed, I'd change my tune.

No top mode dial / separate photo/video Mode screens
To swap back and forth between photo & video modes, you have to press mode and then press info, which is slower than just quickly spinning a top dial like on the R6. Canon lets you go into the menu and hide certain modes (Av, Tv, C1, etc.), but photo and video modes are still separate pages. As someone who does hybrid photo/video weddings, I wish we could customize the mode menu so both photo and video options appeared together. I'm often toggling between M for stills and all three custom video modes (One high frame rate, one 24fps, one in crop mode for extra reach).

Update: Definedphotography pointed out that the M.Fn button can be customized to immediately switch between photo & video modes! The camera remembers the last mode you were in for each respective option and will return to that when the button is pressed. After testing it out I can confirm switching is much faster. Strangely, this is only a customization option for the M.Fn button and not others, but the very handy "Dial Function Setting" (the M.fn default) can at least be customized to other buttons. Still, I hope Canon can update the Mode menu to allow photo & video options to be customized and shown together.

Auto ISO
Auto ISO works great if you like to use it, but I don't and I'm constantly getting bumped into the mode by accident. The top rear dial defaults to ISO and if metering is active scrolling it all the way down will stop it at 100. However, if metering is not active, scrolling it all the way down will bring it past 100 and then to auto-ISO. I'm sure many of us habitually reset ISO to 100 when going from indoors to outside, but now I can't rely on muscle memory (blindly giving it a bunch of spins to the left) and instead have to look down and pay attention more. I've spent hours in the menu looking for a disable auto-ISO option, and there isn't one. I've since disabled the dial completely and instead remapped AE lock to ISO (while held down the front dial switches from shutter to ISO). Another option is to change the metering timer (default 8 sec.) to 10 min or 30 min. (closest to always on), but I'm unsure of how this might affect battery performance.

"Unlock" option for custom button
I carry two bodies on wedding day, which dangle at my hip, and having the dials locked helps keep exposure settings from being bumped/changed. The 5DIV allows you to customize a button to "unlock" the dials while it's held down (I have it set to the DOF button) but strangely the R5 has no such custom button option. Toggling the lock button on & off is the only option on the R5, which is just slower compared to the 5DIV.

Listening to voice memos
By default the "Rate" button rates with single press and records a voice memo if you hold it down. You can customize it differently, although I like it setup this way. However, when reviewing your images, there's no way to play your voice memo in the playback quick menu. The only way to playback voice memos is to enter the menu and customize the rate button and trade the rate ability for memo playback. If you only do rates or memos just set it up that way, no big deal. But if you do both, the only way to playback memos is to continuously change what the button does. The playback quick menu needs a "play memo" option.

30 min. record limit
I know this is mentioned ad nauseum, but it really is a hinderance to my work, especially for longer wedding ceremonies. I'd love to leave an R5 unmanned up in the balcony of a church for an hour catholic ceremony. I already own multiple Canon cinema bodies without record limits (C200, C100), but because I film weddings with 4 bodies it would be nice if my C/D cam could be nice and small and save me lugging around such huge cases all day. Having a record limit in the R5 actually has me looking at trading in my XC10 towards a Sony/Panasonic camera instead of simply picking up a second R5 body.

Summary
These are the main issues I've found, and for many of you they might not even come into play. They also seem to be interface oversights rather than purposeful functionality (record limit withstanding), so hopefully Canon can fix them via firmware (fingers crossed). All that said, as a complete package, I still MUCH prefer the R5 over the 5DIV. I'll take more shots in focus with the R5, over slightly faster usability with the 5DIV, any day.
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Game Changer

I had been saving my retirement superannuation for some time in the hope of taking a trip overseas, but with the pandemic running riot, I am a lot safer where I am in NZ. So, I decided to spend my funds on a significant up grade in my kit. I went for the new Canon EOS R6 and RF lenses. I had considered the EOS R5, but the cost, plus the need to invest in the super expensive express CF cards sent me in the direction of the R6, which seemed to have all the features of the R5 that I wanted, plus dual SD cards. I don't shoot video and I don't (currently) make large details prints.

Getting hardware has proved problematic as the supply chain has been totally disrupted by changes in factory output caused by COVID. Right now we have queues of ships waiting to dock to unload, while shops are selling vaporware. I was very lucky. If found a deal with a camera store that I had been with for about 40 years: I bought my first SLRs: 2xNikon F3's and 2xCanon A-1's plus lenses from them when I first got serious about photography. They had stock and gave me a really decent price.

So, I got 2x R6 bodies, 1x EF-RF adaptor, a RF 24-105 f/4 and the RF 100-500.

For me, the results were significant improvements in shooting fast moving animals. With the lens and in body stablilization, plus the animal eye autofocus, I could track and get a much higher percentage of shots of birds on the wing that I could before. I also used my Sigma 150-600 C and 60-600 S on the bodies with the EF adapter.
View attachment 195020
Gory details: R6 RF 100-500 @ 500mm, f/8, 1/500sec, ISO-3200

The animal eye tracking was definitely an improvement over my previous shooting with the EOS 7DII and 5DIV.
View attachment 195021
R6 RF 100-500 @ 159mm, f/7.1, 1/400sec, ISO-100 This bird was really motoring, but the AAF kept it despite the intrusion of other birds and distractions behind.

I would really like to see what an R7 might do....
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Review: Canon PowerShot Zoom

Chris at DPReviewTV has completed his review of the Canon PowerShot Zoom, a unique camera (or “device” as Chris calls it). This camera is shaped like a monocular and has 35mm equivalent focal lengths of 100mm or 400mm lens, but nothing in between. You can also go into a digital zoom mode and bring the reach to 800mm.
This looks like a cool gadget to pair with a smartphone or to use as a viewing too instead of binoculars or dedicated monoculars.
There is some good and bad with the PowerShot Zoom, so check out the full review above.

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