Re: 5D Split? 5D X & 5D Mark III [CR1]
4K video pixel binned 4:1 would yield about 40 MP sensor. Aiming a single product at both videographers and high res fashion/studio/landscape shooters might seem a bit odd though from a marketing perspective. But from a technical point of view I guess it makes sense. That would leave space for the 22MP all-arounder (okay in every aspect, not king on any), not mess with the 1DX (best speed, best ISO), and the combo would be competitive with Nikon's offerings. The 22MP all-arounder would be a little bit cheaper than the D800, and the high res 4K camera would be more expensive, but probably cheaper than 1DX, unless its a pro body much similar to 1Ds. I doubt though that high res is going to be as expensive as 1Ds/D3x from now on.
If this is about true, I think most will be happy. Those that want high res (like me) are probably prepared to pay a bit more (lens cost is the major part anyway), as long as it does not feel like D800 is a much better deal. $4K would be ok. The masses want that 22MP all-arounder, and if it is a few bucks cheaper than the D800 and/or has a little bit more speed it will be ok. With good AF it will be an upgrade from the 5D mark 2.
What I'm less sure about is what 4K videographers are prepared to pay. Are they expecting 5D mark 2 pricing?
frisk said:So, shat is more likely - a 40+MP camera with decent video and a 22MP one with top-notch video (as this rumour states) OR a 40+MP camera with top-notch video and a 22MP one with decent video? I'm not 100% certain, but I am certain someone can give a good technical explanation on why one case must be more feasible than the other.
4K video pixel binned 4:1 would yield about 40 MP sensor. Aiming a single product at both videographers and high res fashion/studio/landscape shooters might seem a bit odd though from a marketing perspective. But from a technical point of view I guess it makes sense. That would leave space for the 22MP all-arounder (okay in every aspect, not king on any), not mess with the 1DX (best speed, best ISO), and the combo would be competitive with Nikon's offerings. The 22MP all-arounder would be a little bit cheaper than the D800, and the high res 4K camera would be more expensive, but probably cheaper than 1DX, unless its a pro body much similar to 1Ds. I doubt though that high res is going to be as expensive as 1Ds/D3x from now on.
If this is about true, I think most will be happy. Those that want high res (like me) are probably prepared to pay a bit more (lens cost is the major part anyway), as long as it does not feel like D800 is a much better deal. $4K would be ok. The masses want that 22MP all-arounder, and if it is a few bucks cheaper than the D800 and/or has a little bit more speed it will be ok. With good AF it will be an upgrade from the 5D mark 2.
What I'm less sure about is what 4K videographers are prepared to pay. Are they expecting 5D mark 2 pricing?
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