Re: 5D Split? 5D X & 5D Mark III [CR1]
Image manipulation in postproduction costs quality. The more pixels the better final result. Smaller images maipulated in postproduction may lead to loosing details. Picture manipulation algorithms don't work on separate pixels only but rather also consider it's surrounding.
Chuck Alaimo said:Quote from: Chuck Alaimo on Today at 07:17:51 AM
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why shoot sRaw? just shoot raw and downsize.. I never understood shooting at a quality less then your camera could provide..
Images would take up more space on memory cards, resulting in more memory card changes during a shoot. Images would take more time to download, then time spent downsampling and converting to a new file and erasing the original. Time is money...
Raw versus sRaw - This goes beyond just memory cards. How many harddrives can you afford if only shooting full sized Raw?
SRaw is fine for many purposes. I mean really, how many weddings or portrait shoots result in people wanting larger than a 20x30 print? Generally for non-art shoots, I go with sRaw on my 7D - and sometimes when i do shoot art i forget to switch back to full size RAW. I've done 20x30 prints from sRaw files, and they look pretty damn good
I suspect that I take/keep as many pictures as most, and with the RAW file from a 7D, a $100 3TB drive that stores roughly 167,000 images will last me for awhile. And the $100 is pretty insignificant in terms of photography expenses.
Just cause you can do a thing doesn't mean you have to or should! I personally like the sRAW option. I use it quite a bit. Plus, combined cost. I currently have one 16 gig, and two 8 gig CF cards - they ain't cheap (CF cards can be more pricey than a harddrive!) at sRAW, you can fit triple the amount of shots per card. Add in the extra storage cost to shoot everything in full RAW, sorry its just too much! Again, how many people are buying giant sized prints (40x60 and up) from things like events and weddings? sRAW is fine for prints 20x30 and lower...just saying...
Image manipulation in postproduction costs quality. The more pixels the better final result. Smaller images maipulated in postproduction may lead to loosing details. Picture manipulation algorithms don't work on separate pixels only but rather also consider it's surrounding.
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