TimoV said:
Mikehit, very actively shooting down all findings in this thread and seems that you don’t even own this camera? Canon troll?
Have I shot down 'all findings'? Please show me where.
This idea of 'you can only see it if you have the very best monitor' is verging on facile and reminds me of the hifi wars and the self-proclaimed 'golden-eared' audio gods - you can't hear the differences because your hifi isn't good enough, and it doesn't matter to you because you can't hear it. So pooh to you.
This thread started with the OP demonstrating some pretty extreme circumstances to show an effect most people would not notice in a long time of shooting. In the good old days it used to be called 'finding the limitations of the gear'. Now everything is 'a fault' or 'a mistake' or 'the manufacturer don't know what they are doing'. It is becoming increasingly tedious to tell the difference between a genuine concern and someone who thinks they have found something worth discussing.
If, as later posts suggest, this also happens at a 2-stop push that is much more worthwhile of investigation and it will be interesting to hear what Canon say about it.
I saw these same complaints about the 5D3 (some even claimed 'problems' because they saw banding with a 7-stop push!!!) when it first came out but that did not stop it becoming one of the best selling DSLRs for amateurs and professionals - the latter being the category who rely on this gear to put food on their table and a roof over their heads.
So maybe a more interesting question is if Canon get it so wrong, why was the 5D3 so successful?
This not about being a fanboy or a Canon shill, but being bored with over-hyping issues (real or perceived) and people seeming less willing to discuss gear but phrasing things in a way that suggests the only thing that interests them is finding 'problems' with new gear.