Mt Spokane Photography said:Exposures linked to the AF spot in all cameras would be helpful.
+1 Gajillion
A Nikon D5500 can do this, but a 5D cannot. My cell phone can do this, but a 5D cannot. Come on.
- A
Upvote
0
Mt Spokane Photography said:Exposures linked to the AF spot in all cameras would be helpful.
ahsanford said:Mt Spokane Photography said:Exposures linked to the AF spot in all cameras would be helpful.
+1 Gajillion
A Nikon D5500 can do this, but a 5D cannot. My cell phone can do this, but a 5D cannot. Come on.
- A
Mikehit said:I very rarely use exposure linked to the AF point, but I would ask how reliable is it? I think Canon has an ethos that if it is not totally reliable they often do not include it rather than give the user the option.
Mikehit said:ahsanford said:Mt Spokane Photography said:Exposures linked to the AF spot in all cameras would be helpful.
+1 Gajillion
A Nikon D5500 can do this, but a 5D cannot. My cell phone can do this, but a 5D cannot. Come on.
- A
I very rarely use exposure linked to the AF point, but I would ask how reliable is it? I think Canon has an ethos that if it is not totally reliable they often do not include it rather than give the user the option.
neuroanatomist said:Mikehit said:ahsanford said:Mt Spokane Photography said:Exposures linked to the AF spot in all cameras would be helpful.
+1 Gajillion
A Nikon D5500 can do this, but a 5D cannot. My cell phone can do this, but a 5D cannot. Come on.
- A
I very rarely use exposure linked to the AF point, but I would ask how reliable is it? I think Canon has an ethos that if it is not totally reliable they often do not include it rather than give the user the option.
It's a long-standing 1-series feature, so it seems Canon thinks it's pretty reliable.
Just to be clear, with evaluative metering the exposure is linked to the AF point, but the rest of the scene is also considered. Only the 1-series cameras can spot meter (where only the spot is considered) at the AF point, all other cameras can spot meter only in the center, so you must meter then AE lock and recompose.
Random Orbits said:I was hoping that they would have been asking these questions a couple years ago. This means that a pro mirrorless camera is still years away.
ahsanford said:Random Orbits said:I was hoping that they would have been asking these questions a couple years ago. This means that a pro mirrorless camera is still years away.
Based on the story that just dropped today here at CR:
http://www.canonrumors.com/bcn-rankings-are-out-canon-continues-to-dominate-dslrs-further-growth-in-mirrorless/
They remain dominant in SLRs and lens sales, and they are #2 in mirrorless... to an m43 company.
Apparently not having FF mirrorless isn't hurting Canon all that much at all.
- A
ahsanford said:Random Orbits said:I was hoping that they would have been asking these questions a couple years ago. This means that a pro mirrorless camera is still years away.
Based on the story that just dropped today here at CR:
http://www.canonrumors.com/bcn-rankings-are-out-canon-continues-to-dominate-dslrs-further-growth-in-mirrorless/
They remain dominant in SLRs and lens sales, and they are #2 in mirrorless... to an m43 company.
Apparently not having FF mirrorless isn't hurting Canon all that much at all.
- A
Random Orbits said:Unfortunately, what questions you ask in marketing affects the answers you get. Hopefully Canon asked enough of the right ones early enough.
hne said:ahsanford said:hne said:You can have compact f/1.4 primes on a small mirrorless FF sensor camera. Leica M + 35/1.4 or 50/1.4 is small in comparison to A7rIII with similar lenses. 6DmkII + 35/1.4LmkII added to comparison for those not familiar with the size.
...and don't forget small + fast SLR lenses like the EF 50 f/1.4 USM. Double gauss 50s can be super tiny for their max aperture.
I've always wondered how Leica got such fast lenses so small, and someone please explain if they know. Wild guess: they just use ancient / simple / tiny lens designs and spend a mint on component tolerancing to get the most out of them. Is that how they do it, or are they just really well built old designs that aren't that sharp and have all sorts of older lens optical problems like our 50 f/1.4?
- A
Seems like they're small and sharp:
https://www.lensrentals.com/blog/2014/06/comparing-rangefinder-and-slr-50mm-lenses-version-0-7/
Mikehit said:Random Orbits said:Unfortunately, what questions you ask in marketing affects the answers you get. Hopefully Canon asked enough of the right ones early enough.
When it comes to the DSLR market they have majored on asking them what would make the camera more enjoyable to use and improve their workflow (whereas Sony have majored on flashy functions).
You can argue how closely the requirements of a pro match the requirements of the general market but it seems to have worked. Whether that same logic will apply to mirrorless we will have to see.
brad-man said:johnf3f said:brad-man said:johnf3f said:"Canon Asking Select Professionals What They Want in a Mirrorless Camera".
For me - a large 3 cell battery (LP-E4N or similar), full compatibility (without compromise) on EF lenses and a Mirror! If it hasn't got an optical viewfinder and TTL viewing then it is of no use to me.
I do not think that question means what you think it means...
I think it means what pro's want out of a Mirrorless camera. I am not a "Pro" but I do use equivalent gear and shoot alongside a few, so just my thoughts. I (and they) do not lug around heavy pro cameras for their looks, we do it because of the large batteries, solid build and excellent AF - which is of limited use with an EVF.
Certainly, for other users, this may be the way to go - but for me and all bar one of the "Pro" photographers that I know it is not.
Not having a dig just trying to put things in perspective. Many are tempted by mirrorless cameras, as am I, but having tried a few the viewfinders/AF and lenses severely limit them for many uses - or virtually all uses in my personal case.
For the landscape (and similar) shooters they look very tempting - especially the newer Sony models. However they are far from all round cameras, yet. If they suit your needs then GREAT! They just cannot work for me or most of the photographers that I know and shoot with.
John, I wasn't questioning your rationale behind desiring features currently found only in DSLRs. I recently bought a 5DIV (which I love) and have no interest in a FF mirrorless camera either. I simply found it amusing that one of your requirements for a mirrorless camera was that it have a mirror.
scyrene said:TAF said:Aaron D said:Does Canon often make stupidly impossible cameras to hold?
That would describe the entire EOS M line until you get to the M5. It would also describe many of the P+S line. And I have pretty average American sized hands (glove size 9).
Of course Canon sells much of their products in Asia, where hand sizes are a bit smaller.
Ergonomics are very challenging on an international level; there really is a significant difference in size around the world.
This is entirely irrelevant to the subject at hand, but I must ask - do we have any data on this? It's often repeated, but are there any empirical surveys of hand size across different nationalities? I'm genuinely interested.
djack41 said:Way late to the party!
privatebydesign said:frankenbeans said:4K video
Seriously? From what I had seen recently pro video content creators working with the sub cinema class cameras are turning away from 4k. They do want high quality 4:4:2 high frame rate 1080, preferably with a good Log profile, they also want Canon color science and flip out touch screens, good battery life and unconstrained internal and external recording depending on their specific use in any given scenario.
As I have seen 4k is becoming less well accepted in anything but a truthfully pro production, in which case the proposed camera isn't a primary choice. Yes 4K is becoming more popular, just not in the market segment this new line of cameras will occupy.
Ditboy said:Canon is so far behind at this point they should just keep making DSLR's and focus on quality lenses. If you want mirrorless buy a Sony and use Canon glass. Or if you don't care about FF go with Fuji. I've used Canon for the duration of my 40 years in journalism. Went through the the change from FD to EOS and took a beating. I had 18 lenses and six camera bodies. I have 4 M5s in addition to a couple DSLR I can use when shooting sports. I use the M5 75% of the time. But basically the 22 EF-M is the only modern Canon lens I use. I have several of the other EF-m lenses, but I use Rokinons, and Canon FD lenses most of the time because I need something faster than f6.3.