LonelyBoy said:
If having it doesn't affect durability and 5D and 7D consumers shouldn't mind, why is the 1D any different? What means that the 1D should stay with a fixed screen?
Total guess on my part, but here goes:
1-series users these days are all
more likely (but not necessarily all) legacy 1D people (or 7D people that stepped up) that are in the field shooting high speed stuff -- not old 1Ds studio folks.
They are folks that are the most demanding physically on their gear, and that gear is far more likely to take drops, impact, collisions,
who knows (whiplash in surf shooting, rubber/real bullet fire with war/protest reportage, etc.)
They are also in the field all the time, so they have to deal with the worst temperature extremes, precipitation, etc.
So it's logical that they would see any moving bits as a threat to the invulnerability of their rigs. Again, we lack any data on this, but one would imagine a tilty flippy can't take a hit from an (American) football player run out of bounds on a tackle as well as an traditional integral screen body. Tilty-flippies work well in general use as many here will attest, but can they take
that kind of punishment?
I'm playing devil's advocate here -- I think a tilty-flippy is a high value feature that all levels of photographers would benefit from. But some folks have different priorities and may see this feature as not being worth the very very small additional risk of failure. When you are out in the s--- shooting
something like this, you may want to keep the moving bits to a minimum -- but I defer to the football sideline / desert rally racing / arctic fox chasing / war correspondents to speak to that.
- A