Canon has released its financial results for the fiscal year 2021

Canon has released its fiscal 2021 financial results, and even with all of the challenges, Canon has done pretty well and exceeded expectations in a few of its industries.
Even with the pandemic, Canon’s imaging business continues to turn a profit. Camera and lens production has obviously been affected for the last couple of years. Canon saw a reduction of 20,000 units year over year but still managed to move 2.74 million cameras, and wouldn’t have seen a decline had it not been for the pandemic.
Canon EOS R5 and Canon EOS R6 continue to be a driving force for Canon, and the Canon EOS R5 C will likely help to get new customers and to continue sales growth.
Full Canon FY 2021 Material

Presentation...


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Patent: Likely Canon CN-E 16-55mm T/2.9 Compact Zoom

Canon’s next round of announcements will likely be for more Cinema EOS gear, and I expect a lot of RF mount cinema lenses in the near future.
We do know that there are going to be RF mount versions of the Sumire line, as well as new compact cinema zoom lenses, and this could potentially be one of them.
Canon 16-55mm T2.9 Compact Zoom

Focal length: 16.50mm 27.55mm 53.81mm
F number: 2.90 2.90 2.90
Half angle of view: 42.26° 25.94° 13.98°
Image height: 14.00mm 14.00mm 14.00mm
Lens total length: 103.55mm 109.78mm 129.89mm
BF: 14.18mm 12.29mm 10.01mm

The image for this post is the Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom

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CANON R3 - FIRMWARE REQUEST

Really hoping with the R5C coming out and the firmware upgrade for the c70, that Canon rightfully gives the R3 some of these new features light Canon Raw Light in the HQ, MQ and LQ modes along with the ability to use shutter angle versus shutter speed. The R3 is priced higher then both the C70 and R5C so logically it deserves the same or more otherwise seriously wtf Canon are you saying to your market, pay more get less? Once again Canon is showing it cares very little to their consumer. Give us proper cinema tools in our cameras please

EF-M 32 or EF 40 pancake

I wonder if someone can give advise on a lens decision for my M6II.
I use the M6II mostly on short trips (cities) or when hiking (hills, mountains, rivers). Besides the obvious subjects, I also do portraits and close ups of flowers on those occasions.
I do have the EF-M 22 and the EF 50/1.8. I would like to change the 50mm to either 32mm or 40mm.
The main reason I would like to give away the 50mm is, that it is too close for me in cities. And it is more bulky than the other 2 lenses - just a little, but space is limited in my bag.
Did anyone use the 32mm and the 40mm and can give some advise on it?

Help with 8mm video copying

I have finally dug out my old Sony 8mm camcorder and a bunch of tapes of Peru and Machu Pichu done in 1988. They haven't been played in 30 years and seem to be decent for the time and my two youngest are in the footage as well as other family so now I'd really like to get them in digital form (without spending too much at least until I've assessed exactly what is actually worthy).

So, can it work for me to just set my R5 on a tripod in front of the 4K TV and record in HD? If so are there any things to try to do that would be helpfull? I wondered if I recorded in 1080/60 if that would improve the hand held shakiness aspect somewhat.

RF and EF extenders on the EF 600/4L IS II

After getting both the RF extenders to use with my RF 100-500L, I became curious about whether they would perform better than my EF MkIII extenders when used with my EF 600/4L IS II on my EOS R3. As most will know, the protruding elements of the RF extenders do not fit into the Canon EF-RF mount adapters, even the drop-in filter version that has a much wider opening. I purchased a Commlite EF-RF adapter (which has a wider opening than the other 3rd party adapters or the OEM versions), and modified it with a Dremel until the opening was sufficiently wide to accept the TCs.

The resolution charts on The Digital Picture allow comparison of the EF TCs on the EF 600/4 III with the RF TCs on the RF 600/4, but they are done with two different bodies, and that complicates interpretation. With the modified adapter in hand, I had the ability to test both sets of adapters with the same lens. Of course, being able to mount the EF TCs in front of the adapter and the RF TCs behind the adapter gave me the opportunity to test the various combinations of stacked TCs as well, which I did.

I did two sets of tests with all 8 possible combinations of TCs and the bare lens, all at the lens' maximum aperture:
  • EF 2xIII + RF 2x + EF 600/4 II = 2400mm f/16
  • EF 2xIII + RF 1.4x + EF 600/4 II = 1680mm f/11
  • EF 1.4xIII + RF 2x + EF 600/4 II = 1680mm f/11
  • EF 1.4xIII + RF 1.4x + EF 600/4 II = 1200mm f/8
  • RF 2xIII + EF 600/4 II = 1200mm f/8
  • EF 2xIII + EF 600/4 II = 1200mm f/8
  • RF 1.4xIII + EF 600/4 II = 840mm f/5.6
  • EF 1.4xIII + EF 600/4 II = 840mm f/5.6
  • EF 600/4 II = 600mm f/4
For both sets of tests, I used the same enhanced ISO 12233 charts than Bryan uses for the TDP tests, which test resolutions up to 4000 lw/ph. The first set of tests was performed in the same way the TDP tests are done, by changing the distance from the camera to the subject such that the 3:2 region of the chart fills the frame. Note that for the 1.4x and bare lens shots, I needed to switch to a larger chart because the smaller one was closer than the MFD – that resulted in a change in the lighting but the charts themselves are printed such that the resolutions shown are independent of chart size.

Below are the first set of results. I cropped larger regions than Bryan does (about double the size). The image below is scaled down for upload here, the full size version that shows 1:1 crops can be viewed HERE.

EF+RF extender tests_constant framing-reduced.jpg

The second set of tests were a more 'real world' approach similar to that used here by @AlanF to test lenses and extenders. For those tests, the distance was kept constant, which is more relevant for something like bird photography where you can only get so close to the subject and must rely on extenders and/or cropping. For these tests, the distance was ~10 m / 33', which was the distance needed to fully frame the smallest test chart (~150 x 100mm). The image below is scaled down for upload here, the full size version that shows 1:1 crops can be viewed HERE.

EF+RF extender tests_constant diatance-reduced.jpg

As expected, stacking two extenders results in a loss of sharpness. However, the 4x magnification increase with the stacked 2x TCs results in about 3x the resolving power of the bare lens. It will be interesting to see how that translates into real-world subjects that benefit from higher magnification, the moon for example.

Looking at comparisons more relevant for everyday use, the EF and RF 1.4x TCs deliver very similar performance. The EF version appears very slightly sharper in the center, the edges are equivalent. There is a noticeable difference between the EF and RF 2x TCs on the EF 600/4 II, with the EF 2xIII delivering sharper results in the center and periphery. The RF 2x actually performs pretty much identically to the two 1.4x TCs stacked (which yields the same final 2x magnification as the 2x TC). Also, though it's not evident from the crops, the RF 2x introduces a noticeable level of barrel distortion that the EF 2x does not. I wonder if that's in keeping with Canon's other RF lenses that leave substantial barrel distortion in the optical design in favor of digital correction (note that I would not consider the RF 2x to have substantial distortion, but it is evident).

For my personal use, I'll stick with the EF TCs when using the EF 600/4 II on my R3, possibly with the RF 2x added behind the EF 2x when I want the maximum focal length I can achieve.
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Newbie Lens Questions

Hell everyone,

Was hoping you could help answer some general lens questions that I have. To start, what justifies the price different between two lenses with the same focal length?

E.G Canon RF 50MM F 1.2 USM ($2299.00) vs Canon RF 50MM F 1.8 STM ($200.00). There is a massive price difference here (and size difference) but both are RF lenses. Where is the extra $2k coming from? Same example with the 24-105mm in USM and STM and the 85mm USM and STM. Each have massive price differences.

Second question is, what is a Macro lens? I understand the functionality of the Macro lens, but can it be used for both super close photos and also regular photography? Could I use an 85mm Macro lens for close up photography and portraits? Or does it have one function? And how do you know it’s a macro lens? Is it simply the macro designation that defines it? I see 85mm macro and 85mm USM DF without a macro designation. What makes one a macro over the other?

Thanks so much in advance. I understand these are basic questions but I’m finally trying to get down to basics and understand what differentiates one lens from another.

R3 Electronic Shutter Cycles Counted

This thread is just an FYI for R3 users.

I discovered that the Shutter Count app (available for MacOS) counts the R3’s electronic shutter “actuations/release cycles”. I’ve not used the mechanical shutter once on the camera, but I’ve taken approximately 7,200 Electronic Shutter images. The Shutter Count app reports the shutter count as less than or equal to (<) 8,000.

Interestingly, the R3 itself doesn’t show Electronic Shutter actuations. Going into the R3’s menu (wrench icon, tab 5) and to “System Status Display”, the shutter actuations are shown on my camera as less than or equal to (<) 1,000. This is consistent with my non-use of the mechanical shutter, as actuations are only shown in 1,000-shot increments. In other words, I believe the R3, through its own menu and logging system, is only showing mechanical shutter actuations/release cycles.

This is interesting for two reasons:

1. It shows that Canon’s software is actually recording BOTH Electronic Shutter and Mechanical Shutter actuations, even though you, as the user, are really only meant to know the Mechanical Shutter actuation number (in 1,000-shot increments).

2. Don’t go by Shutter Count’s actuation estimate when reselling the camera and a prospective buyer asks about the camera’s shutter count.


I also found a post on DPReview where an owner of two R5’s encountered this issue while using the Shutter Count app. One of his R5’s was showing both his Electronic Shutter and Mechanical Shutter usage combined, and the other R5 was solely showing his Mechanical Shutter usage.

This individual wrote to the developers of Shutter Count, and the developers responded with the following:

"Unfortunately we can't correct what Canon screwed up. Also, corrupted counters will stay this way even if Canon fixes the bug (which seems to be done in firmware 1.4.0), and future actuations are tracked properly. Please note that if you haven't used the fully electronic shutter, then the counter you get will naturally represent the mechanical one."

You can see the thread here:

https://www.dpreview.com/forums/thread/4616410#forum-post-65717905

I checked my R5, as well, having read the above thread. The Shutter Count app reported my Mechanical Shutter usage accurately (< 3,000); I know it’s accurate because I’ve taken tens of thousands of Electronic Shutter images with my R5, and relatively few Mechanical Shutter images.

Curiously, the R5 does not have the “System Display Status” menu that the R3 has. The only shutter count available through the camera is within the Battery Status menu, and that only shows how many shots have been taken since the last full battery charge.

From what I’ve found online, the “System Display Status” menu is reserved for Pro Bodies; the 1DX, 1DX Mark II, and 1DX Mark III all have the “System Display Status”, too. According to the 1DX and R3 manuals, the “System Display Status” menu’s purpose is to check the camera’s serial number, firmware version, shutter release cycles, and the Error and Caution Log:

https://cam.start.canon/en/C010/manual/html/UG-07_Set-up_0350.html


It’s possible that the same bug in the R5’s firmware (as reported/alleged by the developers of Shutter Count) is present in the R3’s firmware. It’s also possible that Shutter Count has not been updated to properly register the R3 yet, and its current way of reading the shutter count is to combine both Mechanical and Electronic Shutter actuations. Regardless, I thought this information was interesting and decided to pass it along.
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EOS M series flawed

Hi Everyone
Just joined, first post….
Been a canon user since 1992
Went dormant for 10-15yrs
Then a work colleague heavily into URBEX kick started my interest….

A few months ago I decided to buy a few canon M cameras
(Used) M50 & M100
Picked up several of the M lenses (again used)
My normal cameras are a mixture or 5diii, 6d/6dii
80d, 7dii etc etc
Whilst I welcome the much smaller package and superb optics ( M32mm 1.4)
I cannot believe they omitted a standard cable release WTF!!
Yes yes, the BR-E1 but geez, another gadget that takes super common button batteries that are easy to source on a whim - not!!
I’m so disappointed that canon are forcing their long term loyal customers to depend on Bluetooth simply as a way to trip the shutter remotely.
Ridiculous, to the extent I probably won’t be going the R route. My unfashionable flappers maybe old hat in todays world but as a tool for taking stills it seems the modern mirrorless has much to learn.
If I may, I love the flash on the M100 that allows it to be tilted back for bounce….why oh why can’t canon use this on R series??
it would again avoid the need to ensure the separate flash in the bag, the batteries were ok, extra batteries just in case…..
My god, what a palava when all I wanted was a catchlight, fill flash etc etc.
I’m starting to see now why so many walked away.
The DSLR’s were and are superb
But the crippled mirrorless series are beyond a joke.
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What’s next for the Canon Cinema EOS line?

When I first reported back in May, 2021 that a Canon EOS R5 C was coming, I was also told about new versions of the C300, C500, and C700 Cinema EOS cameras. The joys of the pandemic hit and it seemed everything for the Cinema EOS lineup was stuck.
This is what I reported on back in April of 2021.
Canon Cinema EOS C300S

8K Super 35mm
8K/60p, 4K/120p in all modes
BSI Stacked 3.2um 8K DGO Sensor
Dual Pixel Autofocus
16 Stops Dynamic Range in DGO Mode
10ms Readout in 8K DGO Mode
Dual DIGIC DV 8 Image Processor

Canon Cinema EOS C500S

8K Full Frame
8K/60p, 4K/120p in all modes
BSI Stacked 4.65um 8K DGO Sensor
Dual Pixel Autofocus
17+ Stops Dynamic Range in DGO Mode
10ms Readout in 8K DGO Mode
Dual DIGIC DV 8 Image Processor

Canon Cinema EOS C700DR

4K Full Frame
4K/240p in Fast Mode, 4K/180p in WDR Mode
BSI Stacked 9.6um 4K WDR Sensor
20+ Stops Dynamic Range in WDR Mode
5ms Readout in 4K WDR Mode...

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Post R3 deliveries in Europe here

It seems that Canon has quite a backlog in serving the EOS R3 to the European market. I think it would be good if we can post information across Europe about deliveries (or lack of it), to understand if/when deliveries are starting to happen.

I'll start out with Denmark: the two pro dealers got a single camera each for the pre-orders on release day (2021-11-26). I just called the dealer where I preordered, and they told me that they have received neither further cameras nor information about when they will get any :(
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The R5's viewfinder turns off after a few seconds.

Hello, after the last software update 1.5, I noticed that you can no longer configure the viewfinder to be switched off for 3 minutes or unlimited. The problem also exists with the 1.4 software. But I still didn't notice it. is there anyone who is on the software version 1.3.1 can check if it still works there. For me, the viewfinder shuts down after 10 seconds. This is very annoying because it wastes valuable time. Please also report it to Canon Service! So that they get more pressure to fix it in Japan. Thank you!

greetings Frank

Adorama is hosting a Canon EOS R5 C Live Panel Review today at 3 PM EST

Adorama will be hosting a live event via Facebook to talk about the Canon EOS R5 C. You do not need a Facebook account to watch the event.

THURSDAY, JANUARY 20, 2022 AT 3 PM EST


Canon EOS R5 C Live Panel Review

Join Seth Miranda (@lastxwitness) and a panel of Canon experts Ryan Snyder, Paul Hawxhurst, and Eric Stoner to overview the latest digital camera from Canon.
Preorder the Canon EOS R5 C Body $4499

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ImageGraph Pro 300 A3 printing DPI from Capture One

Greetings, I have the ImageGraph Pro 300 and some Canon FA SM1 A3 Fine Art Paper 310 g/m as a wee treat to myself to start getting images directly out from my Nikon Z9 to my wall without the fuss of sending them off.

In Capture One the default is to give me a A3 300 DPI 16bit TIFF file which I send to Canon's Professional Print & Layout application and then it wants a rather generous margin before printing. The quality looks rather great though not as rich and in your face as the sample pack of glossy (which is to be expected). My question then is are these the right settings for this paper? Do I need more DPI for the fine art paper?

New Nikon 400 mm 1:2,8 Z TC VR S with built in telconverter - for Z9

Nikon announced an 400mm 2.8 lens with an built in teleconverter. 560mm at f4.
Under 3kg.

Would be an nobrainer for wildlife if made by Canon.
Proud pricing. But an welcome fast lens.

R5C or R5? Not sure now..

Hey everyone,

I am fairly new to photography and videography and plan to invest in my first proper camera. I have wanted the R5 since it came out but was always concerned with overheating issues. My goal is to get into photography as a side gig for real estate and just personal photos from my road trips. And then also to get into video as part of my drone company for capturing interior real estate shots and maybe eventually more, but for now real estate mainly.

As a 2022 side hobby, I’d also like to do some handheld Vlogging and posting to YouTube. Of the R5 and R5C, which would be my best option? I had pre-ordered the R5C this morning but then cancelled when I realized it has lack of IBIS. This is a concern for me as I don’t own a gimbal and don’t intent on getting one just yet..

Should I re-order? Or go with the R5? Wanted some objective views from the professionals here!

New Canon EOS C70 Firmware Update Answers The Top Demands of Professional End-Users

MELVILLE, NY, January 19, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced a firmware update for the EOS C70 4K Digital Cinema Camera that implements sought after features such as Cinema RAW Light internal recording as well as Frame and Interval recording modes. The added features allow the EOS C70 to be better paired with the EOS C500 Mark II and EOS C300 Mark III workflows, and come as a direct result of end-user feedback from professionals.
Cinema RAW Light Internal Recording
The addition of Cinema RAW Light internal recording to the EOS C70 camera further enhances the recording capabilities of what’s already a powerful digital imaging machine. This compact cinema camera can now capture 12-bit Cinema RAW Light internally to compatible SD cards. Cinema RAW Light captures the widest dynamic range from the Dual Gain Output sensor (16+ stops total) and allows the most flexibility to grade captured content. Three quality settings of Cinema RAW Light...

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Canon officially announces the Canon EOS R5 C

MELVILLE, NY, January 19, 2022 – Imagine having the best of both worlds at your fingertips. A Canon camera with equal parts video and still digital imaging power, all in one compact-and-lightweight package. Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the EOS R5 C Full-Frame Mirrorless Camera, a hybrid, RF-mount 8K camera that has something for everyone. The new camera showcases video formats and features from the company’s award-winning Cinema EOS line, alongside select still capabilities that have made the EOS R5 camera a popular and trusted choice among imaging professionals and enthusiasts alike i.
“Imaging professionals are living in a multimedia world. Gone are the days of only needing to be sufficiently equipped and skilled at video or stills,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies...

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Preorder the Canon EOS R5 C

You can now preorder the Canon EOS R5 C.
Canon EOS R5 C Key Features


Video control for the dedicated video professional
Supports 8K/60P Internal RAW Recording
Internal Cooling Fan Enables Non-stop 8K/60P Recording
Expanded Interface for Professional Needs
Carries on the Ergonomic EOS Design
Full-featured 13 Assignable Buttons
8K Sensor and DIGIC X Processor
Internal Cinema RAW Light up to 8K/60

Preorder the Canon EOS R5 C Body $4499

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Here are some Canon EOS R5 C specifications

Here are a lot of official specifications for the Canon EOS R5 C from Canon.
Compact and lightweight, the EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still capabilities of the EOS R5 camera in a beautifully designed body. The EOS R5 C is a complete package that offers filmmakers, multimedia journalists, and advanced amateurs a cost-effective 8K, 4L, and FHD camera to help unlock their creative potential.
Canon’s 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera’s superb image quality, which also leads the way for an impressive 8K/60P RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive continuous capture at speeds of up to 20 frames per second and with Dual Pixel CMOS AF II capability to track split-second movements of even...

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Canon 5D IV Firmware defective???

Since upgrading the firmware on five of my 5D IV bodies it's impossible to get a crisp tack focus image. It doesn't matter if it's on autofocus or manual.
Best I can get is around 80%. It's worse on my 70-200mm lenses than 50mm.
Anything far away is completely unusable now....
Has anyone else experienced this? I feel like it's semi blurry just looking through the viewfinder.
I didn't experience any of this prior to upgrading.
Has anyone else upgraded to the last couple of firmware's and had focus issues?

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