Canon Rumors said:...though we did have some luck and could have easily been shooting with a 24-70.
neuroanatomist said:Canon Rumors said:...though we did have some luck and could have easily been shooting with a 24-70.
Indeed...my wife and I were there about 10 years ago, lucked out by drawing the best-habituated Susa Group (of Dian Fossey fame) for our first trip up the volcano. Or maybe it wasn't luck, the night before our local guide brought his friend around for a beer with us – his friend was the head of the Rwandan National Park Service. Regardless, we did get quite close...
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One of the adult females even rested her hand on my wife's shoulder as she walked past us.
Here's one more from that day...
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neuroanatomist said:Canon Rumors said:...though we did have some luck and could have easily been shooting with a 24-70.
Indeed...my wife and I were there about 10 years ago, lucked out by drawing the best-habituated Susa Group (of Dian Fossey fame) for our first trip up the volcano. Or maybe it wasn't luck, the night before our local guide brought his friend around for a beer with us – his friend was the head of the Rwandan National Park Service. Regardless, we did get quite close...
One of the adult females even rested her hand on my wife's shoulder as she walked past us.![]()
YuengLinger said:dash2k8 said:I think images cannot truly reflect what this camera is capable of in the field. Any experienced wildlife shooter on this board could have taken these images with an earlier body and the same lenses. I'd like to hear the editor relate how the 1DX2 has made things easier or obtained images in previously impossible situations.
These are wonderful portraits taken with a brand new camera. They speak for themselves, revealing much not only about the subject, but also about the empathy, intelligence, and vision of the photographer.
They also enrich the viewer.
Thanks for sharing these!
AshtonNekolah said:+1 And I for 1 could careless what that guy has to say.dslrdummy said:This is frankly nonsensical. As is a lot of what Tony Northrup produces. I've owned both. The 1DXii is so far ahead of the 7dii, it hardly warrants discussion. As it should be at the price. The 5DSR is not a wildlife camera, full stop. Try photographing a leopard on the move at night at 8000 iso with it.R1-7D said:I feel like while these are astoundingly great images, they could have been better. Tony Northrup says the 1DX 2 is not the best wildlife camera and the 5DSR with its 50 MP and the 7D2 with its crop sensor can deliver just as good or better shots.
Still, though, wonderful pictures! Beautiful animals.
dash2k8 said:YuengLinger said:dash2k8 said:I think images cannot truly reflect what this camera is capable of in the field. Any experienced wildlife shooter on this board could have taken these images with an earlier body and the same lenses. I'd like to hear the editor relate how the 1DX2 has made things easier or obtained images in previously impossible situations.
These are wonderful portraits taken with a brand new camera. They speak for themselves, revealing much not only about the subject, but also about the empathy, intelligence, and vision of the photographer.
They also enrich the viewer.
Thanks for sharing these!
That tells me nothing about the camera, though. As I said, many of us could have gotten these with a 7D2. What I was asking for is real-world input on what this camera brought to the table that other cameras don't already. So far I've only read about fast and accurate AF, and would love to hear more.
dash2k8 said:YuengLinger said:dash2k8 said:I think images cannot truly reflect what this camera is capable of in the field. Any experienced wildlife shooter on this board could have taken these images with an earlier body and the same lenses. I'd like to hear the editor relate how the 1DX2 has made things easier or obtained images in previously impossible situations.
These are wonderful portraits taken with a brand new camera. They speak for themselves, revealing much not only about the subject, but also about the empathy, intelligence, and vision of the photographer.
They also enrich the viewer.
Thanks for sharing these!
That tells me nothing about the camera, though. As I said, many of us could have gotten these with a 7D2. What I was asking for is real-world input on what this camera brought to the table that other cameras don't already. So far I've only read about fast and accurate AF, and would love to hear more.
R1-7D said:Eldar said:Second example; ISO12800, same edits as above.
Exactly, there's no point to the 1DX2 anymore unless you need framerate and the focusing system. Tony Northrup said it first.
Lovely cat!
+1 If you don't see the difference between Craigs images and those flat looking images than go and find another hobbyclicstudio said:Sorry to say and I don't mean disrespect... But those images can't even compare to Craig's. They look flat, over processed and there are a lot of flat highlights and lack of sharpness... Out of this world? Maybe out of this country... Nothing like the quality of the 1DX II... Again. Just my opinion as a viewer.mistercactus said:Did the gorillas in Rwanda last october, with 5DSR, 7D2 and 5D2, here's a little selection:
http://photo.net/photodb/photo?photo_id=18142910&size=lg
5DSR in these circumstances was just brilliant & produced images that are just out of this world. For me, there's no better body for the job. Paired it with 70-200 2.8 IS II most of the time. For gorillas, the crop 7D2 was great but too tight, better for distant elusive chimps & birds. The 5D2, while still producing good quality shots, just made me want to kill the guy who designed its AF. RIP, it died over there in the rain...
clicstudio said:mistercactus said:Did the gorillas in Rwanda last october, with 5DSR, 7D2 and 5D2, here's a little selection:
http://photo.net/photodb/photo?photo_id=18142910&size=lg
5DSR in these circumstances was just brilliant & produced images that are just out of this world. For me, there's no better body for the job. Paired it with 70-200 2.8 IS II most of the time. For gorillas, the crop 7D2 was great but too tight, better for distant elusive chimps & birds. The 5D2, while still producing good quality shots, just made me want to kill the guy who designed its AF. RIP, it died over there in the rain...
Sorry to say and I don't mean disrespect... But those images can't even compare to Craig's. They look flat, over processed and there are a lot of flat highlights and lack of sharpness... Out of this world? Maybe out of this country... Nothing like the quality of the 1DX II... Again. Just my opinion as a viewer.
And the two of you could take a basic course in etiquette and normal courtesy, before you make another comment ...ykn123 said:+1 If you don't see the difference between Craigs images and those flat looking images than go and find another hobbyclicstudio said:Sorry to say and I don't mean disrespect... But those images can't even compare to Craig's. They look flat, over processed and there are a lot of flat highlights and lack of sharpness... Out of this world? Maybe out of this country... Nothing like the quality of the 1DX II... Again. Just my opinion as a viewer.mistercactus said:Did the gorillas in Rwanda last october, with 5DSR, 7D2 and 5D2, here's a little selection:
http://photo.net/photodb/photo?photo_id=18142910&size=lg
5DSR in these circumstances was just brilliant & produced images that are just out of this world. For me, there's no better body for the job. Paired it with 70-200 2.8 IS II most of the time. For gorillas, the crop 7D2 was great but too tight, better for distant elusive chimps & birds. The 5D2, while still producing good quality shots, just made me want to kill the guy who designed its AF. RIP, it died over there in the rain...![]()