R5 detailed lens testing of RF 100-500 f4.5-7.1 vs. RF 800 f11, with & without RF 1.4x TC, for super-telephoto use.

*** PART 1 ***

A fellow R5 user, AlanF, and I enjoy taking photos of birds, sometimes at far distances. We've been wondering how the IQ (image quality) of the RF 100-500 f4.5-7.1L (with or without the RF 1.4x TC) compares to the RF 800 f11 on the R5 for super telephoto shots. I think it was AlanF that suggested that I consider doing a comparative test on them, since I had all of those items, and could do my own test of the IQ of these lenses on the R5, comparing (initially) 500mm, 700mm (500mm & 1.4x TC), and 800mm.

AlanF had suggested that a quantitative test was needed so that the resolution of the lenses could be measured as well as providing images for contrast and overall IQ. He suggested a test chart from Bob Atkins, which I looked at but thought it didn't have the fine resolution that I was hoping to find. So I continued looking online and found another chart, from Erlend Rønnekleiv, that had more detail. I thought I could improve on it, and so I used AffinityPhoto to re-arrange the pieces of it together into a more compact form with more detail in the same space. Erlend gave me permission to use & post this rearranged version, which is:
erlendReworkedChart.jpg

I taped this chart, printed on 8.5" x 11" paper, onto some wood and positioned the camera & tripod 6 meters away. I used a laser measure to ensure the chart was centered in the camera view and was exactly perpendicular to the camera. The 800mm f11 was just past minimum focal distance and viewed the whole test sheet plus just a little extra. Then I took photos at the same distance with it and the RF 100-500 f4.5-7.1L (with and without the RF 1.4x TC). For each I took 5 photos, 1 AF'd in the center and 1 AF'd as far as I could get to the 4 corners. In looking at all 4 corners of the images in their respective photos, they seemed to me to be the same as it was when AF'd in the center, so I only need to show the center AF'd photo from each.

I used DXO PhotoLab4 standard profile, set white balance, and used deep prime only to output tif files, which went to Affinity Photo, where I cropped the center of each (and the original test chart) at 1:1. Note: I did not adjust all white levels to the same brightness (which I'll do next time). So don't worry about them having different brightnesses.
Here they are, for:
original test chart, 500mm, 700mm(500 & 1.4x), and 800mm
testChart_center.jpgA02_0011_center.jpgA02_0006_center.jpgA02_0001_center.jpg

The #lines resolved per sensor height is:
N * 6 * 5464(R5 sensor pixel height) / A
where N is the #(number) on the chart where you get the limit of resolution (N >> 40 (the max on the chart), so I used 40 below)
and A is the #pixels in the photo between the indicated test pattern line start & end, which is:
for 500mm: 1,355
for 700mm: 1,904
for 800mm: 2,340

So, the #lines resolved per sensor height is far greater than these numbers:
for 800: 560
for 700: 689
for 500: 968

So, at this relatively near focal distance, the chart still does not have enough small resolution to properly measure the resolution of the lenses.
Taking photos from further away would solve this, but this was just the initial test I did to see how everything worked.

I'd like to mention that there were many posts between us regarding these results, and further ideas regarding them. AlanF had many great insights into the results and had suggestions on how better to write up the results which I could post for the general CR community. It took a while for me to go through the next steps, since I had other pressing things at home to do and, well, sometimes I pause one task to do other ones. This post and those that follow are a revised summary of what we both came up with, and I hope that it's much more informative and enjoyable for all of you to see.

It occurred to me that I could probably create a higher resolution chart (lines closer together) from scratch using AffinityPhoto.
So that is what I planned to do, which will become Part 2 (next).
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R5 files purple/magenta wrong...

Hi everyone!

I’ve got a Mac mini M1 and a LG Ultrafine 5K to edit my R5 files shot with either RF50L or RF85L. I use a few different WB tool like grey card, when I’m out shooting. I bought a new Spyder X Pro calibration device and I’ve used a ColorChecker passport for as long as I can remember. I thought maybe my CC was too old, so got a new one, the v2, and it’s the exact same result...

Even with correct wb and custom profiles on a calibrated screen all my shots are basically purple. My kids looks like they’re out of air and I can’t figure out what causes this.

I changed my computer when I bought the R5 and my old calibration device doesn’t work on M1. Never had a issue like this with my 10 year old iMac with 10 year old color checker and the cheapest calibration device.

Are any of you experiencing this too?

How can I check if the camera just turns all files blue even if wb and everything all the way through is calibrated? I’m going mad...

thanks!

New Canon Cinema lenses coming in 2021, including the first RF mount CINE lenses [CR3]

It looks like Canon is going to be busy with their line of Cinema lenses in 2021, with a couple of new lens sets.
First up, Canon will be replacing the current Compact CINE-ZOOM with a new set that covers both S35 and full-frame image sensors. These lenses will work in a similar way to the Angenieux EZ series of cinema lenses which allow you to change the rear group of elements for either S35 or full-frame sensors. These lenses will be available in both PL and EF mount.
Secondly, Canon will be releasing a CINE PRIME set for the RF mount.
A few people have asked about autofocus CINE lenses, but I don’t know what the challenges would be to make such lenses. I haven’t heard anything about autofocus coming to the CINE line.

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Confirmed, a Canon EOS R5c is going to be announced this year [CR3]

I reported last week that an EOS R cinema camera would be coming in the future. I have now confirmed this to be true, and we should expect an announcement in late 2021 with availability in early 2022.
The camera, which we are calling the EOS R5c will be equipped with the same image sensor as the EOS R5 and will have all of the same recording options.
The big news? It will be a slightly bigger body with active cooling and it will also remain a hybrid camera for stills shooting.
The EOS R5c will also come with C-Log 2.
More to come…

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New feature firmware coming to the EOS R5, EOS R6 and EOS-1D X Mark III in the next couple of weeks [CR3]

I have been told that the new features firmware for the Canon EOS R5, Canon EOS R6 and Canon EOS-1D X Mark III is “done” and will be released in the next couple of weeks.
The EOS R5, EOS R6 and EOS-1D X Mark III will all get C-Log 3 and new compression for 4K video.
The EOS R5 and EOS-1D X Mark III will get a Cinema RAW Light option.
The addition of 1080p @120fps will definitely be coming to the EOS R5 as well.
As always with any firmware, a bug could be found that may delay things, but by the sounds of it, the firmware is going out to testers and reviewers relatively soon if it hasn’t gone out already.

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Industry News: Sony announces the Sony FE 50mm f/1.2 GM

SAN DIEGO, CA – March 16, 2021 – Today, Sony Electronics Inc. unveils the newest addition to its G Master full-frame lens series – the FE 50mm F1.2 GM (model SEL50F12GM) – delivering excellent resolution and dramatic bokeh known to Sony’s G Master line, industry-leading AF (autofocus) capabilities and professional control and reliability in a compact and lightweight design. The lens’s maximum F1.2 aperture combines an impressive shallow depth of field for maximum creative expression with incredible light gathering capabilities, allowing for faster shutter speeds and lower ISO in low light settings, making it ideal for portraits, wedding photography, video and more.

“We’re excited to introduce our 60th E-mount lens – the FE 50mm F1.2 GM – which delivers a new level of expression and usability for still images and video as an F1.2 lens,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony...

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Canon introduces webcam starter kits for the EOS RP and select EOS M and Rebel cameras

Canon has introduced webcam starter kits for the Canon EOS RP and select EOS M and Rebel cameras. You will still need the Webcam Utility Software from Canon, which is free.
The kits include an interface cable, a DC couple and an AC adapter to make the cameras a bit easier to use as a webcam.
Canon EOS Webcam Accessories Starter Kit for EOS RP $159 (Includes)

Canon AC-E6N AC Adapter
Canon DC Coupler DR-E18
Canon IFC-100U Interface Cable (39.4″)

Canon EOS Webcam Accessories Starter Kit for EOS M50, M50 Mark II & M200 Mirrorless Cameras $89 (Includes)

Canon AC Adapter CA-PS700
Canon DC Coupler DR-E12
Canon IFC-600PCU Interface Cable (3.3′)

Canon EOS Webcam Accessories Starter Kit for EOS Rebel T3, T5, T6 & T7 DSLR Cameras $89...

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Canon U.S.A. Launches a Line of 4K UHD PTZ Cameras Ready For Integration Into a Variety of Environments

MELVILLE, NY, March 17, 2021– Designed for use in a wide-range of applications in broadcast, education, house of worship, sports, and corporate environments, Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to introduce the company’s first line of 4K UHD PTZ cameras – the PTZ and CR-N300 for indoor live-streaming and the outdoor CR-X500.
This new line of cameras capitalizes on Canon’s digital imaging and operational expertise from both professional camcorders and network cameras. This enables the cameras to not only deliver brilliant 4K imagery thanks to Canon’s CMOS sensors, DIGIC DV 6 Image Processor, and optical zoom lenses, but also smooth pan, tilt and zoom functionality that allows for on-air camera movement. The new indoor PTZ cameras support various video interfaces, including HDMI, IP, and 3G-SDI, and are also compatible with popular live production protocols like NDI|HX®, RTMP and more. The new outdoor PTZ camera supports 12G-SDI, and includes...

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Total Frustration with R5 video and exposure compensation

Am I missing something in settings?

Is there a way to lock exposure comp from clip to clip?

Currently if I leave the camera on AV, and dial down 2/3 of stop, the second I end that clip it resets back to 0.
I used one camera as the main on a tripod and then wandered and shot dozens of short B Roll clips with the R5 had to re set the plus/minus exposure comp after every clip!!


thanks,

Is this a FD lens, or modified?

HI all,

A friend came across that appears to be a Canon FD lens, 400mm f/2.8.
I'd mentioned this on a previous thread asking about adapter.

I finally got 2 adapters in today, one for adapting FD to EF lens mount, and another for adapting FD to Fuji GFX mount.

I've tried both adapters and neither come close to fitting and locking onto the FD lens.

I've never seen a FD mount before and so far, I've not had a lot of luck looking online for pictures of FD lens mounts.

I've taken some pics, can anyone here let me know if this is a FD mount, or, as I suspect, possibly someone along the lines has altered this lens for a different mount, which I have read was something folks have done in the years between the EF mount switch and mirrorless cameras which are more readily adaptable.

If you recognize this has been altered from FD, if you have ideas on what mount it might be altered to, please let me know your thoughts.

Thank you in advance,

cayenne

tempImagePtGm9K.pngtempImagefkVI16.pngtempImageLy9Krj.pngIMG_6071_web.jpg

Canon to announce two new cameras this week? [CR2]

I was just told that Canon will be announcing two new cameras this week in new segments for the company. I haven’t heard a peep about what these two cameras may be.
I also don’t know offhand what new segments Canon could be entering.
I have reached out to others to see if they have heard anything.
Update: It looks like the two cameras have internal model numbers starting with “DSC”, which is usually reserved for PowerShot and EOS M.
Update #2: I have been told that Canon will announce new PTZ cameras that will cost around $4000 USD. This isn’t a new segment for them though, but their current offerings are $10,000 USD and up.
More to come…

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A new camera not named the R1 is coming in the 2nd half of 2021 [CR2]

We have been talking about an EOS R1 for quite some time now, and with Nikon formally announcing the development of the Z 9, that will put a bit of pressure on Canon to do the same.
A source with a pretty decent track record has reached out and told me that an exciting new RF mount camera is coming early in the 2nd half of 2021, but it won’t be the R1. Canon doesn’t have a launch date yet as they continue to battle supply chain issues, but they want to get it out as soon as possible.
Could this be the high-resolution version of the EOS R5, or something else?
The R1 will likely get a development announcement, but won’t be available until the first half of 2022 at this point.
More to come on this…

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Canon R5 VF jitter

Anybody faces this behaviour ? when I use the camera in low light with high iso ( 4000 or more ) and low shutter speed ( under 1/100 ), the viewfinder start to jitter when panning left/right or up/down, the back screen looks normal, I tried 120 hz for viewfinder but I keep jittering.
the more iso up or slower shutter the more the jitter become clear.

i'm using many EF lenses with the adapter. and the RF 35mm 1.8

after experiments I noticed that the adapter has nothing to do with this behaviour because I tried my EF 85 1.2 and it works fine, and when lowering the ISO is works fine

any suggestion or explanations?

DIY Optical Spot Attachment

For a little over a year now I have been searching for a good optical snoot for my studio flash heads. I have tried and tested a range of optical snoots and have been generally very disappointed with their optical quality.

The US$3000 Broncolor Optical Spot attachment was the one I had the most hope for.


Very sadly it had the worst optical quality of all. The ‘shadows’ it created through it’s projection weren’t true shadows at all. Darker than the main beam, but you could clearly see the hard light from the projector hitting the subject. This ultimately defeats the purpose of using such an attachment for creative beauty shoots (my intended use). As the shadows were ‘tainted’ for lack of a better word. There was also quite a bit of chromatic aberration. And light spilt out all around the edges of the beam. Essentially this extremely expensive attachment proved useless except for use as a background pattern projector.

9D0B9991-1F9F-4121-892B-FDA51A1E35C1.jpeg
The next one I tried was much cheaper and something I found on EBay. AU$300.

B0455521-BCAC-4039-8C56-487CADA2A23A.jpeg
Unfortunately the beam of this attachment was very dark, heavily vignetting and I was unable to create any sharp edges with a gobo or cutters. It may work well with other flash brands, but I returned it as it just didn’t work as advertised with the Broncolor.

After all of this disappointment, I decided to do what others have done and try to create my own DIY optical spot attachment with some tried and true optics that I know would create a clean beam, and true, sharp shadow lines. This lead me to the Dedolight DP1.1

D9FBAE7C-7653-4B67-A83A-08F78C8841C8.jpeg
This projection attachment is essentially perfect optically speaking. Almost 0 CA, very sharp shadows, good light transmission, lightweight and well made. No complaints.

Luckily the diametre of the bottom end of this projector is 76mm (3”) which is perfectly the same as the top end of the Broncolor Snoot.

6ACEF78C-1E7C-4B49-92E2-4CA11362B886.jpeg
So now all I needed was a way to attach the two of them together. The answer was some 3 1/8“ high temp silicone hose with hose clamps to secure everything in place. The silicone was a perfect fit over the second ‘rib’ of the broncolor snoot and could be pushed over the complete end portion of the Dedolight projector creating a very tight secure fit with no drooping etc.

Here is the end result:

D16BF271-D9E2-479A-9D5F-1B706AB1D81D.jpeg

I am currently using the frosted glass dome on the flash head but no other diffusion on the end of the snoot. This gives the projected image some vignetting.. but should be easy enough to correct with a few tweaks... here is a quick and dirty test result:

F3648F5E-4014-40D3-B5F3-05E55690C944.jpeg

True shadows, and quite sharp! Finally good enough for some creative beauty photography using sharp shadow lines etc.
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Patent: Canon RF 200mm f/2L IS USM and other Big White Lenses

It’s no secret that Canon is going to announce a slew of RF mount super-telephoto lenses later in 2021. Which ones will come first remains a mystery, but I’m quite happy to report that Canon has finally patented an RF 200mm f/2L IS USM optical formula, a lens I would be over the moon about when it gets officially announced.
I haven’t yet seen an...

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RF 70-200 F2.8 lens "need expert opinions and peace of mind"

I just got a semi used RF 70-200 2.8 len from guy in jersey city union city nj area today for less then 2300
and I noticed when I got home the lens rattles/wobbles a little nothing severe YET, but is that NORMAL? and like how the R5 shakes when its off and etc are these shakes/rattles/wobbles NORMAL or should i get it checked somehow?

RF 35 f/1.8 or RF 50 f/1.8 ?

Well, the title says it all!

Are these two lenses of equal quality? The 50mm is a lot cheaper, but is it only because of the lack of a dedicated focus ring? Are there other factors at play, here, beside the consumer niches into which Canon wanted to place them?

My local camera store has just reopened, and my money wants to visit it to buy my second RF lens (the first being the 24-105 f/4 kit lens that came with my RP).

Any advice?

Patent: Canon RF 100mm f/2 IS STM Macro

The RF mount is obviously missing macro offerings, but I expect that to change in 2021. Here we have an interesting patent for a macro optical formula uncovered by Canon News.
An RF 100mm f/2 IS STM would definitely be a welcomed and cost conscience lens for RF mount shooters. If this does become a consumer product, it’ll be very interesting to see what they do with an RF L Macro.






Canon RF 100mm f/2 IS STM





Focal Length...

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