Threads

Ozarker · Mar 29, 2015

Well, it looks as though the 5D mkIII price is really dropping and most everything I have read about it (reviews and this forum and a pro friend) is extremely positive. I've decided it is time to sell all my EFS lenses and my T5i that I've almost never used. That's all going to KEH, and the quote I got is comparable to what I have seen the Camera and lenses selling for on Ebay.

I'm even going to sell my EF 400mm f/5.6L to help me get the 5D MKIII, but I refuse to sell it for the initial online quote price that KEH offered ($635). That's just not enough for me. I see them getting actual bids on Ebay for up to $900 and mine is in mint condition and only about a year old. To be honest I love the lens, but If KEH quoted $800 it would be in the box and on its way because I want the EF 400mm f/2.8 mkII in another year or so anyway.

Has anyone else sold one of these lenses recently or know of a good way to sell it and get a decent price? I'm not faulting KEH on their quote. They probably have a warehouse full of used lenses they have to store. I just think I can do better than $635.

I've never sold any gear, so I am open to suggestions. Thanks!

Mardave8080 · Mar 28, 2015

Hi All,

First post here so please go lightly and forgive any technical incompetence on my part.
I've been a photographer for some 40 years but only recently moved into the digital realm and found it refreshed the creative joy I used to feel all those years ago.

Landscape photography is my main thing but I also shoot wildlife (deer, foxes etc) and the occasional portrait. So far I've been using a crop sensor Canon 650D with the intention to move to FF and have already invested in some EF glass in readiness (L24-70 f2.8ii, L70-200 f2.8, older L100-400 f4.5).

Image quality (lower noise) is the main reason for looking to move to FF and the 5D III has been on my shortlist for some time (despite shooting mainly landscape I don't feel the AF system on the 6D offers me enough scope for other subjects) BUT the new 5DSR has thrown me, as it seems to offer everything I could ever need for landscape plus newer features that would suit other subjects (better tracking and the option for 1.6 crop when needed for greater reach).

My question is: If chose the 5DSR and I used the full fat 50MP just for landscape but chose to use one of my custom settings for wildlife and used the 5DSR on M RAW (28MP) how would you expect the noise to compare with the 5D III set to RAW (22MP)?

I should say, most of my landscape shots are low ISO and my wildlife ones are rarely above 6400 but I sometimes have to crop them more, so noise becomes an issue.

I'd welcome some technical insight into how the two cameras/settings might compare.

Thanks, Mark

Jemlnlx · Mar 28, 2015

Hi Everyone

Taking a trip down to Washington DC for Easter Weekend...Cherry Blossoms!!!

I have a 5D III and a G1X (wife will be manning/womanning?).

I have a... 16-35mm/4 IS, 24-70mm/2.8 I, sigma 50mm/1.4, 70-200mmf/4 IS, 100mm/2.8 non IS, and a 300f/4 IS.

I am definitely taking the 16-35mm/4 and the 300mm/4. I figured wide angle for most of the time, since most of the attractions/scenery are up close. The 300mm is specifically for the zoo, which I hear is great and am looking forward to.

Any and all advice and recommendations are appreciated.

JumboShrimp · Mar 28, 2015

Would this be the ultimate dream accessory, or what?

Feasible? Who knows? But I think it is "possible". The IS Unit would receive specific info from the mounted lens and then make IS adjustments peculiar to that lens. Light loss? Probably some, perhaps 1/4 stop? IQ loss? Again, perhaps some, but if it would use fluorite ($$$) and/or UD glass, then it would be minimal. Worth it? As our good friend Surapon has said, "I'd buy 12!"

fishprof · Mar 28, 2015

I shoot a Canon 7D, mostly static subjects such as dragonflies, spiders, and perched birds. I use back-button AF and typically a single focus point placed as close to the eye of the subject as possible. I am usually handholding or monopod mounted at 200-300 mm with IS lenses and I try to keep shutter speeds roughly equal to or at least ½ my focal length. I am set to high-speed continuous shutter release and AI-Servo. I acquire focus with the back button (AF-ON) and keep the button depressed while I activate the shutter and fire off a burst of 3-4 shots.

When I look at the 3-4 exposures within a burst on the computer monitor, I see subtle differences in focus sharpness. What is happening when the subject is not moving under a single AF point? I assume one possibility is that I am moving the camera slightly from one exposure to the next within a burst. If that is the case, does the camera try to refocus for each exposure within a burst or is it locking exposure when I first depress the AF-ON button and retaining that same focus during the entire burst? If the camera is trying to refocus between shots within a burst, would I be better off using slow speed continuous burst rate to allow it more time to adjust focus?

I think I understand what AI Servo is trying to do when the subject is moving or when there are multiple AF points activated and focus is being handed off from one point to another. It is less clear to me what is happening when I am using a single AF point on a static target. Should I be using AI-Focus mode for this kind of work rather than AI-Servo? Am I making this more complicated than it really is? Thanks for your help.

PS – does your answer also apply to the 7DII, which I hope acquire in a few months?

Jasz · Mar 28, 2015

Hi everybody

I am thinking of changing my old 70-200mm 2.8L Mk. 1 out with the new Mk. 2... is that a waste of money ?

Has anybody seen some decent tests on the internet where the mk.2 is compared to the Mk. 2

Looking forward for your replies

Jasz · Mar 28, 2015

Hi everybody

I am thinking of changing my old 24-70mm 2.8L Mk. 1 out with the new Mk. 2... is that a waste of money ?

Has anybody seen some decent tests on the internet where the mk.2 is compared to the Mk. 2

Looking forward for your replies

surapon · Mar 28, 2015

Dear Teachers and Dear Friends.
I do not have Flash 600 EX-RT and ST-E3 RT which use 2.4 GHz RF. to control External New Flash RT system. The QUESTION, Sir, Madam = Do 600 ET RT, 90 EX and ST-E3 RT have Both RF 2.4 GHz and Optical Control in the units to control Old Canon flashes such as 550 EX, 580 EX, 580 EXII-----ETC ?
Thanks you, Sir. Have a great weekend.
Surapon

Magnardo · Mar 28, 2015

Hi everyone,..
I need some opinions.

When Canon came up with the 5D Mark III, I made the switch from Nikon to Canon and bought a bunch of Canon gear.
Canon 5d MArk III, CAnon 7D, Canon 580 Ex flash, Canon 430ex Flash, Canon 85 1.2, Canon 135 F2, Canon 100 2.8, Canon 40 2.8, Canon 35 f 1.2, Canon 17-55 F2.8IS.

The Canon 7D was bought in March 2013.
Was mainly intended for back up.
I did not use it much. Maybe less then 500 shutter actuations.
Mainly it sat in weather sealed bag.
In November 2014 we went to Hawaii for vacation and I decided to bring the 7D with the 17-55 for the vacation photos.
When we got there the camera had developed a depression and would not turn on.
I checked it at home , before departure, and only thought the batteries were dead and that was the reason.
Had two batteries, fully charged them both, none would turn the camera on.
I called Canon and they told me to send it in.

They told me that the circuit board is bad and needs to be replaced for $569.
I complained that the camera has barely been used , never dropped, and mainly kept in a sealed bag.
Only left the house twice.
They could check the shutter actuations which should prove that.
The only way this camera could break is if there was something faulty to begin with, and that, in turn, makes it their responsibility.
They said that they checked with their repair people and told me that the camera's circuit board can also stop functioning, if submerged under water.
I told them that it is very easy for them to check if there is water damage and I will guarantee there is none.
That's the first thing they do at an Apple store if you return an Apple phone and it takes them 5 minutes.
I am sure Canon has the same technology.

Then the operator got back on the line and said they will take the $219 off for labor from the repair price but that's the best they can do. Also claimed that cameras break due to condensation. Ended up paying for it because otherwise it would be a paperweight.

Now,.. A camera sold for $1500 by Canon.
A camera that is professional weather sealed.
A camera that was barely used. Around 500 shutter actuations.
A camera that was stored in a professional weather sealed Tamarac bag.
How could it break?

You have to pay for repair costs of $350 reduced as a courtesy from $569.
....For a camera that right now gets sold by BH for $750.
How is that fair?

Forget about the lost memories that were lost by trusting on Canon reliability and the quality of their products.

HOW CAN ANYONE BUY OR RECOMMEND CANON PRODUCTS TO ANYONE THEY DO NOT HATE?

Perio · Mar 28, 2015

Lensrental.com posted an interesting comparison of Canon 200 2.0, 70-200 2.8ii and 200 2.8 vs. similar lenses from other manufacturers and among each other.

http://www.lensrentals.com/blog/2015/03/just-the-lenses-the-great-200mm-shoot-out

Enjoy!

Mt Spokane Photography · Mar 27, 2015

I was sad to say good bye to my 135mm L this morning. It was my most used lens for two or three years before I bought my 24-70 MK II and my 70-200mm MK II lenses. Those along with my 5D MK III caused it to sit in my bag for the last year or two, so I finally sold it.

I've been reducing the number of lenses I have for the past 8 months, so I'm down to only five plus two TC's. That's not counting a bunch of old EF consumer lenses laying out in a box in my studio.

I'm tempted to buy one of the wide angle lenses, but I never used my 16-35mm f/2.8L, so I've resisted acquiring more.

expatinasia · Mar 27, 2015

Finally got my hands on the 11-24 and 16-35 f/4 is and to be honest I wish I hadn't.

People have written about the weight of the 11-24, but I fell in love as soon as I held it. The lens just oozes quality and when you take your first shots with it, you have the same reaction as you do when you first shoot the 1D X - just wow! The weight balances perfectly on the 1D X (I did not try it with a different body) and is a joy to use.

I loved everything about the 11-24 (except the price), and once you have played with it for a while, the 16-35 seems like a kit lens. Which of course it isn't, as that too produces amazing results - it's just not in the same league.

So a word of warning, that 11-24 may be pricey but she can steal your heart very easily.

xps · Mar 27, 2015

Found at www.sonyalpharumors. com

My personal belief is, that - if this sensor appears on the market, it woud be a game changer in designing hq-lenses.

http://www.sonyalpharumors.com/brand-new-sony-patent-shows-cuved-sensor-ff-camera-with-35mm-lens-and-some-variations/

Canon Rumors · Mar 27, 2015

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Friend of the site Dustin Abbott has completed his review of the brand new Samyang 135mm f/2 ED UMC manual focus lens. Dustin came away thoroughly impressed with the optics of the $549 Samyang, and thinks it’s better than Canon’s 135mm f/2L in that regard.</p>
<p>As always, the review is a good one with lots of sample images, as well as a video version of the review. As always with Samyang lenses, it comes down to whether or not you’re willing to sacrifice focus aids such as autofocus and focus confirmation (for Canon) for great optics and a lower price.</p>
<blockquote><p>I would be happy to own this lens – no question.  The question is whether or not I would choose it over a lens like the Canon 135mm f/2L despite the fact that that the Samyang beats the pants off it optically.  As an owner of the 135L, I can’t say that I am personally compelled to make that switch.  But if you are in the market for a 135mm f/2 lens and want both better optics and a cheaper price, this lens is worth a very long look.  It has the ability to produce images that are amongst the finest possible with this focal length.</p></blockquote>
<p><a href="http://dustinabbott.net/2015/03/samyang-135mm-f2-ed-umc-review/" target="_blank">Read the full review</a> | <a href="http://www.bhphotovideo.com/c/product/1110689-REG/samyang_sy135m_c_135mm_f_2_lens_for.html/bi/2466/kbid/3296" target="_blank">Samyang 135mm f/2 at B&H Photo $549</a></p>

Philshoz · Mar 27, 2015

I always like the feedback you guys give on here.

I have a 7D and 40D and want to know what you would recommend for a lower priced first full frame body please.

Don't need video, fast fps or high ISO, just want it for good light landscapes.

I was thinking a 5D MKII.

Thanks in advance.

Canon Rumors · Mar 27, 2015

HTML:

<p>A new video leaked today showing prototype technology that looks to potentially solve focusing for video. A Commercial and bts from Dustin Poteet – MoVI operator – demonstrates technology from Redrock Micro on a Canon 5D MKII that continuously tracks focus on any subject and between subjects. The prototype seems to use Redrock’s existing microRemote wireless remote focus and microTape sonar rangefinder hooked together. This is billed as a “proof of concept” that is better than Canon’s own dual pixel because it works on any camera and lens, focuses on any type of subject (not just faces), works under any lighting conditions, and has a “very fluid and organic feel to it.”</p>
<p>There were no specifications about the technology in the video, but I suspect we’ll be hearing more about it next month at NAB.</p>
<p>BEHIND THE SCENES VIDEO</p>
<p><iframe src="https://www.youtube.com/embed/gMv_JnVrutw" width="100%" height="390" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>THE COMMERCIAL</p>
<p><iframe src="https://www.youtube.com/embed/zOw7StsPMJ8" width="100%" height="390" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="http://store.redrockmicro.com/" target="_blank">Visit Redrock Micro</a></p>

sulla · Mar 27, 2015

Dear all!

My problem: I want to capture tiny tiny droplets (a few dozens micrometers) of a fluid which are moving quite fast. I know this will be a difficult task, this will be at the limit of the resolution of the lens and the sensor, The droplets could turn out as small as a few pixels in diameter, but I would like to get a rough measure of their size.

My setup: For this I shall take my macro lens (EF-S 60 or MP-E 65, not sure yet) and a 600 speedlite set to 1/128 power in a backlight setup. This will give me roughly a flash duration of 1/40.000 of a second or 25 microseconds. Motion blur should then be limited to some 10-30 pixels (at 1:1 magnification) on the sensor of an EOS 60D. (I expect to get motion-blurred streaks of droplets, then.)

Question: I expect the lighting to be quite weak. If I were to use both of my 600 speedlites via the ST-E3-RT trigger, do you think they would fire in synchronisation? i.e. they would have to fire within some 10 microseconds of one another. Do you think this kind of sync is possible? If they don't, I would get double-images of my droplets.

I fear the sync will not be of the required precision.

thanx for your help and judgement,
Sulla

surapon · Mar 27, 2015

http://cpn.canon-europe.com/content/yourspace/newsletter/newsletter_march_4_15.do?utm_source=newsletter_march_4_15&utm_medium=email&utm_campaign=Newsletter

Enjoy.
Surapon

Canon Rumors · Mar 26, 2015

HTML:

TOKYO, March 26, 2015—Canon Inc. announced today that the Company’s interchangeable-lens digital cameras (digital SLR and compact-system cameras) have maintained the No.1 share worldwide in terms of volume within the interchangeable-lens digital camera market for the 12-year period spanning 2003 to 2014.<sup>1</sup></p>
<p>Canon develops the key components, namely the CMOS image sensors, image processors and interchangeable lenses, employed in its interchangeable-lens cameras. The most advanced of these technologies are incorporated across the Company’s entire product lineup, spanning from professional-use flagship cameras to entry-level models, enabling the Company to maintain the top global share by offering a robust product lineup that effectively responds to the needs of a wide range of users.</p>
<p><!--more--></p>
<p>In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D Digital in other regions). This groundbreaking camera, which featured a compact, lightweight design and was offered at a competitive price, set the stage for growth in the digital SLR market and enabled the Company to capture the top share of the global market. Since that time, Canon has continued to launch epoch-making new products, including the EOS-1D series of digital SLR cameras targeting professional users, and the EOS 5D series, which paved the way for digital SLR video recording thanks to its full-frame sensor employing a video-capture function.</p>
<p>In October 2014, targeting advanced-amateur users, Canon launched the EOS 7D Mark II, which has garnered high acclaim from the market for its fast continuous shooting speed of 10 frames per second and superior autofocus performance. It is thanks to Canon’s impressive camera lineup, including the EOS 7D Mark II, that the Company has maintained the No. 1 share in the market for 12 years running. Furthermore, in April 2014, Canon celebrated an impressive lens-manufacturing milestone with the production of its 100 millionth EF-series interchangeable lens for EOS cameras. The Company’s extensive EF lens-series lineup, which currently comprises a total of 97 models,<sup>2</sup> is one of Canon’s biggest strengths, helping the EOS series to realize a wide spectrum of imaging possibilities and rich visual expression.</p>
<p>Aiming to further strengthen its wide product lineup, Canon introduced five new camera models in February of this year. The new lineup comprises the EOS 5DS and 5DS R, which achieve the world’s highest pixel count among 35 mm full-frame sensor digital SLR cameras,3 the EOS 8000D (EOS Rebel T6s or 760D) and EOS Kiss X8i (EOS Rebel T6i or 750D in other regions) entry-level digital SLR cameras, and the EOS M3 digital compact-system camera, which achieves greatly enhanced AF performance.</p>
<dl class="list list02 clearfix small">
<dt>1. Based on a survey by Canon.</dt>
<dt></dt>
<dt>2. Includes EF Cinema Lenses.</dt>
<dt></dt>
<dt>3. As of February 6, 2015, based on a survey by Canon.</dt>
</dl>

Canon Rumors · Mar 26, 2015

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<p><i>Highlights Include Shooting Galleries, Live Speaker Sessions, Extensive Lens Exhibits, Full On-Site HDR and DI Suite, and the Canon Theater </i></p>
<p><b>MELVILLE, N.Y., March 26, 2015</b> – At the 2015 NAB Show in Las Vegas, NV, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional, high definition imaging equipment for motion picture, television production, video content creation, and still photography at booth C432. During the 2015 NAB Show, Canon will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colorists and editors in a 4K HDR (High Dynamic Range) and DI (Digital Intermediate) suite. Visitors will also have the opportunity to demo the full range of Canon Cinema, HD Video and DSLR cameras, Cinema Lenses, including the Cine-Servo 50-1000mm T5.0-8.9 lens and Broadcast HDTV lenses, such as the new HJ24ex7.5B HD ENG lens, through various simulated shooting situations in three different shooting galleries. Canon will also feature a 4K frame-grab demonstration where professional photographers will utilize the Canon Cinema EOS-1D C camera to deliver still images from 4K video.</p>
<p><!--more--></p>
<p>Live educational sessions will demonstrate the benefits of Canon’s Dual Pixel autofocus technology for various shooting scenarios. In addition, images taken with the new EOS 5DS 50.6 megapixel high resolution Digital SLR camera will be printed on site on the imagePROGRAF iPF8400 printer, and displayed as wall wraps to highlight the detailed and high quality images that can be taken with the new DSLR.</p>
<p>Throughout the 2015 NAB Show, Canon will host a series of unique stage presentations with renowned cinematographers, broadcast specialists, and filmmakers on the Canon Live Stage. These industry professionals will provide insight into the ever-changing field of optical and imaging technology and showcase their projects and works that were shot using Canon equipment, as well as share best practices and real-world applications for utilizing Canon technology.</p>
<p>Highlighting the Company’s strength and achievements in the realm of optical technologies, Canon will exhibit all 125 of its current EF, Cinema and BCTV lenses. This dedicated optics section of the booth will include technology displays to help educate visitors on the intricate systems that help make Canon lenses such powerful tools.</p>
<p>Show attendees are also welcome to view stunning clips of recent award-winning content shot on Canon Cinema EOS equipment in the Company’s 90-seat Theater.</p>
<p>Canon 4K Reference Displays will be featured throughout the booth, including a non-linear editing system demonstrating the display’s compatibility with various digital cinema camera solutions as well as ACES color grading capabilities.</p>
<p>Professional cinematographers in need of a fast, easy way to print images for scene continuity or to preserve highlights of a recently completed project will appreciate learning about the convenience and versatility of Canon’s high-quality imagePROGRAF and PIXMA Pro inkjet printers.</p>
<p>Canon’s Education Team will be hosting in-booth guest speaker seminars and workshops throughout the 2015 NAB Show. The aforementioned guest speakers have collaborated with Canon in the past to develop educational content, and will be conducting user-focused product and workflow demonstrations, as well as question and answer sessions with attendees.</p>
<p>For more information and updates regarding the Canon Live Learning speaker schedule please visit:<a class="bold_text underlink" href="http://usa.canon.com/cusa/professional/standard_display/nab2015" target="_blank">http://usa.canon.com/cusa/professional/standard_display/nab2015</a></p>
<p>Canon’s Professional Services (CPS) will again be hosting the Canon Hospitality Suite. Located in Room C201, the Canon Hospitality Suite is open to all NAB tradeshow attendees with priority support for CPS Gold, Platinum, Cinema, and Enterprise members. After checking in at the CPS kiosk in the Canon Booth, visitors to the suite, located just off of the tradeshow floor, can experience Canon’s commitment to service and support for the professional imaging community.</p>
<p>Suite visitors will also be able to chat with Canon experts about Canon’s exciting developments in cinema, video and DSLR technology and Canon technical representatives will be on-hand to provide product consultations. Gold, Platinum, Cinema, and Enterprise CPS members can take advantage of the complimentary on-site Clean & Check Service (limited to two current* Canon DSLR bodies or lenses or one current* Cinema product or XF professional video camcorder registered to a member’s CPS account). Show attendees will also have the opportunity to sign up for Canon CPS membership. Product serial numbers for qualifying CPS equipment will be needed in order to process on-site membership applications. For restrictions and additional information, please visit<a class="bold_text underlink" href="http://www.cps.usa.canon.com/" target="_blank">www.cps.usa.canon.com</a>.</p>
<p>The Canon Hospitality Suite hosted by CPS will be open April 13<sup>th</sup> from 10:00am to 6:00pm, April 14<sup>th</sup> through April 15<sup>th</sup> from 9:00am to 6:00pm and April 16<sup>th</sup> from 9:00am to 12:00pm.</p>

Valvebounce · Mar 26, 2015

Hi folks.
I'm trying to reach PropeNonComposMentis, a member here about one of his posts, but he seems to have been completely deleted from the forum, including the post, very complimentary about my panning technique, that I was looking to ask about. Anyone know what would cause this?

Cheers, Graham.

Canon Rumors · Mar 26, 2015

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The long rumored small 4K camera we’ve been talking about from Canon appears to have shown up in China before its launch for NAB 2015 in Las Vegas next month. This definitely looks to be Canon’s foray into the drone market.</p>
<p>Jackie Chan also makes an appearance alongside the new camera.</p>
<p>SPECIFICATIONS (Updated in bold)</p>
<ul>
<li class="p1"><span class="s1">1″ CMOS Sensor</span></li>
<li class="p1"><strong>Removable grip</strong></li>
<li class="p1">58mm filter</li>
<li class="p1"><span class="s1">Built-in Wi-Fi</span></li>
<li>External Viewfinder</li>
<li>Canon 10X optical zoom 8.9-89mm f/2.8-5.6 4k video fixed lens (35mm Equi. 24-240mm)</li>
</ul>

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				<a href='http://www.canonrumors.com/wp-content/uploads/2015/03/4.jpg'><img width="150" height="100" src="http://www.canonrumors.com/wp-content/uploads/2015/03/4-150x100.jpg" class="attachment-thumbnail" alt="4" /></a>
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<p>Source: [<a href="http://photorumors.com/2015/03/25/is-this-the-new-4k-canon-video-camera/" target="_blank">PhotoRumors</a>]</p>

Richard8971 · Mar 25, 2015

I bought my 7D for $1550.00 back in 2010. I had upgraded from a 40D to the 7D and I loved it, and still do.

I purchased a 6D a couple of months ago for my full frame needs and my 7D with almost 80K clicks was starting to show some need of attention. First, the mirror assembly is starting to stick some. It lags sometimes returning from taking a photo and just lately the USB port crapped out. I can no longer connect it to my computer.

I had been playing with the idea of sending it in for repair or maybe even buying the new 7D2. I checked B&H and I saw that they still had stock of the 7D (new) and the BG-E7 grip. The prices were unbelievable. I decided against repairing my aging 7 and replaced it with a new 7D and BG-E7 grip from B&H for right around $860.00.

Why? The 7D is still an amazing camera even though some newer technology has replaced some of it's features. It's still very fast, in AF and FPS and the image quality is (in MHO) fantastic. It has done everything I have asked of it over the past 4 years and more.

Now, remember, I don't use my 7D for low-light shooting, that's what my 6D is for. I love the 6D, it's a great little camera with amazing image quality, BUT I still love shooting wildlife and the 7D is still hard to beat.

I know a lot of people are "rushing" out to get the 5D3 and the new 7D2 but the 7D1 is still a great camera. Just my 2 cents.

D

rocksubculture · Mar 25, 2015

It seems like late 2015/2016 will see announcements and (maybe) releases of either the 5D IV and/or 1DX II...

Based on Canon's upgrades on the 5D and 1D series in the past, I'd be curious about a round up of what we know from rumors on this site as well as thoughts from other Canon users about the following:

What is likely to come first, a 5D IV or 1DX II?

If the 5D IV comes before the 1DX II, will the likely advancements in the 5D IV make the current 1DX a much less viable value proposition?

It would seem like a higher FPS and overall speed (and probably more advanced focusing system) and improved ISO capabilities in low light (and a likely bump in resolution) on a 5D IV is a given, putting it much more competitive (and probably in some ways superior) compared with the existing 1DX. If so, would Canon drop the price of the 1DX more (or have a substantial rebate/instant rebate)?

The above makes me think that maybe the announcements would be close or concurrent. Or am I missing something?

Or do those factors make it likely that the 1DX II (or at least announcement thereof) would most certainly precede the announcement of the 5D IV?

The prices of the 5D III and 1DX continue to drop (especially from non-authorized dealers and as a result of exchange rates with other territories)... when each model is ultimately replaced, how long do you think the former model will continue to be available at retail? Or does Canon typically plan well enough that there is not much in channel to last long anyway? What do you think will ultimately be the bottom price for a new at retail 1DX? (I saw one new from a non-dealer on eBay over the weekend for $4,000)? What about the 5D III (which has been going in volume for grey market new copies at around $2,000)?

What do people expect the retail price to be for the 5D IV and 1DX II to be when released?

How soon after do you think the 6D II will be released to hold that "entry level" full frame spot in their line-up?

Is the current price (close to $1,000 street) for the 6D enough of an incentive for Canon to release a follow-up (6D II) around the same time as the 5D IV and 1DX II, at a much higher price (upwards of $2,000), to take away the large gap between the current 6D (around $1,000) and the 5D IV ($3,000-$4,000) and 1DX II ($6,500-$7,500?)?

Do you think a 6D II might adopt the current focus system of the 5D III / 7D II, as presumably the 5D IV and 1DX II will move up to the next level? If so, doesn't that make a 6D II more like the current 5D III, only with Wi-Fi and one SD card (vs 1 compact flash and 1 SD card)?

What are the chances that the 6D II will be nothing more than the existing 5D III with Wi-Fi built-in, just sort of renamed/rebranded at a reduced price? Seems like that would save them a lot on R&D costs.

Do you expect that the 1DX II will continue to feature two compact flash slots? What are the chances that it replace with two (faster) SD card slots, or maybe double up on both card types (two of each, four total) to further differentiate from the 5D IV?

What do you predict the megapixels to be for the 6D II, 5D IV, and 1DX II?

What are the chances of there being multiple variations of the 5D IV (like the 50mp 5Ds series)?

What are the chances that the 1D series will split into more than one type again?

Do you think Canon will continue to have relatively long life spans for each system, or do you think they will follow Sony's lead with annual updates and more variations on the same system (like the A7 series)?

Notice I didn't ask any questions about dynamic range (since it seems like any topic gets taken over by that already).

Jason

jedinite · Mar 25, 2015

Hi there,

I was wondering if anyone could share what gift is being provided with Platinum Memberships this year (2015).

I am currently a Silver member and almost qualified for a Platinum membership, so I am debating getting my next piece of glass early and then upgrading to Platinum for the gift. I spoke to customer service and they were unable to divulge what was given this year but he did tell me that in the past it has been a ThinkTank Bag or a ThinkTank laptop sleeve.

Also, perhaps future forum members can post their gifts here for future reference.

Cheers!

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