Whilst I'm in no rush to get a 50mp body, they will become much more the norm in the future, and given that a good lens design could easily have a production life of 10+ years, Canon will be designing and producing lenses that are able to bring the best out of 50 (and higher) mp bodies.TheJock said:I think that 50mp sensors are a long long way from being the norm, they are at best either an item that affluent enthusiasts will lap up just to have the latest offering, or a niche camera for professionals, I doubt that many pro’s will be running out to buy one unless their particular area demands the benefits of having files this size. Which brings me back on topic, Canon won’t be in any hurry to produce a whole range of lenses for this sensor size, so deliberating on the current L glass IQ and how it will look at 50mp doesn’t really transfer across to what actual L lenses are coming soon, that’s just my thoughts on it. Still hoping for a long ranger for wildlife with a maximum price tag of around $3,000.
That strikes me as the sensible way to do things - get some great lenses out before the high mp bodies.Crosswind said:@lintoni: so by 10+ years you mean pretty soon I guess. Look at how much time has passed since the 50 L 1.2 or the 35 one has been announced. I don't think that Canon was creating cupcakes in the meantime. 50 mp sensor 5DS also takes a very long time to develop. They were also developing some L glass along with the body for sure... just that the production of new lenses has started much earlier. At least that's what I guess.
So I'm expecting to see either a 50 L or 35 L coming very soon. Well... I'm more for the 50 L y'know![]()
IS is a add-on, it doesn't take away from a lens where as your not suppose to use a tripod, it adds more to your shooting needs. I never liked IS on a lens that i will be using a tripod but had to change that view as I own lenses that has IS and it gives you to freedom to shoot when light falls. and with today high ISO's IS is a very welcome thing. I look at IS stops the same I would with a bright lens, this is how i read it in my own way, f4 IS 3 stops will give me the same as a lens f2 or 1.8 since i can get away with slower shutter speeds it balances out to the missing stops in the focal lenght. this works very well for me. in the night dark on my 100mm hybird 4 stops I can shoot at 30s without any blur at all i would say that's pretty dam good with a 100mm focal length at ISO 800-1000 I do not have to cross that far with almost no grain at all. try doing that with without IS, good luck with that.drob said:Finn M said:drob said:Unfortunately, Canon's recent releases are either blah optics (ex...24mm, 28mm or 40mm 2.8) or OVER PRICED excellent optics but slow (11-24mm f4, 16-35 f4).
Why can't Canon innovate and produce quality optics for decent prices (Sigma, Tamron, heck even Rokinon with their manual focus lenses at cheap prices).
Either way, Canon is spitting out products but it seems like it is all lack luster stuff (with exception of the 7DMkII).
I get more excited to see what Sony and Nikon are doing with their full frames, and wondering when Canon will catch up.
You mention the EF 16-35/4L IS. This super sharp lens is one of my favourites and is not over priced at all! Slow? Not at all! It is very sharp even wide open and can therefore be used at f4. This is not the case with the old EF 17-40/4L and 16-35/2,8L which both has to be stepped down to f8 to give decent results with a full format sensor.
The new 16-35/4L IS is even sharp enough for the new 50Mpix sensor of the 5Ds which I have per ordered. And with a 50Mpix sensor IS becomes important, especially if you want sharp landscapes photos without using a tripod.
I just sold a Nikon D810 and a Nikkor AF-S 14-24/2,8 lens. Why? The Nikkor lens was very heavy, expensive and most important: it was not possible to use filters. The EF 16-35/4L IS is as sharp, cheaper and a much better choice.
Even you can afford it if you do like me: just reduce the number of lenses from 6 cheap ones to 2 good ones....![]()
Yeah, I'm a father of 2 with a stay at home wife...anything over 1K is overpriced to me. If Sigma is producing excellent lenses, most of which are <1K, I would suspect Canon can compete. IF I was going to shell out the cash for the EF 16-35, I would expect a f/2.8. Who needs IS on a tripod shooting landscape??
gaziola said:Am i the only guy in the world who wants to see canon release a 28mm f1.4???????![]()
lintoni said:That strikes me as the sensible way to do things - get some great lenses out before the high mp bodies.They showed off a 120mp sensor 5 years ago, so they knew top notch lenses were essential for the future.
ahsanford said:28mm at f/1.4 is a weird combo that I've never heard requested before. What would you use that for? Street? Environmental portraiture? Surely not astro, right? You'd use the 24 f/1.4 for that, right? Just curious.
AshtonNekolah said:IS is a add-on, it doesn't take away from a lens where as your not suppose to use a tripod, it adds more to your shooting needs. I never liked IS on a lens that i will be using a tripod but had to change that view as I own lenses that has IS and it gives you to freedom to shoot when light falls. and with today high ISO's IS is a very welcome thing. I look at IS stops the same I would with a bright lens, this is how i read it in my own way, f4 IS 3 stops will give me the same as a lens f2 or 1.8 since i can get away with slower shutter speeds it balances out to the missing stops in the focal lenght. this works very well for me. in the night dark on my 100mm hybird 4 stops I can shoot at 30s without any blur at all i would say that's pretty dam good with a 100mm focal length at ISO 800-1000 I do not have to cross that far with almost no grain at all. try doing that with without IS, good luck with that.