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Why I believe Canon should give a better ending for the DSLR system

I know this sounds nostalgic, and I know the era of SLR is long gone, but there are better ways IMHO that Canon can end its best period of history in camera industry in a better way.

Canon is the winner and by and large its ruthless pragmatic determination, when it switched from mechanic to electronic, from film to CMOS, and from EF-M to R. There is no hesitation, no back-looking, no doubting, but pure calculation. I appreciate it and admire it because that is the right thing to do to survive. Look at Olympus, Pentax, and Minolta (or even Nikon), do you think there persistence helped their loyal user ultimately? So first thing first, I am not saying that Canon should continue producing DSLR cameras and lenses. I am saying that Canon should have a better ending of it.

(1) 5D and 5D mark II, 6D and 6D mark II, 7D and 7D mark II are great lineups and "touch up". I would consider 5D mark III and 5D mark IV as a new line that should be named 4D and 4D mark II as upgraded version to compete with mirrorless cameras. So I think Canon has done everything it can here. However, just like EOS 3 in the days of film photography, Canon should have made a EOS 3D to summarize all the "black technologies" that promises sequels that could knock your socks off (if it wants). It can be anything that is either not mature in time, or seemingly useless, or just unconventional for DSLR. That is what Canon can do as a finale. Of course, a 135L IS, a 50L IS, a 99D (catch up everything for the euthanistic amateurs), or even a m5 mark ii are all good candidates as well to end the era.

(2) This is not about selling or marketing. This is not about keeping the same lens mount like Nikon or Pentax did for SLR. (I know Sony is doing it as well, but it is too young to be discussed...) Again, this is a elegant gesture and a love letter for all the Canon users that says, I care of you. Look at what Olympus did in the past a couple of years-as a much smaller company department, they have the gut to upgrade nearly all their lines and squeeze in all techniques that they can before it went bankrupt. What do you think the purpose of it? It says, I am a reputable manufacture and I care about my reputation which is all about the best design and a dedication to the best engineering. Craftsman's spirit of Japan is what makes the camera country-all the innovation is based on the limitation of feasibility, affordability, and reliability. And DSLR can really showcase such spirit. That is why DSLR should be a tradition, not a trend.

(3) I know it is funny. Yesterday we complained about Canon that is too slow to make mirrorless with a concern of losing its market share of DSLR. Today we complained about Canon that do not make better DSLR afraid of competing with its own DSLR. But that is the beauty of being conservative. But let me think of a world without Sony. If Canon slows down a bit, the design pitfalls of m6 mark ii will not happen; the weird design of EOS R and R7 control wheel/bar will not happen. And R and Rp will have better modulation of the chips and will not be in their position today (think about how graceful and adequate when Canon started to lauch its full spectrum of DSLR from the 00s, one by one). All these rushed products are fundamentally ruining the reputation and market shares in the end since it is not about creating the best camera no more-it is all about beating Sony. So can you be sure that there is really nothing can be learnt from the 30 years of DSLR? Do we just want to follow Sony to do everything in the design of a good camera? In the end of the day, it is not a war of specs, at least that is not the game Canon has been playing successfully for the past 20+ years. Who do you want to sell your mirrorless cameras? How many of them are shooting videos (and upload to Youtube and discuss about the video capability)? There are many good questions that no one dares to think!

RIP DSLR...or?
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Anyone tried livestreaming with R5 + Sony Xperia Pro-I ?

I was wondering if anyone tried to use a Canon Eos r5 along with a Sony Xperia Pro-I to use it as external monitor and enable livestreaming possibilities ?

Sony xperia Pro had a micro HDMI connector so it should work with this one. But it's getting older.
Since Canon enabled using our r5 as webcam, i assume it's compatible with USB uvc protocol.
So i was wondering if anyone tried connecting an r5 to a Sony xperia Pro-I to see if it works (i mean if external monitor and livestreaming do).

Looking forward reading back from your tests.

Patent: Optical formulas for a trio of wide f/1.8 prime lenses for the RF-S mount

A new patent showing off some lens element coating to help with ghosting and other anomalies has appeared alongside optical formulas for what appears to be RF-S prime lenses.
Below are the three prime lens designs shown in the patent, we wouldn’t be surprised for one of these to hit the market as a consumer product.
Canon RF-S 21mm f/1.8

Focal length: 20.60mm
F-value: 1.85
Half angle of view: 46.4°
Image height: 18.71mm
Overall length: 84.87mm
Back focus: 11.00mm

Canon RF-S 24mm f/1.8

Focal length: 24,72mm
F-value: 1.85
Half angle of view: 41.2°
Image height: 19.34mm
Total length: 81.00mm
Back focus: 11.00mm

Canon RF-S 28mm f/1.8

Focal length: 28.60mm
F-value: 1.85
Half angle of view: 37,1°
Image height: 20.15mm
Total length: 81.00mm
Back focus: 13.20mm

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Last in stock DSLRs bodies

These are the last DSLRs still on stock. Prices are for US$ body-only as listed on BH Photo

Canon

Nikon

Petax
Forex: ₱55.99 = $1.00

Patent: Internal liquid cooling of camera body

Keith over at Northlight Images uncovered a pretty cool patent pertaining to cooling of camera bodies. A lot has been discussed about this topic over the last couple of years.
This patent shows Canon using magnets to pump the liquid through the cooling tubes, which I would think, would make this type of active cooling silient, unlike internal cooling fans. This would also do a much better job of bringing the internal temperatures down that simply using copper heatsinks.
Cooling of camera bodies is going to be an area a lot of resources are going to be poured into we think. Especially with consumer 8K, high-resolution and high-speed cameras becoming more common, and they’re only going to get faster and more capable in the future.


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RRS plate for R7

Planning to purchase an EOS R7 in the near future to replace my 90D, I reached out to RRS to see if they intend to offer an L-bracket for this model. I spoke to them on the phone and was told there are no immediate plans, but they would to continue to gauge interest as the camera is rolled out. If anyone else is hoping for an RRS plate or L-bracket for the R7, it couldn't hurt to send them an email.

I have a ballhead and pano setup that both have their lever release clamps, which they claim need either RRS or Wimberly plates because of the machining tolerances needed to safely close and lock with the lever clamp. I kind of regret choosing the lever clamps for this reason. Compared to the range of models RRS used to offer, they seem slow to roll out new products and don't offer the range they used to. I suppose this is due to the frequency with which new digital cameras are rolled out, compared to the film days. They don't even offer a universal L-bracket anymore.

It looks like the next best option is an L-bracket from 3 Legged Thing and hope it works with the lever clamp, or swap out the clamp for a screw style. One of the nice things about the camera-specific RRS brackets are the lens center markings on both the horizontal and vertical plate surfaces. Not really necessary for normal use but handy when lining up for panos.

The Canon RF 300mm f/2.8L IS USM appears to be getting closer [CR3]

One of the most requested super telephoto lenses for the RF system is a Canon RF 300mm f/2.8L IS USM. The Canon EF 300mm f/2.8L IS II USM has been discontinued for quite some time.
We have been told that Canon has prototypes out in the wild and that the lens is a ground-up redesign of the focal length.
The source claims that weight has been reduced by almost 40% and  the length by as much as 30% over it’s EF predecessor, though they didn’t have the exact dimensions and weight to give us.
Weight savings in lenses is something Canon has been pouring a ton of R&D into, and this revelation shouldn’t shock us.
We can reportedly expect to see the Canon RF 300mm f/2.8L IS USM some time in the first half of 2023.
Keep a close eye on the sidelines of the 2022 World Cup in Qatar in November.
More to come…

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Patent: Canon presents some interesting fast zoom lens optical formulas

Canon appears to be working on some very fast zoom lenses for the RF mount. I’m not sure any of these optical formulas will lead to actual products, but it’s likely that these are part of the R&D for a more traditional zoom range with a fast aperture.
These designs could be for the Cinema EOS line and not for RF. The backfocus distances are all over the place in this patent.
Canon 30-90 f/1.5

Focal Length: 31.20-89.85
F-value: 1.51
Half angle of view: 25.38-9.35
Total length: 284.23
Back focus: 39.00

Canon 21-80 f/1.5

Focal length: 21.00-80.57
F-value: 1.51
Half angle of view: 35.17-10.41
Total length: 288.03
Back focus: 39.00

Canon 18-45 f/1.5

Focal length: 18.01-45.01
F-value: 1.51
Half angle of view: 39.422-18.20
Overall length: 308.88
Back focus: 39.00

Canon 40-100 f/1.5

Focal Length: 40.00-99.97
F-value: 1.51
Half angle of view: 20.31-8.42
Overall length: 282.55
Back focus: 39.62

Canon 45-130 f/2.2

Focal length: 45.00-129.00
F-value: 2.25
Half angle of view...

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Bad news: The Canon RF 35mm f/1.2L USM has been pushed into 2023

It seems that we have been talking about the Canon RF 35mm f/1.2L USM forever. This lens has been on our pretty accurate RF lens roadmap since the beginning.
We have reported that it would be announced in 2021, and then in 2022, and now we are told that the lens has been pushed back to 2023. We’re not exactly sure why the lens has been pushed back, but I think that we can assume as to why, and we’re tired of typing the reasons!
We have been told that Canon would like to announce it alongside two other RF L prime lenses to round out the lineup. With the Canon RF 135mm  f/1.8L USM expected to be announced, I think it’s likely that we will see an RF 24mm f/1.4L USM, RF 35mm f/1.2L USM and another wide angle L lens announced if things go to plan for Canon.
At least one dealer has confirmed this information to us.

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EOS R7 Question

I have my R7 for 2 weeks now (my first mirror-less).

I don't know if I have a problem or not. I happened to put the R7 body against my ear and discovered that there is a noise coming from the camera - difficult to describe the noise. It is definitely not my ears, my daughter can also hear it.

Could any other R7 owner check this out and let me know if you hear any noise?

The next full-frame RF mount camera will be a replacement for the Canon EOS R

The next RF mount camera that Canon will release will be APS-C, but we can also expect a new full-frame RF mount camera in the next 6 months or so.
The new camera will be a replacement of sorts for the original Canon EOS R, but it won’t be called the Canon EOS R Mark II. The new full-frame camera will sit below the Canon EOS R6, but will not be a new version of the Canon EOS RP. We think the rising costs in the supply chain may have delayed or nixed the rumored $899 full-frame R series camera.
We have been told that the new camera could be announced in late 2022 or in early 2023, with a ship date coming in Q1 of 2023.
We have seen some rumored specifications, but we aren’t confident in their accuracy, so we’ll hold off on that...

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Lexar announces the Gold Series CFexpress Type A cards, the world’s fastest

San Jose, USA, August 9, 2022 – Lexar, a leading brand of flash memory solution, is excited to announce the new Lexar® Professional CFexpress™ Type A Card GOLD Series and Lexar® Professional CFexpress™ Type A/SD™ Card Reader.
With superior performance and read speed up to 900MB/s1, write speed up to 800MB/s1 and minimum write speed of 700MB/s1 the Lexar® CFexpress™ Type A Card GOLD Series is for professional creators who want to capture high-resolution images and cinema-quality 8K video with ease. And, with Video Performance Grade 400 (VPG 400), this ensures stable video recording at a minimum of 400 MB/s, giving creators peace of mind so they never miss a frame.
Availability:

Amazon
Adorama

CFexpress Type A Card GOLD Series

For photographers and videographers who demand superior performance with transfer speeds of up to 900MB/s read
Transfer speeds up to 900MB/s read, 800MB/s write, and minimum write...

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Sapphire Coated Optical Grade Acrylic Prime Lenses at T1.0 to T2.0

High-end Fluorite Glass typically used in premium-quality prime and zoom lenses have a Refractive Index of 1.434 while pure optical grade acrylic is 1.495. A lens coating such as Sapphire has a refractive index of 1.76 (i.e. refractive index = how much does light "bend" away from a given incoming light direction)

Refraction is a good thing or a bad thing depending upon application. In terms of Cinema-grade prime lenses and zoom lenses equivalent to the quality of Zeiss Master Primes or Leica Summilux-C, high refraction indexes are a GOOD THING allowing a lens designer to grind and shape lenses so that MORE LIGHT is gathered and re-directed towards the CMOS/CCD image sensor. This means brighter, clearer imagery with less object edge fringing and unintended distortion.

If one uses advanced software that ray-traces each light ray path towards each photosite on an imager, one can design BOTH prime and zoom lenses such that T1.0 to T2.0 lenses can be made that are TRULY NEUTRAL AND SHARP with ALMOST NO coma, chromatic aberration, colour shifting or prismatic effects! By coating the outer and inner layer of an optical grade all-acrylic lens element with Sapphire (aka clear Aluminum Oxide), the layer density and the optical diffraction and refraction path differences between the two substances CAN be accounted for in software that then gets translated to real world light gathering in variable conditions ranging from Golden Hour Sunset/Sunrise to Harsh Overhead Noon Sunlight to Gloomy Cloud-cover days and near midnight dark conditions.

The key issue being outlined in this post is that very recent discoveries relating to inexpensive mass-production of thick-film sapphire coatings (one mm and greater) vacuum-sputtered onto all-acrylic lens elements combined with advanced ray-tracing software HAVE NOW BROUGHT the ability to make Zeiss and Leica-quality Cinema-grade prime and zoom lenses that cost one-third to one-tenth the cost of those vaunted brands and are HALF-THE-WEIGHT!

One-Third to One-Tenth the cost of Sony G-series, Canon L-series, Leica Summi/Lummi-series and Zeiss Master Prime/Otus at Half-The-Weight at T1.0 to T2.0

A global public announcement with global retail and pricing information is coming soon ..... Get Ready!

V

Canon thinks that the camera market decline has bottomed out, and targeted growth is coming

Canon has ammended their Q2 2022 financials with their thoughts about the future of the camera market. It’s one that we tend to agree with. The entry-level market formerly represented by the Powershot line and EOS Rebel line is essentially over for the obvious Smartphone reasons.
A few years ago Canon did say that they see the future of the business to be in producing products to target specific types of users. Now Canon thinks that they will see growth in the prosumer and professional spaces. A Sony executive’s recent silly claim that Smartphones would surpass ILCs in performance within three years aside, Canon will continue to listen to customers and produce targeted products to meet their ever changing needs.
Canon also says that they will continue to produce DSLRs as long as their is demand. I would not expect new DSLRs to be announced, but cameras like the Canon EOS-1D X Mark III will be a viable tool for years to come.
Below is...

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Canon’s next RF mount camera is in the field

Canon’s next APS-C camera will be a small form factor “vlogger”, which we’re told will be close to the Canon EOS M6 Mark II in design.
Confirmed specifications are still relatively unreliable, but you can be sure that it will shoot 4K at 60fps and that there will likely be a 120fps mode.
We have also been told that the camera will use a different kind of vari-angle LCD screen. We cannot confirm this as we haven’t seen the camera yet. Canon’s current design is loved by a lot of people, but not everyone. The number one complaint we hear is that the screen flips to the side, and a lot of people would like it to flip over the camera.
We hope to confirm more information about this camera soon. It is expected to be announced before November 2022.
More to come…

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R10 user reports

Hey Gang,

Got my R10 yesterday from Amazon. It's going to replace my trusty 77D that has been used primarily as a travel camera and theoretically as a backup to my R6 for professional work. I took it out for a short trial run today with tripod and various lenses. Here are some things I've noticed so far.

It's really nice to have a joystick to move the focus box, like I have on my R6.

The menus are quite familiar and seem to have a few new options I need to explore later.

The sensor performance is very similar to my old 77D, which was also 24 mp. No real improvement that I can see. In Lightroom, ISO 800 is usable without noise reduction. Shots above that ISO respond well to noise reduction. 3200 is the highest I tried, since I don't plan to use this camera for low light work.

I was really hoping the RF 18-45 kit lens would be better than the horrible kit lenses in the EF-S line. It looks like there is substantial improvement, but you will still want a better lens or three if you are a pixel peeper like I am. I haven't tried any RF L-series lenses yet, but I did try the consumer grade RF 16, 35, 50 and 85mm lenses. They were all noticeably sharper than the kit lens, as you would expect. They were best when stopped down to the F4 to F8 range. The kit lens did not get sharper when stopped down.

The kit lens has a strange setting on the zoom ring to retract the lens. It takes more force than you might expect, but you won't have to worry about lens creep. There is a choice in the menu to automatically retract the lens when the camera is turned off, which sounds like a nice option. Unfortunately it didn't work with my kit lens. Anyone know the story on that?

I'm pleased with the small size of the R10. It's smaller than the Rebel bodies I've used as travel cameras for years, but still has a nice grip and controls. My travel cameras have to ride in backpacks or motorcycle tank bags, so size and weight are critical. They also have to compete for attention with my cell phone when it's time to pick which camera to bring along on a trip.

Overall, here are the advantages over my 77D: It's smaller and lighter. The kit lens is better, but still not great. The autofocus system is excellent and very similar to my R6. It allows me to use my small but growing collection of RF lenses.

What would I like to see Canon offer in the future? These high density crop sensors really deserve L-grade optics in a small form factor that don't compromise portability. I would pay a lot for an 18-45 kit lens about the same size as the current one, but built with high grade glass. Sure, you can put full frame L lenses on these little bodies, but that totally defeats their purpose.

I tried to attach a RAW file, but this site doesn't allow that. Sorry!
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Shutter shock on the R7

There is discussion in various forums about shutter shock with Electronic First Curtain Shutter (EFCS) with the R7. I have been following this and have done careful tests of my own with charts and would like to sum up the situation. Shutter shock can occur when any shutter is opened mechanically and it causes a vibration, independent of whether the camera is mirrorless or a conventional DSLR, unlike mirror slap that can't occur for mirrorless. EFCS is designed to avoid this as the shutter opens electronically and closes mechanically, after exposure. But, it has been noted with the R7 in its high speed 15 fps drive for EFCS that the first shot is fine but that there is shutter shock for the subsequent shots. This appears to be because the shock of closing can vibrate the following shot. This doesn't happen for all lenses, the adapted EF 100-400mm II, for example, has been reported to be immune.

I have tested the RF 100-400mm, RF 100-500mm and RF 800mm f/11. In H+ mode of 15 fps with EFCS and mechanical shutter, there is noticeable shutter shock at lower shutter speeds that is nearly gone by 1/250s and completely absent at 1/400s. Electronic shutter has zero shutter shock as expected. In the H mode of 8 fps for EFCS, I couldn't see shutter shock at 1/60 s.

So the take home message is: avoid H+ mode for EFCS at /250s or slower and all mechanical modes at 1/250s or slower. Also, the R7 does have bad rolling shutter with ES, so avoid that when wings are flapping fast or panning fast against vertical lines. But, the R7 has a good variety of drive modes, the H+ mode is 30 fps for ES and 15 fps for MS and EFCS, the H is 15fps for ES, 8 for EFCS and 6.5 for for MS, and low continuous is 3 fps for all three modes, and so we have lots of choice for different situations. I leave the camera in low speed continuous ES for static shots, H+ ES for BIF and H+ EFCS for insects in flight etc where rolling shutter can be a disaster.
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