Etienne said:
4K cannot be ignored, and with DPAF delivering the dream of reliable video autofocus it is only natural that videographers want it now, especially in full frame.
Who said they are ignoring it? They just don't think it is important to the target market of the 6D2 and 5DIV - and given the amount of research they do to find out what people need, I trust their experience rather than your 'I want everything in one camera at the same price' view'.
Etienne said:
The intimacy of an f/1.4 portrait lens on a FF is so tantalizing, but it is notoriously difficult to focus. Getting a 4K option with DPAF in full frame would not in anyway replace or compete with the cinema line, but it would add the ability get that full frame intimate look for key shots.
Are you talking stills or video?
Do Sony offer 4K full frame vdieo with DPAF? Just asking. If not, why not go over to Sony and complain about their lack of technology?
Etienne said:
Also, when travelling light, and/or alone, multiple cameras is not always possible. The idea that you should always have and use the perfect camera for the job, say 6D for stills and bring a C300 for video, is not only unrealistic, but bringing an excess of equipment can prevent you from getting the shots.
Which camera offers that 'one camera fits everything' role? Does Sony? Panasonic?
Etienne said:
Virtually every free lancer will have dealt with this issue. Having a compact stills/video/low light/ shallow DOF all in one camera is the needed too, and the right tool for the one-man-band freelancer ... even if they have to up the price.
Which camera offers this?
The reason I ask 'which camera...' above is to see if one camera does do everything you want, and does everything to the highest level you would want. Please do enlighten me which camera is the one you would prefer given a free choice.