There is no such thing.Yes, I would look in to sponsoring Magic Lantern.
Magic Lantern is fully volunteer.
There are however some side projects that take money.
That is a murky legal area that Magic Lantern wants nothing to do with.
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There is no such thing.Yes, I would look in to sponsoring Magic Lantern.
Why do we have to give up the current model where we paid for our camera and it will work until its circuit boards fail? Why do we have to pay for something, then continue to pay for it to be able to use it?I would definitely prefer to buy a subscription instead of buying a new camera because my current camera is no longer supported.
It's in French as well for @Del Paso !Do you have teenage kids? That may be a desirable feature.
Meanwhile, on the inside of my Bosch fridge:
View attachment 215120
Indeed. On a tangential note, I shudder to think that we could reach a point where it is difficult to distinguish between machine-generated and photographer('s skills) generated photo. Imagine a camera that can automatically recompose, crop, adjust the colours (they already do somewhat) according to the genre, remove noise, add/substrate DoF, etc based on personal preferences (that the AI learns about the user). I do not know whether to welcome this, toss out photography, or go back to film.It was exactly that.
Deep learning is just a higher degree of machine learning.
It is a term of art.
I doubt most lay people know what it means or even care.
Go back to film and the rest will look at you in their rear-view mirrors or more likely their rear view cameras as they accelerate into the future. Seriously, the field of painting changed because of the introduction of photography, and so photographic artists will have to adapt.Indeed. On a tangential note, I shudder to think that we could reach a point where it is difficult to distinguish between machine-generated and photographer('s skills) generated photo. Imagine a camera that can automatically recompose, crop, adjust the colours (they already do somewhat) according to the genre, remove noise, add/substrate DoF, etc based on personal preferences (that the AI learns about the user). I do not know whether to welcome this, toss out photography, or go back to film.
I agree!!!Give us AI that ignores sticks and twigs when hunting for birds. Grab focus on the bird that's perched inside a thicket or forest. Do THAT automatically, and Canon will own the bird photography market.
Subscription is something I personally dislike extremely. Buying features is a totally different thing. Just my opinion.
However, the only thing that has to be better /much better for me to get interested in updating my R5 is speed/responsiveness and AF.
Yes, the company that has nearly 50% of the market is 'desperate'. Mmmmmkay.Am I the only one who thinks that turn to a subscription model makes the company look desperate?
And I'd rather have 60mp+, 80mp even better. Who's right between me and you? Hint: we both are, we just have different needs and wants and constraints which are all valid... for us specifically.In what world is 45 low resolution. That’s much higher than most cameras already. The average is 24-35. I’d MUCH rather not go up to 60. What canon needs to do is come out with an “r” model like LUMIX, where it’s focused on the shooter who for some reason want higher MP.
They just look very greedy.Adobe does not look desperate to me...
I do not think they will do that... there's simply not enough of us left, old geezers looking at little screens that are not on phonesThe subscription model is already beginning to show some fatigue, as TV streamers offer a lower subscription price with advertising v without advertising. Here's your real nightmare: turning on your discounted-price R52 and watching 30 seconds of ads on that 3-inch display from Pepsi, B&H Photo, Ozempic, etc. An ad-free R52 will still be instant on, but you’ll pay more for that privilege. Camera displays may be the final frontier for advertisers. Yuck.
I was definitely one of the few people hoping for more resolution, but it is what it is I guess! I'm sure there are thousands if not hundreds of us!
Jokes aside, if Canon moves to a subscription service for bodies I am very likely out. I'm content paying for a better feature up front (or even later - I was one of the few that paid for c-log on my 5DIV), but if this is a recurring fee for use of a product I already purchased, then I'm pretty off-put by that idea. I would hope any subscription service means that the service keeps delivering new things, like meaningful changes, but if it's extracting money from me for a body and features I bought ages ago, or if my features get disabled when I cease my subscription, then I'm not ok with that.
I tend to buy every other cycle at best. If that strategy no longer saves me money in the long run because of a subscription model, then I really have to take a hard look at any future purchases.
I guess my musing is whether AI in photography will get to the point where the photographer's input becomes miniscule or to the extent that it is largely irrelevant. On the other hand, photography might evolve into a form that cannot be imagined today, and we evolve with it in tandem. Meanwhile, I will enjoy its present form or something close enough where the photographer's input matters.Go back to film and the rest will look at you in their rear-view mirrors or more likely their rear view cameras as they accelerate into the future. Seriously, the field of painting changed because of the introduction of photography, and so photographic artists will have to adapt.
LOL... I think they used the language "completely new" over and over again in that 2-3 year period where they ran with the same 18mp sensor, just changing the microlenses. I always thought that would eventually get them in trouble with the FTC on a claims issue if some user decided to get pedantic about it (what; a forum user pedantic?!).Either way, it will be “newly developed”…
Ooh, just thought of something else: if a subscription scheme wound up being a finance plan of sorts, then it may have an interesting effect in having more users of other mounts test out Canon. Likewise, it would make it easier for Canon users to justify testing out another mount, as their sunk costs would be lower. Of course that ignores the capital invested in lenses.Another user above noted that a subscription could subsidize initial hardware cost, which I find intriguing. Imagine a $199 R5 II, with a $99 per month sub. You'd pay about $5k running that rig for four years, and I bet more people would wind up getting 2 rather than 1. That's kinda interesting, especially if you were given the option of buying outright or subscribing, making it essentially a financing plan option. This would have different tax consequences (pro and con) depending on your country for pros.